Kirjahaku

When a film is not a document, it is a dream...At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood." Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, "The Magic Lantern". More grand mosaic than linear account, Bergman's vignettes trace his life from a rural Swedish childhood through his work in theater to Hollywood's golden age, and a tumultuous romantic history that includes five wives and more than a few mistresses. Throughout, Bergman recounts his life in a series of deeply personal flashbacks that document some of the most important moments in twentieth-century filmmaking as well as the private obsessions of the man behind them. Ambitious in scope yet sensitively wrought, "The Magic Lantern" is a window to the mind of one of our era's great geniuses.

The scripts of award-winning film director Ingmar Bergman have been among the most important documents in film history. Though his vision in such films as Wild Strawberries and The Seventh Seal has shaped our thinking about the cinema, none of his most recent films have been shown in U.S. theaters. This book brings to English readers for the first time some of the finest creations of Bergman's mature years. In these three scenarios of extraordinary frankness, even rawness, Bergman shows his tender yet realistic views on the world of theater, cinema, and acting, culminating with In the Presence of a Clown, where he returns to the character of his Uncle Carl, an irrepressible inventor who comes up with an early version of the talking film. These most recent scripts, in effect Bergman's own fifth act, add an important and moving chapter to his life work. A preface contextualizing the scripts within Bergman's oeuvre has been added by Lasse Bergstrom, a noted Swedish film critic as well as the publisher of Bergman's work in Sweden.

"The finest filmmaker of my lifetime . . . Bergman was a born spinner of tales." --Woody AllenIn this new paperback edition, Ingmar Bergman presents an intimate view of his own unique body of work in film. His career spanned forty years and produced more than fifty films, many of which are considered classics: The Seventh Seal, The Virgin Spring, Persona, Smiles of a Summer Night, Wild Strawberries, and Fanny and Alexander, to name but a few. When he began this book, Bergman had not seen most of his movies since he made them. Resorting to scripts and working notebooks, and especially to memory, he comments brilliantly and always cogently on his failures as well as his successes; on the themes that bind his work together; on his concerns, anxieties, and moments of happiness; on the relationship between his life and art. Readers are allowed a glimpse of the inner workings behind his well-known masterpieces: his anxiety and pain as he edited a 312 minute Fanny and Alexander for a three-hour feature film release; his attempt to reconcile the towering figures of his parents with Wild Strawberries. He relates his own starkly honest view of his great triumphs and quiet failures. More clearly than ever before, Images allows us to listen to his "voice of genius" (Woody Allen, New York Times Book Review).

The second novel in world renowned film-maker, Ingmar Bergman’s trilogy of novels plotting the fractious marriage of his parentsOver the course of one summer, eight-year-old Pu Bergman makes the terrible realisation that his father and mother are no longer in love. Surrounded by the quiet idyll of the Swedish countryside, with its ponds, its rivers and woods, the daily chaos of the family’s ramshackle summer home threatens to bring to a close the bright, brilliant haze of Pu’s childhood world. Based upon film-maker Ingmar Bergman’s own family life, Sunday’s Children is the second part in Bergman’s loose trilogy of books that started with The Best Intentions, and closes with Private Confessions.

The first novel in world renowned film-maker, Ingmar Bergman’s trilogy of novels plotting the fractious marriage of his parentsIn 1909, Ingmar Bergman’s mother and father first meet. Anna is a nurse from a wealthy family; Henrik, a poor, trainee priest living with his lover. From the intensity of their courtship, to the difficult early years of their marriage, Bergman fictionalises his parent’s life before his birth, drawing the quiet, emotional sensitivity of his film-maker’s eye deep into the heart of his own family.The Best Intentions is the first in renowned film-maker Ingmar Bergman’s loose trilogy of novels that plots the fractious marriage of his parents, continued in Sunday’s Children and Private Confessions.

The final novel in world renowned film-maker, Ingmar Bergman’s trilogy of novels plotting the fractious marriage of his parentsTwelve years of marriage, three children, a husband, Henrik, with whom she no longer finds anything in common: Anna is at the end of her tether. Besides, she’s in love – with Henrik’s friend Tomas, a student-priest, who is everything her husband is not. Based upon film-maker, Ingmar Bergman’s own family life, Personal Confessions is the final part in Bergman’s loose trilogy of books that started with The Best Intentions and Sunday’s Children.

