Kirjahaku

An experienced and highly respected poet, Ira Sadoff crafts hard-edged scenes, honed on the stuff of real life. From the unblinking honesty of "My Mother's Funeral" to the cultural worship of "At the Movies," Sadoff carves out, with each remarkable line, an unforgettable sensuousness.

Ira Sadoff’s new volume of poems opens with a quotation from Rilke: “But because truly being here is so much; because everything here / apparently needs us, the fleeting world, which in some strange way / keeps calling us. . . .” The poetry collected here is a response to this call. Rooted firmly in the “fleeting world,” Sadoff’s poems find epiphanies of meaning in unexpected and even unpleasant experiences and emotions. The poems in Barter delve deeply into the past, the personal past of regret, travel, love, divorce, and bereavement, as well as the global past of Beethoven, Vietnam, and the fall of communism. Each poem is offered up by Sadoff as a barter, something to be traded for a little more time, a little more understanding. The poems in Barter comment on the power of culture to interject itself into our desire for an idealized self, the way our inner and outer lives lack correspondence, harmony, and integration. They also talk about commerce, the trading of bodies, the way we as a nation “use” and exchange and appropriate -- and like Tolstoy’s Ivan Ilyich, try to bargain with and evade the urgency of our time on earth. In the poem “Self-Portrait with a Critic,” Sadoff makes what could be a succinct statement of purpose: “And inside, let’s not make it pretty, / let’s save the off-rhyme and onomatopoeia / / for the concert hall, let’s go to the wormy place / where the problematic stirs inside his head.”

Sadoff's subject, as Jon Anderson once remarked, is sadness . . . rendered with intelligence, accuracy, and poignancy.

In this capacious and energetic volume, Ira Sadoff argues that poets live and write within history, our artistic values always reflecting attitudes about both literary history and culture at large. ""History Matters"" does not return to the culture war that reduced complex arguments about human nature, creativity, identity, and interplay between individual and collective identity to slogans. Rather, Sadoff peels back layers of clutter to reveal the important questions at the heart of any complex and fruitful discussion about the connections between culture and literature. Much of our most adventurous writing has occurred at history's margins, simultaneously making use of and resisting tradition. By tracking key contemporary poets - including John Ashbery, Olena Kalytiak Davis, Louise Gluck, Czeslaw Milosz, Frank O'Hara, and C. K. Williams - as well as musing on jazz and other creative enterprises, Sadoff investigates the lively poetic art of those who have grappled with late twentieth-century attitudes about history, subjectivity, contingency, flux, and modernity. In plainspoken writing, he probes the question of the poet's capacity to illuminate and universalize truth. Along the way, we are called to consider how and why art moves and transforms human beings.

"Despite the rapids these poems navigate, each poem has an internal cohesiveness that cannot have been easy to achieve."--Dana Wilde, Bangor Daily News "The human voice is captured beautifully as one can almost hear the fist pounding the podium--or kitchen table--at the end of each line."--Gently Read Literature "Nowhere else in American poetry do I come across a passion, a cunning, and a joy greater than his. And a deadly accuracy. I see him as one of the supreme poets of his generation."--Gerald Stern The poems in True Faith are earthy, lyrical, honest, and empathic in a style that is both gritty and urbane. With wry humor, Ira Sadoff's latest collection addresses family, faith, and the quiet joys of aging. Ira Sadoff currently teaches in the MFA program at Drew University and serves as the Arthur Jeremiah Roberts professor of English at Colby College in Maine.