Kirjahaku

Traces the murder of the controversial Dutch filmmaker and great-grandnephew of Vincent van Gogh by an angry Muslim immigrant's son who promptly committed ritual suicide, describing how the event sent shock waves throughout Europe and tested the boundaries of the secular West's tolerance of other cultures. Reprint. 40,000 first printing.

From Shanghai before and during the Second World War to U.S. occupied Tokyo, and, finally, to the Middle East in the early 1970s, Ian Buruma's masterful novel about the intoxicating power of collective fantasy follows three star-struck men driven to extraordinary acts by their devotion to the same legendary woman. A beautiful Japanese girl born in Manchuria, Yamaguchi Yoshiko is known as Ri Koran in Japan, Li Xianglan in China, and Shirley Yamaguchi in the U.S., and her past is a closely guarded secret. In Buruma's reimagining of the life of Yamaguchi Yoshiko, a Japanese girl torn between patriotism for her parents? homeland, worldly ambition, and sympathy for the Chinese, she will reflect almost exactly the twists and turns in the history of modern Japan. The China Lover is both luminously written and imbued with the insights and erudition that have made Ian Buruma one of the most respected writers on modern Asia.

Ian Buruma explores the life and death of Baruch Spinoza, the Enlightenment thinker whose belief in freedom of thought and speech resonates in our own time A New Yorker “Best Book of 2024” Selection “An elegant, relevant biography of a vital thinker.”—Kirkus Reviews (starred review) Baruch (Benedictus) Spinoza (1632–1677) was a radical free thinker who led a life guided by strong moral principles despite his disbelief in an all-seeing God. Seen by many—Christians as well as Jews—as Satan’s disciple during his lifetime, Spinoza has been regarded as a secular saint since his death. Many contradictory beliefs have been attached to his name: rationalism or metaphysics, atheism or pantheism, liberalism or despotism, Jewishness or anti-Semitism. However, there is no question that he viewed freedom of thought and speech as essential to an open and free society. In this insightful account, the award-winning author Ian Buruma stresses the importance of the time and place that shaped Spinoza, beginning with the Sephardim of Amsterdam and followed by the politics of the Dutch Republic. Though Spinoza rejected the basic assumptions of his family’s faith, and was consequently expelled from his Sephardic community, Buruma argues that Spinoza did indeed lead a Jewish life: a modern Jewish life. To Heine, Hess, Marx, Freud, and no doubt many others today, Spinoza exemplified how to be Jewish without believing in Judaism. His defense of universal freedom is as important for our own time as it was in his.

Ian Buruma explores the life and death of Baruch Spinoza, the Enlightenment thinker whose belief in freedom of thought and speech resonates in our own time A New Yorker “Best Book of 2024” Selection “An elegant, relevant biography of a vital thinker.”—Kirkus Reviews (starred review) Baruch (Benedictus) Spinoza (1632–1677) was a radical free thinker who led a life guided by strong moral principles despite his disbelief in an all-seeing God. Seen by many—Christians as well as Jews—as Satan’s disciple during his lifetime, Spinoza has been regarded as a secular saint since his death. Many contradictory beliefs have been attached to his name: rationalism or metaphysics, atheism or pantheism, liberalism or despotism, Jewishness or anti-Semitism. However, there is no question that he viewed freedom of thought and speech as essential to an open and free society. In this insightful account, the award-winning author Ian Buruma stresses the importance of the time and place that shaped Spinoza, beginning with the Sephardim of Amsterdam and followed by the politics of the Dutch Republic. Though Spinoza rejected the basic assumptions of his family’s faith, and was consequently expelled from his Sephardic community, Buruma argues that Spinoza did indeed lead a Jewish life: a modern Jewish life. To Heine, Hess, Marx, Freud, and no doubt many others today, Spinoza exemplified how to be Jewish without believing in Judaism. His defense of universal freedom is as important for our own time as it was in his.

Buruma's prismatic, fascinating first novel is a portrait of Ranji, the cricket player who was "not simply the greatest cricketer of all time, but a fairy tale prince . . . so famous that children sang songs about him, and grown men wept when they saw him play." Buruma weaves the adventures of an unnamed narrator together with a (fictional) undiscovered memoir of Ranji to create a witty and reverbatory meditation on England, India and the post-colonial sense of self.

