Kirjahaku

This book is a glorious celebration of Rhoda Pritzker’s collection of 20th-century British art, much of which has been donated to the Yale Center for British Art. Pritzker, who was born in Manchester in1914 and emigrated to the United States during the Blitz, was an avid and daring collector of paintings, sculptures, and drawings. Keen to support artists whose reputations were still emerging, and loyal to no single school or style, she developed a unique and impressively diverse collection. While Pritzker most actively purchased pieces in the 1950s and 1960s, her collection offers a fascinating window onto postwar artistic production. Beautifully illustrated, this catalogue features a number of unpublished works and archival materials. Among the artists discussed are key figures, including L. S. Lowry, Barbara Hepworth, Anthony Caro, and Henry Moore, as well as lesser-known artists. The texts elucidate the factors that made Pritzker’s method of collecting so singular—namely her relationship to an evolving transatlantic artistic community and the deeply personal nature of the works she procured.Distributed for the Yale Center for British ArtExhibition Schedule:Yale Center for British Art, New Haven (05/11/2016-08/21/2016)

Uplifting and engaging, this story recounts the life and career of a rebellious 20th-century British artist Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.

Born into a large, musical, and bohemian family in London, the British artist John Craxton (1922–2009) has been described as a Neo-Romantic, but he called himself a “kind of Arcadian”. His early art was influenced by Blake, Palmer, Miró, and Picasso. After achieving a dream of moving to Greece, his work evolved as a personal response to Byzantine mosaics, El Greco, and the art of Greek life. This book tells his adventurous story for the first time. At turns exciting, funny, and poignant, the saga is enlivened by Craxton’s ebullient pictures. Ian Collins expands our understanding of the artist greatly—including an in-depth exploration of the storied, complicated friendship between Craxton and Lucian Freud, drawing on letters and memories that Craxton wanted to remain private until after his death.

This is a glittering and haunting saga of the artist-jeweller to the Russian and British courts and his chief patrons - sisters and queen-empresses Alexandra and Maria Feodorovna, who commissioned fabulous objects and changed the world. Norfolk's Sandringham Estate, royal retreat and global powerhouse, was central to their bittersweet story.

The 3rd Eye Compendium is a comprehensive insight into the mind and emotions of an introvert. An empathetic channeling of words, illustrations, and thoughts presented in a collection to be shared and discussed. Inside you will be presented with the author's struggles to overcome pain, dispair, and depression. You will journey through settings that only the imagination can conjure and the soul can long for. Inside the author reveals his most guarded thoughts and feelings on subjects such as religon and escapism. Close your eyes and open your eye!

'Moving, candid, vivid, it is all that we could hope for in a memoir of this unique and treasured writer' ROWAN WILLIAMS'An unusually intimate and affectionate portrait' PATRICK BARKHAM, GUARDIAN'As a boy I dreamed of scholars and saints wandering around markets and cornfields, and of artists and poets sitting under the trees.'Ronald Blythe (1922-2023), author of the inimitable Akenfield, was a prolific and poetic chronicler of rural and spiritual life, nature and literature. He spent a joyful century close to his Suffolk roots, time travelling in his imagination and publishing forty books and thousands of essays. His wide creative network included John and Christine Nash, Cedric Morris, Benjamin Britten, E. M. Forster, Patricia Highsmith and Richard Mabey.From finding Thomas Hardy in February rain and John Clare in country tracks, to talking to his white cat and reading through a dragonfly's wings, the Blythe gift was to marvel in the everyday. His writing was intimate, meditative and often laced with a wry humour, inviting readers to share his enchanting perspective on the world. Yet few knew the 'real' Ronald Blythe. Leaving school at 14, he educated himself in libraries, churches and walks in the East Anglian landscape. He never spoke about early poverty and traumatic experience in the war, while his sexuality was kept private except from those closest to him.Drawing on unparalleled access to letters, notebooks, published works, drafts, and conversations from decades of friendship, Ian Collins tells the full story of Ronald Blythe for the first time. The result is a sensitive, revelatory portrait which celebrates a fascinating, complex man and casts new light on one of our greatest writers.

