Kirjahaku

This dazzling portrait of Johannesburg is one of the most haunting, poetic pieces of reportage about a metropolis since Suketu Mehta s Maximum City. Through precisely crafted snapshots, Ivan Vladislavic observes the unpredictable, day-today transformation of his embattled city: the homeless using manholes as cupboards, a public statue slowly cannibalized for scrap. Most poignantly he charts the small, devastating changes along the postapartheid streets: walls grow higher, neighborhoods are gated off, the keys multiply. Security insecurity? is the growth industry. Vladislavic, described as one of the most imaginative minds at work in South African literature today (Andre Brink), delivers one of the best things ever written about a great, if schizophrenic, city, and an utterly true picture of the new South Africa (Christopher Hope)."

“Not writing is always a relief and sometimes a pleasure. Writing about what cannot be written, by contrast, is the devil’s own job.”In this unusual text, a blend of essay, fiction, and literary genealogy, South African novelist Ivan Vladislavic explores the problems and potentials of the fictions he could not bring himself to write. Drawing from his notebooks of the past twenty years, Vladislavic records here a range of ideas for stories—unsettled accounts, he calls them, or case studies of failure—and examines where they came from and why they eluded him. In the process, he reveals some of the principles that matter to him as a writer, and pays tribute to the writers— such as Walser, Perec, Sterne, and DeLillo—who have been important to him as both a reader and an author. At the heart of the text, like a brightly lit room in a field of debris, stands Vladislavic’s Loss Library itself, the shelves laden with books that have never been written. On the page, Vladislavic tells us, every loss may yet be recovered. An extraordinary book about both the nature of novels and the process of writing, The Loss Library will appeal to anyone seeking to understand the almost magical and mythical experience of breathing life into a new work of fiction. Praise for Vladislavic “In the tradition of Elias Canetti, a tour de force of the imagination.”—André Brink “The prose is stunning. It gives the impression of the words and the phrases having been caught from the inside—as though the author lives on the other side of language, where every word is strange and dancing, and the way they are put together produces complicated patterned exchanges like minuets.”—Tony Morphet

A vacant patch of South African veld next to the comfortable, complacent Malgas household has been taken over by a mysterious, eccentric figure with "a plan." Fashioning his tools out of recycled garbage, the stranger enlists Malgas's help in clearing the land and planning his mansion. Slowly but inevitably, the stranger's charm and the novel's richly inventive language draws Malgas into "the plan" and he sees, feels and moves into the new building. Then, just as remorselessly, all that seemed solid begins to melt back into air.

In the wake of apartheid, the flotsam of the divided past flows over Johannesburg and settles, once the tides recede, around Ivan Vladislavic, who, patrolling his patch, surveys the changed cityscape and tries to convey for us the nature and significance of those changes. He roams over grassy mine-dumps, sifting memories, picking up the odd glittering item here and there, before everything of value gets razed or locked away behind one or other of the city's fortifications. For this is now a city of alarms, locks and security guards, a frontier place whose boundaries are perpetually contested, whose inhabitants are 'a tribe of turnkeys'. Vladislavic, this clerk of mementoes, stands still, watches and writes - and his astonishing city comes within our reach. This is for readers who want to put their faith in a writer who knows - and loves - his city from the inside out, bearing comparison with Suketu Mehta's Maximum City, Orhan Pamuk's Istanbul and Joseph Brodsky's Watermark.

Dropout Neville Lister accompanies acclaimed photographer Saul Auerbach for a day, to learn a lesson for life. They play a game: from a hill above Johannesburg they pick three houses and decide to knock on their doors in search of a story. Auerbach’s images of the first two will become classic portraits, but soon the light fades. Lister only reaches the third house decades later, returning to post-apartheid South Africa and a Johannesburg altered almost beyond recognition. How to live when estranged from your birthplace? What do you lose when you are no longer lost? Double Negative is a subtle triptych that captures the ordinary life of Neville Lister during South Africa’s extraordinary revolution. Ivan Vladislavic lays moments side by side like photographs on a table. He lucidly portrays a city and its many lives through reflections on memory, art and what we should really be looking for.

It is 1993, and Aubrey Tearle's world is shutting down. He has recently retired from a lifetime of proofreading telephone directories. His favorite neighborhood haunt in Johannesburg, the Cafe Europa, is about to close its doors; the familiar old South Africa is already gone. Standards, he grumbles, are in decline, so bad-tempered, conservative Tearle embarks on a grandiose plan to enlighten his fellow citizens. The results are disastrous, hilarious, and poignant.Ivan Vladislavic is the author of a number of prize-winning fiction and nonfiction books. He lives in Johannesburg, South Africa.

'What kind of Detective am I? Eardrum or tympanum? Gullet or oesophagus? Pussy or pudenda? A Detective needs a language almost as much as a language needs a Detective.' In this new collection of stories, award-winning author Ivan Vladislavic invites readers to do some detective work of their own. Each story can be read as just that - a story - or you can dig a little deeper. Take a closer look, examine the artefact from all angles, and consider the clues and patterns concealed within. Whether skewering extreme marketing techniques or constructing dystopian parallel universes; whether mourning a mother's loss or tracing a translator's on-stage breakdown, Vladislavic's pitch-perfect inquisitions will make you question your own language - how it defines you, and how it undoes you.

Mr and Mrs Malgas are going quietly about their lives when a mysterious squatter appears on the vacant plot next to their home. Arriving with portmanteau in hand and a head full of extraordinary ideas, the stranger at once begins to fashion tools and cutlery from old iron and rubbish. Soon he enlists Mr Malgas’s help: drawn in by the stranger's conviction, Mr Malgas clears the land, all the while struggling to catch sight of the grand mansion that is supposedly springing up around them. His vision, however, continues to fail him - until, one day, it doesn't. When The Folly appeared in South Africa in 1993, with its story of the seductive and dangerous illusions language can breed, it was read as an evocative allegory of the rise and fall of apartheid. Vladislavic’s remarkable first novel is sure to strike new chords for contemporary readers.

Ivan Vladislavic's latest collection of short stories exemplifies the sly wit and formal innovation that have gained him international acclaim.

In the spring of 1970, a Pretoria schoolboy, Joe, becomes obsessed with Muhammad Ali. He begins collecting daily newspaper clippings about him, a passion that grows into an archive of scrapbooks. Forty years later, when Joe has become a writer, these scrapbooks become the foundation for a memoir of his childhood. When he calls upon his brother, Branko, for help uncovering their shared past, meaning comes into view in the spaces between then and now, growing up and growing old, speaking out and keeping silent.

Et forandret, men fortsatt delt Johannesburg ser dagens lys etter apartheidregimet. Fattigdom og vold preger en fortsatt splittet by. Her er ingen faktaoversikt med statistikker over kriminalitet. Det dreier seg heller ikke om den politiske situasjonen i Sør-Afrika og Johannesburg. Det er historien om forfatteren og hans partner, deres venner, det som skjer i gaten der de bor, det de hører foregår i andre deler av byen. Om hans møter i og med byen, og menneskene i den - og om hvordan det er å bo et sted som var underlagt et rasistisk regime. Gjennom små fortellinger og skrittene forfatteren tar kommer Johannesburg innenfor vår rekkevidde.