"Imaginative, original--wittily written."--The Washington Post Book World To some, England has long represented tolerance, reason, and political moderation. To others, it is a moribund bastion of snobbery and outdated tradition. In this lively and diverting social history, noted author Ian Buruma, himself the son of Dutch immigrants to England, provides an incisive look at anglophilia--and anglophobia--over the last two centuries. From passionate enthusiasts like Voltaire and Goethe, to exiles like Garibaldi and Herzen, to colorful England-bashers like Napoleon, Marx, and Kaiser Wilhelm II, Anglomania gives a sharply satirical account of Europe's sometimes comical, sometimes deadly prejudices, and explains why England's individuality and her relationship with Europe is still vitally important as we enter the twenty-first century.

From Naipaul's India to the last days of Hong Kong, and from the ghosts of Pearl Harbor to Benazir Bhutto, Buruma delivers an engaging and incisive look at the ways East and West understand-and misunderstand-each other. At home in both worlds, Buruma traverses the realms of journalism, literary criticism, and political analysis, to examine the dialogue of fact and fantasy that affects our perception of far-away lands. Whether deconstructing the films of Satyajit Ray or the novels of Yoshimoto Banana, Buruma offers a splendid counterbalance to fashionable theories of clashing civilizations and uniquely Asian values. In twenty-five illuminating, often humorous essays, The Missionary and the Libertine shows us why Buruma's reputation for writing the most compelling commentary on the faultlines of the East-West divide is so secure.

Why religion must be separated from politics if democracy is to thrive around the worldFor eight years the president of the United States was a born-again Christian, backed by well-organized evangelicals who often seemed intent on erasing the church-state divide. In Europe, the increasing number of radicalized Muslims is creating widespread fear that Islam is undermining Western-style liberal democracy. And even in polytheistic Asia, the development of democracy has been hindered in some countries, particularly China, by a long history in which religion was tightly linked to the state.Ian Buruma is the first writer to provide a sharp-eyed look at the tensions between religion and politics on three continents. Drawing on many contemporary and historical examples, he argues that the violent passions inspired by religion must be tamed in order to make democracy work.Comparing the United States and Europe, Buruma asks why so many Americans—and so few Europeans—see religion as a help to democracy. Turning to China and Japan, he disputes the notion that only monotheistic religions pose problems for secular politics. Finally, he reconsiders the story of radical Islam in contemporary Europe, from the case of Salman Rushdie to the murder of Theo van Gogh. Sparing no one, Buruma exposes the follies of the current culture war between defenders of "Western values" and "multiculturalists," and explains that the creation of a democratic European Islam is not only possible, but necessary.Presenting a challenge to dogmatic believers and dogmatic secularists alike, Taming the Gods powerfully argues that religion and democracy can be compatible—but only if religious and secular authorities are kept firmly apart.

The author of Bad Elements and The Missionary and the Libertine traces the history of Japan from the country's nineteenth-century feudal isolation, to its rise to military power and defeat during World War II, to its rebirth as a global economic power and working democracy in the postwar era. Reprint.

A classic memoir of self-invention in a strange land: Ian Buruma's unflinching account of his amazing journey into the heart of Tokyo's underground culture as a young man in the 1970's When Ian Buruma arrived in Tokyo in 1975, Japan was little more than an idea in his mind, a fantasy of a distant land. A sensitive misfit in the world of his upper middleclass youth, what he longed for wasn't so much the exotic as the raw, unfiltered humanity he had experienced in Japanese theater performances and films, witnessed in Amsterdam and Paris. One particular theater troupe, directed by a poet of runaways, outsiders, and eccentrics, was especially alluring, more than a little frightening, and completely unforgettable. If Tokyo was anything like his plays, Buruma knew that he had to join the circus as soon as possible. Tokyo was an astonishment. Buruma found a feverish and surreal metropolis where nothing was understated--neon lights, crimson lanterns, Japanese pop, advertising jingles, and cabarets. He encountered a city in the midst of an economic boom where everything seemed new, aside from the isolated temple or shrine that had survived the firestorms and earthquakes that had levelled the city during the past century. History remained in fragments: the shapes of wounded World War II veterans in white kimonos, murky old bars that Mishima had cruised in, and the narrow alleys where street girls had once flitted. Buruma's Tokyo, though, was a city engaged in a radical transformation. And through his adventures in the world of avant garde theater, his encounters with carnival acts, fashion photographers, and moments on-set with Akira Kurosawa, Buruma underwent a radical transformation of his own. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him. With his signature acuity, Ian Buruma brilliantly captures the historical tensions between east and west, the cultural excitement of 1970s Tokyo, and the dilemma of the gaijin in Japanese society, free, yet always on the outside. The result is a timeless story about the desire to transgress boundaries: cultural, artistic, and sexual.

