Kirjahaku

The theme and scope of the Chronology focus on the life (in bare outline) and publications (in temporal order) of John Ruskin (1819-1900). As art-critic, social commentator, architectural scholar, geologist, botanist, water-colourist, lecturer, letter-writer and prose stylist, Ruskin stands forth as perhaps the pre-eminent Victorian polymath. His advocacy of art and artists, his courage in the face of hostile, uninformed criticism and his enlightened compassionate views of the human condition reveal Ruskin as 'not of an age but for all time'. These attributes the Chronology endeavours to suggest.

The theme and scope of the chronology focus on the life (in bare outline) and publications (in temporal order) of John Ruskin (1819-1900). As art-critic, social commentator, architectural scholar, geologist, botanist, water-colourist, lecturer, letter-writer and prose stylist, Ruskin stands forth as perhaps the pre-eminent Victorian polymath. His advocacy of art and artists, his courage in the face of hostile, uninformed criticism and his enlightened compassionate views of the human condition reveal Ruskin as 'not of an age but for all time'. These attributes the Chronology endeavours to suggest.

Henry James remained throughout his life focused on his boyhood and early manhood, and correspondingly on younger boys and men, and John R. Bradley illustrates how it is in the context of such narcissism that James consistently dealt with male desire in his fiction. He also traces a more subtle but related trajectory in James's writing from a Classical to a Modernist gay discourse, which in turn is shown to have been paralleled by a shift in James's fiction from naturalistic beginnings to later stylistic evasion and obscurity. This radical book, which covers the whole of James's career, will quickly be recognized as a defining text in this emerging field of James studies.

Have you ever wondered what it would be like to go out on a date with The Kool-Aid Man or how to write the greatest Transformers/Titanic fan fiction ever? J. Bradley answers these questions and more within nine works of taut flash fiction in No More Stories About The Moon.

The theme and scope of the Chronology focus on the life (in bare outline) and publications (in temporal order) of John Ruskin (1819-1900). As art-critic, social commentator, architectural scholar, geologist, botanist, water-colourist, lecturer, letter-writer and prose stylist, Ruskin stands forth as perhaps the pre-eminent Victorian polymath. His advocacy of art and artists, his courage in the face of hostile, uninformed criticism and his enlightened compassionate views of the human condition reveal Ruskin as 'not of an age but for all time'. These attributes the Chronology endeavours to suggest.

Henry James remained throughout his life focused on his boyhood and early manhood, and correspondingly on younger boys and men, and John R. Bradley illustrates how it is in the context of such narcissism that James consistently dealt with male desire in his fiction. He also traces a more subtle but related trajectory in James's writing from a Classical to a Modernist gay discourse, which in turn is shown to have been paralleled by a shift in James's fiction from naturalistic beginnings to later stylistic evasion and obscurity. This radical book, which covers the whole of James's career, will quickly be recognized as a defining text in this emerging field of James studies.

Dr Bradley’s aim is to provide a work which will introduce readers to the philosophical standpoint employed by Mach in his expositions of physics. The author shows how Mach traces out the evolution of the metrical concepts of heat and mechanics, and includes a discussion of his reformulation of Newton’s dynamical principles. Mach’s view that we have a semi-awareness of both time and temperature is considered: there is no ‘Mach Principle’ in Mach’s writings; the use of the term by Einstein and others has led to confusion, which the author attempts to remove. The newcomer to the philosophy of science is led to an insight into the methods of one who has had a major influence on the subject.