Kirjahaku

"To confront American culture is to feel oneself encircled by a thin but strong presence. I call it Emersonian, an imprecise term but one that directs us to a dominant spirit in the national experience." Thus Irving Howe, America's distinguished social critic and a longtime reader of the Sage of Concord, begins this illuminating discussion of Emerson and his disciples and doubters. What is the Emersonian spirit? What inspired it, what propelled it? And what does it mean to us today? History gave Emerson his opportunity and then took it away. Coming to manhood during the 1830s and 1840s, the time of "the newness" when Americans beheld the world with unbounded expectations, Emerson became the spokesman for the self-reliant new man he believed had arisen, ready to thrust aside mossy traditions and launch a new revolution of freewheeling thought. But the rapid pace of the American experience overtook the Emersonian vision; in the 1850s, the rising problems of slavery, a boom-and-bust economy, the vulgarity of mass culture overwhelmed the idealist. His satellite spirits wavered and shrouded the Emersonian optimism: Hawthorne, with his stories of moral breakdown; Thoreau, rooted in nature yet inclined to the cranky and fanatical; Melville, his fathomless blackness waiting beneath archetypal fables of innocence and evil also Walt Whitman, Orestes Brownson, Twain--all were influenced by, yet reacted against, the Emersonian "newness." Howe identifies three kinds of response: the literature of work (Melville and Mark Twain), the literature of Edenic fraternity (James Fenimore Cooper, Whitman, Twain again), and the literature of loss (all the post-Civil War writers). He lays before us the intellectual and personal tragedy of the first great American man of letters, yet also shows that Emerson's belief in the untapped power of free men pervades not only the lives and works of his contemporaries but is also a permanent part of the American psyche.

In this fourth edition of his celebrated study of Faulkner, Irving Howe analyzes all of the great author's works, emphasizing the themes that run throughout the novels and stories. "The scheme of my book is simple," Mr. Howe writes. "First, I have tried to say what Faulkner's work is `about,' to report on the social and moral themes in his books; and then I have tried to analyze and evaluate the more important novels." Anyone who has enjoyed the special flavor of Faulkner's writing will appreciate Mr. Howe's careful analysis, and the student of twentieth-century American literature will gain new perspective and insight. Mr.Howe successfully portrays the intimate connection between Faulkner's fiction and the emotional and psychic history of the South without slighting the universality that makes him one of America's greatest writers. "Mr. Howe is a shrewd critic, and he writes of Faulkner's achievements as a practicing novelist with a wary respect. He has a good many observations to make that should help readers in going through the novels.”—Alfred Kazin, New York Times.

Originally published in 1976, this monumental volume is a study of one of the major migrations of modern times – the result of which has been significantly to alter the history of the United States and of the whole Middle East. In researching this volume, the author drew on many different sources, including the rich materials of the Yiddish press and the vast number of memoirs written in both English and Yiddish. The book traces the historical, cultural and social experience of the immigrant Jews to New York in the late 19th and early 20th centuries, who came mainly from Eastern Europe. It covers many aspects of Jewish life in New York – the early years on the East side, Jewish children in American schools, the growth of Yiddish-speaking socialist movements and trade unions, the passion for learning which animated this culture and Yiddish culture in its many manifestations.

A World More Attractive: A View of Modern Literature and Politics is a non-fiction book written by Irving Howe. The book provides an insightful and thought-provoking analysis of the intersection of literature and politics in the modern world. Howe explores the ways in which literature reflects and shapes our political beliefs and values, and how political ideologies can influence the literary works of authors.The book is divided into three parts. The first part examines the role of literature in shaping our understanding of the world, and how literature can be used to challenge or reinforce political ideologies. The second part delves into the political themes and messages in modern literature, focusing on the works of authors such as George Orwell, James Baldwin, and Saul Bellow. The third part explores the relationship between literature and political activism, and how literature can inspire social change.Throughout the book, Howe draws on his vast knowledge of literature and politics to provide insightful commentary and analysis. He offers a nuanced and complex view of the relationship between literature and politics, highlighting the ways in which they are interconnected and influence one another. The book is written in a clear and engaging style, making it accessible to both academic and general readers.Overall, A World More Attractive is a must-read for anyone interested in the intersection of literature and politics. It offers a fascinating and insightful exploration of this complex and important topic, and is sure to spark lively debate and discussion.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Originally published in 1951 and reissued in 1966 this book combines stimulating biography with sound literary criticism in its account of a writer who observed America’s great nineteenth century change from an agrarian to an industrial society. Irving Howe places Anderson in the cultural context of his times and gives a fresh and balanced judgment both of his virtues and limitations. As an artist, the author of Winesburg, Ohio and Dark Laughter was over-valued and then ignored; Howe concludes that the best of Anderson’s work is a durable part of the American literary structure and an enrichment of the American imagination.