'The whole thing sparks astonishingly to life' ObserverWhen Ian Buruma arrived in Tokyo as a young film student in 1975, he found a feverish and surreal metropolis in the midst of an economic boom, where everything seemed new and history only remained in fragments. Through his adventures in the world of avant-garde theatre, his encounters with carnival acts, fashion photographers and moments on-set with Akira Kurosawa, Buruma came of age. For an outsider, unattached to the cultural burdens placed on the Japanese, this was a place to be truly free. A Tokyo Romance is a portrait of a young artist and the fantastical city that shaped him, and a timeless story about the desire to transgress boundaries: cultural, artistic and sexual.

'Rich and rewarding' Wall Street JournalIt is impossible to understand the last 75 years of British and American history without understanding the Anglo-American relationship, and specifically the bonds between presidents and prime ministers. FDR of course had Churchill; JFK famously had Macmillan, his consigliere during the Cuban Missile Crisis. Reagan found his ideological soul mate in Thatcher, and George W. Bush found his fellow believer, in religion and in war, in Tony Blair. In a series of shrewd and absorbing character studies, Ian Buruma takes the reader on a journey through the special relationship via the fateful bonds between president and prime minister. It's never been a relationship of equals: from Churchill's desperate cajoling and conniving to keep FDR on side, British prime ministers have put much more stock in the relationship than their US counterparts did. For Britain, resigned to the loss of its once-great empire, its close kinship to the world's greatest superpower would give it continued relevance, and serve as leverage to keep continental Europe in its place. As Buruma shows, this was almost always fool's gold. And now, as the links between the Brexit vote and the 2016 US election are coming into sharper focus, it is impossible to understand the populist uprising in either country without reference to Trump and Boris Johnson, though ironically, they are also the key, Buruma argues, to understanding the special relationship's demise.

It is impossible to understand the last 75 years of British and American history without understanding the Anglo-American relationship, and specifically the bonds between presidents and prime ministers. FDR of course had Churchill; JFK famously had Macmillan, his consigliere during the Cuban Missile Crisis. Reagan found his ideological soul mate in Thatcher, and George W. Bush found his fellow believer, in religion and in war, in Tony Blair.In a series of shrewd and absorbing character studies, Ian Buruma takes the reader on a journey through the special relationship via the fateful bonds between president and prime minister. It's never been a relationship of equals: from Churchill's desperate cajoling and conniving to keep FDR on side, British prime ministers have put much more stock in the relationship than their US counterparts did. For Britain, resigned to the loss of its once-great empire, its close kinship to the world's greatest superpower would give it continued relevance, and serve as leverage to keep continental Europe in its place. As Buruma shows, this was almost always fool's gold.And now, as the links between the Brexit vote and the 2016 US election are coming into sharper focus, it is impossible to understand the populist uprising in either country without reference to Trump and Boris Johnson, though ironically, they are also the key, Buruma argues, to understanding the special relationship's demise.