'Moving, candid, vivid, it is all that we could hope for in a memoir of this unique and treasured writer' ROWAN WILLIAMS'An unusually intimate and affectionate portrait' PATRICK BARKHAM, GUARDIAN'As a boy I dreamed of scholars and saints wandering around markets and cornfields, and of artists and poets sitting under the trees.'Ronald Blythe (1922-2023), author of the inimitable Akenfield, was a prolific and poetic chronicler of rural and spiritual life, nature and literature. He spent a joyful century close to his Suffolk roots, time travelling in his imagination and publishing forty books and thousands of essays. His wide creative network included John and Christine Nash, Cedric Morris, Benjamin Britten, E. M. Forster, Patricia Highsmith and Richard Mabey.From finding Thomas Hardy in February rain and John Clare in country tracks, to talking to his white cat and reading through a dragonfly's wings, the Blythe gift was to marvel in the everyday. His writing was intimate, meditative and often laced with a wry humour, inviting readers to share his enchanting perspective on the world. Yet few knew the 'real' Ronald Blythe. Leaving school at 14, he educated himself in libraries, churches and walks in the East Anglian landscape. He never spoke about early poverty and traumatic experience in the war, while his sexuality was kept private except from those closest to him.Drawing on unparalleled access to letters, notebooks, published works, drafts, and conversations from decades of friendship, Ian Collins tells the full story of Ronald Blythe for the first time. The result is a sensitive, revelatory portrait which celebrates a fascinating, complex man and casts new light on one of our greatest writers.

67 People I'd Like to Slap is one man's journey through the labyrinthine world of human angst and annoyance. The comedy writer, broadcaster and journalist Ian Collins lists, exposes and mocks that irritating contingent of the human race whose job, it seems, is to make life just a tad more infuriating than it needs to be.From psychics to exotic pet owners, Brits using chopsticks and over-35s at music festivals, through to middle-class protesters, elderly people in small cars and the billion cringe-crimes that are committed on social media every day (plus a healthy dose of well-known names too), Collins's often brutal but hilarious search into the pit of human idiocy leaves few stones unturned. He also addresses some of life's most serious questions:* Is Jeremy Clarkson part of a completely different gene pool?* What happens when you upset every Beyonce fan on the planet?* Why is Andrew Marr's sofa an affront to intelligent thinking?* How could a nice guy like Benedict Cumberbatch annoy anyone?* Has social media shrunk our brains?* What happens to a sense of shame when men visit the gym?Part polemic and part diary, Collins spent a year documenting all those areas (and people) that could bug the hell out of the calmest of souls. Armed only with a sensible pen, notepad and a standard High Street blood pressure monitor, he sets out to create the ultimate list.In the author's words, 67 People I'd Like to Slap is the non-negotiable oracle of all things bamboozling when it comes to human behaviour - the definitive guide that no sane person could ever argue against. Or could you...?

The painted world of Fred Dubery was all about warmth and colour – a bright pattern of life reflecting a private place of beauty, pleasure and merriment. Known from numerous solo exhibitions, and from regular showings at the Royal Academy and New English Art Club, the pictures are a record of joyful travels in France and Italy and, best of all, of domestic contentment via a long and happy marriage amid a visual feast, and a procession of amazing meals, in a lovely Suffolk setting. Fred Dubery was teaching at Walthamstow Art School when he had a fateful meeting with fashion tutor Joanne Brogden. She had trained under Christian Dior and would become a pioneering Professor of Fashion at the Royal College of Art while Fred was appointed Professor of Perspective at the Royal Academy Schools. Adding a large adopted family of former students, their life together was the heart of everything. Fred and Joanne left a legacy for art and fashion education and the paintings richly illustrated in this volume – images technically so clever and so subtle – offer a lasting lesson in how to live.