Kirjahaku

Kaiser Wilhelm II (1859–1941) is one of the most fascinating figures in modern European history. Inheriting ‘the mightiest throne on earth’ in 1888, he played a central part in fashioning the policies which culminated in the catastrophe of 1914–18, the collapse of the Reich, and his own abdication. To an extraordinary degree he was also representative of his epoch: brilliant, bizarre, aggressive, insecure. Yet German historians have virtually ignored him. In September 1979 a dozen historians met in the Kaiser’s palace in Corfu to discuss the character and role of Wilhelm II. This book contains their findings. The early chapters examine the Kaiser’s psychological disturbance which, hidden from the public, often caused those who closely worked with him to doubt his sanity. Next, it is revealed how by virtue of the Bismarckian constitution, and with the aid of a small circle of friends, he was able to translate private neurosis into public policy. The later chapters analyse the ideology and image of Kaiserism, discovering mentalities and attitudes which were to survive the collapse of the monarchy in 1918 and play an incalculable part in the undermining of Weimar democracy and the rise of Nazism. The views in this book are fresh and exciting, suggesting new ways in which the interrelationship between individuals and society, between personalities and structures, might be interpreted.

In a book that is at once a major contribution to modern European history and a cautionary tale for today, Isabel V. Hull argues that the routines and practices of the Imperial German Army, unchecked by effective civilian institutions, increasingly sought the absolute destruction of its enemies as the only guarantee of the nation's security. So deeply embedded were the assumptions and procedures of this distinctively German military culture that the Army, in its drive to annihilate the enemy military, did not shrink from the utter destruction of civilian property and lives. Carried to its extreme, the logic of "military necessity" found real security only in extremities of destruction, in the "silence of the graveyard."Hull begins with a dramatic account, based on fresh archival work, of the German Army's slide from administrative murder to genocide in German Southwest Africa (1904–7). The author then moves back to 1870 and the war that inaugurated the Imperial era in German history, and analyzes the genesis and nature of this specifically German military culture and its operations in colonial warfare. In the First World War the routines perfected in the colonies were visited upon European populations. Hull focuses on one set of cases (Belgium and northern France) in which the transition to total destruction was checked (if barely) and on another (Armenia) in which "military necessity" caused Germany to accept its ally's genocidal policies even after these became militarily counterproductive. She then turns to the Endkampf (1918), the German General Staff's plan to achieve victory in the Great War even if the homeland were destroyed in the process—a seemingly insane campaign that completes the logic of this deeply institutionalized set of military routines and practices. Hull concludes by speculating on the role of this distinctive military culture in National Socialism's military and racial policies.Absolute Destruction has serious implications for the nature of warmaking in any modern power. At its heart is a warning about the blindness of bureaucratic routines, especially when those bureaucracies command the instruments of mass death.

This long-awaited work reconstructs the ways in which the meanings and uses of sex changed during that important moment of political and social configuration viewed as the birth of modernity. Isabel V. Hull analyzes the shift in the "sexual system" which occurred in German-speaking Central Europe when the absolutist state relinquished its monopoly on public life and presided over the formation of an independent civil society. Hull defines a society's sexual system as the patterned way in which sexual behavior is shaped and given meaning through institutions. She shows that as the absolutist state encouraged an independent sphere of public activity, it gave up its theoretically unlimited right to regulate sexual behavior and invested this right in the active citizens of the new civil society. Among the questions posed by this political and social transformation are, When does sexual behavior merit society's regulation? What kinds of behaviors and groups prompt intervention? What interpretive framework does the public apply to sexual behavior? Hull persuades us that a culture's sexual system can be understood only in relation to the particularities of state, law, and society, and that when state and society are examined through the sexual lens, much conventional wisdom is cast in doubt.

In A Scrap of Paper, Isabel V. Hull compares wartime decision making in Germany, Great Britain, and France, weighing the impact of legal considerations in each. She demonstrates how differences in state structures and legal traditions shaped the way the three belligerents fought the war. Hull focuses on seven cases: Belgian neutrality, the land war in the west, the occupation of enemy territory, the blockade, unrestricted submarine warfare, the introduction of new weaponry, and reprisals. A Scrap of Paper reconstructs the debates over military decision-making and clarifies the role law played—where it constrained action, where it was manipulated, where it was ignored, and how it developed in combat—in each case. A Scrap of Paper is a passionate defense of the role that the law must play to govern interstate relations in both peace and war.