A poignant and sensuous stage adaptation of the 1961 Oscar-winning film written and directed by Ingmar Bergman. Karin is a young wife, an older sister and an only daughter. In her kaleidoscopic internal world the boundaries between different realities blur and shift. Karin's family go on their annual holiday together. On a bleak, beautiful island, her husband, father and brother struggle over the best way to help her. As events spiral out of control, Karin realises that she must take command of her own destiny. This is the only adaptation of Through a Glass Darkly, and was personally approved by Bergman. It was first performed at the Almeida Theatre, London, in 2010, with Ruth Wilson as Karin.

‘There is no shame in deriving pleasure from this little world.’ Siblings Fanny and Alexander are growing up amidst the gilded romance and glamour of 1900s Sweden. But their world is turned upside down when their widowed mother remarries the iron-willed local bishop. As creative freedom and rigid orthodoxy clash, a war ensues between imagination and austerity in this magical study of childhood, family and love. Legendary film-maker Ingmar Bergman’s 1982 masterpiece Fanny & Alexander was adapted for the stage by Stephen Beresford. It premiered at The Old Vic, London, in 2018, in a production starring Penelope Wilton and directed by Old Vic Associate Director Max Webster. Stephen Beresford is the BAFTA award-winning screenwriter of Pride. His other plays include The Last of the Haussmans, which premiered at the National Theatre.

Ett länge okänt handskrivet manuskript av Ingmar Bergman, som skrevs 1969 för ett tänkt samarbete med Akira Kurosawa och Federico Fellini, som inte materialiserades. Manuset glömdes bort i en skrivbordslåda, och upptäcktes först efter Bergmans bortgång. Ingmar Bergmans reaktion på sextiotalets politiska och sexuella omvälvningar blev aldrig någon film, men väl ett fascinerande manuskript med stor potential.En vacker, gravid ung kvinna, Rebecka, är lärare på en skola för dövstumma barn, och har komplicerade förhållanden till sin mor, sin partner, en elev och en våldsam älskare. Uttråkad i sin livssituation söker hon sexuell och politisk frigörelse.

Ingmar Bergmans tre verk Den gode viljen (1991), Søndagsbarn (1993) og Fortrolige samtaler (1996) omtales gjerne som «romantrilogien» fordi de ikke ble skrevet med tanke på filmatisering, men som litterære beretninger. De hører sammen som tre veier inn i barndommens erindringsmateriale. Bergmans fiksjonslek med sjangeren er hverken romaner i tradisjonell forstand eller konvensjonelle erindringer. Utforskningen av foreldrenes konfliktridde kjærlighet og ekteskap, er gjennomgangsmotivet i trilogien, men formen er unik for hver av de tre bøkene - snart erindringslek, snart kammerspill - men tvers igjennom preget av Bergmans unike evne til å fremkalle det menneskelige dramaet i hverdagens fortielser. Ingmar Bergman (1918-2007) er mest kjent som filmregissør, men under 100-årsmarkeringen har forfatteren Bergman fått økt oppmerksomhet. Forfatterskapet rommer foruten bøkene et femtitall filmmanuskripter, hundrevis av artikler og essays, samt private skrifter i form av notater, arbeidsbøker og brev. Hans litterære kvaliteter har alltid vært fremhevet, men det er først de senere årene at han har fått sitt virkelige gjennombrudd som forfatter. Han er i dag en av verdens mest spilte dramatikere. Romantrilogien innledes med et nyskrevet essay av Daniel Mendelsohn. I sitt eget forfatterskap har Mendelsohn fornyet erindringssjangeren med bøker som Forsvunnet og En odyssé hvor han forener lærdomshistorie fra Bibelen og Homer med personlig utforskning av egen familiehistorie. Han er professor i antikkens kultur ved Bard College og regnes blant USAs ledende kulturkritikere. Mendelsohn skriver regelmessig for The New Yorker og The New York Review of Books.