'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

'A multiple biography with overlapping chronology is a tricky feat and Buruma pulls it off magnificently.' Ben Macintyre, The TimesOn the face of it, the three characters here seem to have little in common - aside from the fact that each committed wartime acts that led some to see them as national heroes, and others as villains. All three were mythmakers, larger-than-life storytellers, for whom the truth was beside the point. Felix Kersten was a plump Finnish pleasure-seeker who became Heinrich Himmler's indispensable personal masseur - Himmler calling him his 'magic Buddha'. Kersten presented himself after the war as a resistance hero who convinced Himmler to save countless people from mass murder. Kawashima Yoshiko, a gender fluid Manchu princess, spied for the Japanese secret police in China, and was mythologized by the Japanese as a heroic combination of Mata Hari and Joan of Arc. Friedrich Weinreb was a Hasidic Jew in Holland who took large amounts of money from fellow Jews in an imaginary scheme to save them from deportation, while in fact betraying some of them to the German secret police. Sentenced after the war as a traitor and a con artist, he is still regarded by supporters as the 'Dutch Dreyfus'. All three figures have been vilified and mythologized, out of a never-ending need, Ian Buruma argues, to see history, and particularly war, and above all World War II, as a neat tale of angels and devils. In telling their often-self-invented stories, The Collaborators offers a fascinating reconstruction of what in fact we can know about these fantasists and what will always remain out of reach. It is also an examination of the power and credibility of history: truth is always a relative concept but perhaps especially so in times of political turmoil, not unlike our own.

It was an emblematic crime: on a November day in Amsterdam, an angry young Muslim man shot and killed the Dutch filmmaker Theo van Gogh, iconic European provocateur, for making a movie with the anti-Islam politician Ayaan Hersi Ali. After shooting van Gogh, Mohammed Bouyeri calmly stood over the body and cut his throat with a curved machete. The murder horrified quiet, complacent Holland - a country that prides itself on being a bastion of tolerance - and sent shock waves around the world. In Murder in Amsterdam, Ian Buruma describes what he found when he returned to his native country to try and make sense of van Gogh's death. The result is Buruma's masterpiece: a brave and rigorous study of conflict in our time, with the intimacy and control of a true-crime page-turner.

When Sidney Vanoven is sent to occupied Japan, in the immediate aftermath of the Second World War, it is his dream posting. By day, he works in the censor's office watching Japanese films; at night he immerses himself in the sensual pleasures of Tokyo.His job leads him into the circle of the beautiful film star Shirley Yamaguchi, a passionate and indomitable woman, whose wartime secrets hint at deception and betrayal. As he learns more of her story it seems to echo Japan's own dark secret. In The China Lover, Ian Buruma has created an exhilarating saga of war-torn Japan that is epic in scale, richly imagined and vividly populated. It is quite simply unforgettable.

In this highly original and now classic text, Ian Buruma explores and compares how Germany and Japan have attempted to come to terms with their violent pasts, and investigates the painful realities of living with guilt, and with its denial.As Buruma travels through both countries, he encounters people whose honesty in confronting their past is strikingly brave, and others who astonish by the ingenuity of their evasions of responsibility. In Auschwitz, Berlin, Hiroshima and Tokyo he explores the contradictory attitudes of scholars, politicians and survivors towards World War II and visits the contrasting monuments that commemorate the atrocities of the war.Buruma allows these opposing voices to reveal how an obsession with the past, especially distorted versions of it, continually causes us to question who should indeed pay the wages of guilt.

With its distinctive history of civil liberties and the delicate balance between social order and the free pursuit of self-interest, England has always fascinated its continental neighbours. Buruma examines the history of ideas of Englishness and what Europeans have admired (or loathed) in England across the centuries. Voltaire wondered why British laws could not be transplanted into France, or even to Serbia; Karl Marx thought the English were too stupid to start a revolution; Goethe worshipped Shakespeare; and the Kaiser was convinced that Britain was run by Jews. Combining the stories of European Anglophiles and Anglophobes with memories of his own Anglo-Dutch-German-Jewish family, this utterly original book illuminates the relationship between Britain and Europe, revealing how Englishness - and others' views of it - have shaped modern European history.

In this scintillating book, Ian Buruma peels away the myths that surround Japanese culture. With piercing analysis of cinema, theatre, television, art and legend, he shows the Japanese both 'as they imagine themselves to be, and as they would like themselves to be.'A Japanese Mirror examines samurai and gangsters, transvestites and goddesses to paint an eloquent picture of life in Japan. This is a country long shrouded in enigma and in his compelling book, Buruma reveals a culture rich in with poetry, beauty and wonder.