Laterna Magica er filmskaberen Ingmar Bergmans store selvbiografiske værk, der udgives i anledning af filmskaberens 100-års fødselsdag. Gennem stærke erindringsbilleder holder Bergman dommedag over sig selv og sit liv. Han skildrer vejen fra ulykkelig præstesøn til verdensberømt filmskaber med en personlig oprigtighed af næsten kynisk karakter. Bogen, der kan læses som en nøgle til Ingmar Bergmans kunstneriske virke, er en fascinerende fortælling om en barsk opvækst og et vildt kunstnerliv. Om ægteskaber og børn og om den indre nødvendighed som den evige drivkraft. Laterna Magica udkommer i Gyldendals Klassikerkollektion, der er en ny serie med klassikere fra Danmark og hele verden. Serien vil udkomme med små og store kollektioner. Første kollektion samler sig om erindring som både tema og genre. Ingmar Bergmans Laterna Magica, der har efterord af Dorthe Nors, udkommer som den første i serien i september 2018. I oktober udgives to Tove Ditlevsen-romaner, den selvbiografiske roman Gift og Barndommens gade med efterord af henholdsvis Dy Plambeck og Pia Fris Laneth. Endelig er de første to bind af Agnes Henningsens store erindringsværk klar i en samlet udgave i november med efterord af Pia Juul. Resten af værket følger trop fra 2019. Næste kollektion bliver en kærlighedskollektion, der rummer værker af Marguerite Duras, Boris Pasternak og Emily Brontë. Gyldendals Klassikerkollektion er med omslag designet af det svenske designbureau Ulmaja Wilsson.

Barnamord och gatuprostitution i formförnyande drama om misantropisk filmförfattare."Se hur livet kupar sig som en grym men vällustig båge ifrån födelse till död. Ett stort skrattande mästerverk. Skön och vederstygglig, utan förbarmande eller mening."Fängelse (1949), nr 2 i serien Filmberättelser, presenteras med ett efterord av Jan Holmberg.

Ingmar Bergman skrev sina memoarer under slutet av 1980-talet. De gavs ut på en rad språk och blev omedelbart en stor framgång.Laterna magica ger en rundmålning av 1900-talets mest framgångsrika svenska konstnärskap. Vi får följa Ingmar Bergman från en olycklig barndom och uppväxt i ett högborgeligt hem på Östermalm i Stockholm via allt större upp­gifter inom teatern till filmen. Boken berättar inträngande om framgångarna men även om motgångarna och konflikterna. Laterna magica blev en stor litterär framgång för Bergman, som genom denna bok mycket framgångsrikt mutade in ett nytt område för sitt skapande. Laterna magica planerades som ljudbok tillsammans med Ingmar Bergman och var ursprungligen tänkt att läsas av honom själv. Uppläsaren Reine Brynolfsson är skådespelare och knuten till Dramaten. Han har en lång rad av stora roller bakom sig på film och i TV.

"Vse moi raboty na samom dele osnovany na vpechatlenijakh detstva",-priznavalsja znamenityj shvedskij rezhisser Ingmar Bergman. Obladatel trekh "Oskarov", prizov Venetsianskogo, Kanskogo i Berlinskogo kinofestivalej,- on cherez tvorchestvo izzhival "demonov" svoego detstva - revnost i podozritelnost, strakh i tosku roditelskogo doma, polnogo podavlennykh zhelanij. Teatr i kino podarili vozmozhnost perevoploschenija, bystroj smeny masok, ukhod v magicheskij mir fantazii: mozhet li takaja igra izlechit khudozhnika? "Shepoty i kriki moej zhizni", v originale - "Laterna magika" - eto otkrovennoe avtobiograficheskoe esse, v kotorom vospominanija o pochti shestidesjati godakh aktivnogo tvorchestva v kino i teatre perepleteny s rassuzhdenijami o prirode chelovecheskikh otnoshenij, iskusstva i very; eto zakulise strastej i poiskov, somnenij, razocharovanij, ljubvi i predatelstva. Bergman s krovozhadnostju Dzheka-potroshitelja i ostorozhnostju khirurga prepariruet dushu zritelja, nedalnovidno doverivshegosja rezhisseru. Ego zadacha - obnovit ee, ochistiv ot poroka. No zhizn samogo Bergmana ne byla stol idealna: v nej bylo mesto i somnenijam, i soblaznam, i nepopravimym oshibkam. Imenno ob etikh peripetijakh sudby "Ingmar o Bergmane".