Kirjahaku

In this "racing, twisty crime novel," two estranged twin sisters hunt down their elusive mother--and face down the darkness they tried to escape. (Chelsea Bieker) Jane Pool likes her safe, suburban existence just fine. She has a house, a family, (an infuriating mother-in-law, ) and a quiet-if-unfulfilling administrative job at the local college. Everything is wonderfully, numbingly normal. Yet Jane remains haunted by her past: her mercurial, absent mother, her parents' secrets, and the act of violence that transformed her life. When her estranged twin, Lila, makes contact, claiming to know where their mother is and why she left all those years ago, Jane agrees to join her, desperate for answers and the chance to reconnect with the only person who really knew her true self. Yet as the hunt becomes treacherous, and pulls the two women to the earth's distant corners, they find themselves up against their mother's subterfuge and the darkness that always stalked their family. Now Jane stands to lose the life she's made for the one that has been impossible to escape. Set in both the Pool family's past and their present, and melding elements of a chase novel, an espionage thriller, and domestic suspense, Hard Girls is an utterly distinctive pastiche--propulsive, mysterious, cracked, intelligent, and unexpected at every turn.

When the shadowy circumstances of a relative's death are brought to light, Jane and Lila are plunged into the recesses of an underground drug operation with links to a burgeoning fascist movement. The Pool sisters have gone into business together: a down-home, if unequal, PI enterprise. But then Lila receives a shocking piece of news from an old friend of their Aunt Ruth's: their aunt's suicide more than a decade earlier might not have been what it seemed. A lawyer, she had represented a disgraced chemist working on a dangerous synthetic opioid. But once the client, Travis Nutt, was poised to lose, he went rogue and unleashed the adulterant as a street drug, in conjunction with a shadowy cartel. Can the twins solve the mystery of their aunt's death and bring this cultlike billionaire to justice? Meanwhile, Jane has been invited to attend a writers' conference, an outlet she relishes until her dangerously confessional prose is seen by the wrong eyes. Her teenage daughter, Chloe, becomes the victim of a deepfake video while campaigning for class president and aggressively pursues the instigators, unaware of the muscle behind them. And old Harry, Jane's father, has stumbled upon a piece of unknown history that opens an unexpected door. Buzz Kill is a rambunctious, kinetic, elastically braided narrative of a ride that shows J. Robert Lennon is at the height of his powers.

"A phantasmagoria of American paranoia and self-loathing in the person of a deranged but somehow good-hearted middle-aged mail carrier in steep decline, the book hums with a kind of chipper angst," writes Jonathan Lethem in the "Los Angeles Times Book Review." "Mailman" tells the blackly comic story of Albert Lippincott. Albert is Nestor, New York's mailman extraordinaire aggressively cheerful, obsessively efficient. But he also has a few things to hide: his habit of reading other people's mail, a nervous breakdown, and a sexually ambiguous entanglement with his sister. Now his supervisors are on to his letter-hoarding compulsion, and there's a throbbing pain under his right arm. Things are closing in on Albert, who will soon be forced to confront, once and for all, his life's failures. Funny and moving, driven by a wild, compulsive interior voice, "Mailman" is a unique creation, a deeply original American novel. Already optioned to the movies, this astonishing and kinetically charged tale was one of the most exuberantly praised novels of 2003."

A student's suicide note is not what it seems. A high school football rivalry turns absurd - and deadly. A much-loved cat seems to have been a different animal all along. A pair of identical twins aren't identical at all - or even related. A man finds his own yellowed birth announcement inside a bureau bought at auction. Set in a small upstate New York town, told in a conversational style, Pieces for the Left Hand is a stream of a hundred anecdotes, none much longer than a page. At once funny, bizarre, familiar, and disturbing, these deceptively straightforward tales nevertheless shock and amaze through uncanny coincidence, tragic misunderstanding, strange occurrence, or sudden insight. Un posted letters, unexpected visitors, false memories - in J. Robert Lennon's vision of America, these are the things that decide our fate. Wry and deadpan, powerful and philosophical, these addictive little tales reveal the everyday world as a strange and eerie place.

Castle by J. Robert Lennon is a mesmerizing novel about memory, guilt, power, and violence In the late winter of 2006, I returned to my home town and bought 612 acres of land on the far western edge of the county." So begins, innocuously enough, J. Robert Lennon's gripping, spooky, and brilliant new novel. Unforthcoming, formal, and more than a little defensive in his encounters with curious locals, Eric Loesch starts renovating a run-down house in the small, upstate New York town of his childhood. When he inspects the title to the property, however, he discovers a chunk of land in the middle of his woods that he does not own. What's more, the name of the owner is blacked out. Loesch sets out to explore the forbidding and almost impenetrable forest--lifeless, it seems, but for a bewitching white deer--that is the site of an eighteenth-century Indian massacre. But this peculiar adventure story has much to do with America's current military misadventures--and Loesch's secrets come to mirror the American psyche in a paranoid age. The answer to what--and who--might lie at the heart of Loesch's property stands at the center of this daring and riveting novel from the author whose writing, according to Ann Patchett, "contains enough electricity to light up the country.""

Finally available in the United States, a singular story collection that Time Out declared "unsettlingly brilliant" Astudent's suicide note is not what it seems. A high school football rivalry turns absurd--and deadly. A much-loved cat seems to have been a different animal all along. A pair of identical twins aren't identical at all--or even related. A man finds his own yellowed birth announcement inside a bureau bought at auction. Set in a small upstate New York town, told in a conversational style, Pieces for the Left Hand is a stream of a hundred anecdotes, none much longer than a page. At once funny, bizarre, familiar, and disturbing, these deceptively straightforward tales nevertheless shock and amaze through uncanny coincidence, tragic misunderstanding, strange occurrence, or sudden insight. Unposted letters, unexpected visitors, false memories--in J. Robert Lennon's vision of America, these are the things that decide our fate. Wry and deadpan, powerful and philosophical, these addictive little tales reveal the everyday world as a strange and eerie place.

A heady, inventive, fantastical novel about the nature of memory and the difficulty of confronting trauma An unnamed woman checks into a guesthouse in a mysterious district known only as the Subdivision. The guesthouse's owners, Clara and the Judge, are welcoming and helpful, if oddly preoccupied by the perpetually baffling jigsaw puzzle in the living room. With little more than a hand-drawn map and vague memories of her troubled past, the narrator ventures out in search of a job, an apartment, and a fresh start in life. Accompanied by an unusually assertive digital assistant named Cylvia, the narrator is drawn deeper into an increasingly strange, surreal, and threatening world, which reveals itself to her through a series of darkly comic encounters reminiscent of Gulliver's Travels. A lovelorn truck driver . . . a mysterious child . . . a watchful crow. A cryptic birthday party. A baffling physics experiment in a defunct office tower where some calamity once happened. Through it all, the narrator is tempted and manipulated by the bakemono, a shape-shifting demon who poses a distinctly terrifying danger. Harrowing, meticulous, and deranged, Subdivision is a brilliant maze of a novel from the writer Kelly Link has called "a master of the dark arts." With the narrative intensity and mordant humor familiar to readers of Broken River, J. Robert Lennon continues his exploration of the mysteries of perception and memory.

The most inventive and entertaining novel to date from "a master of the dark arts" (Kelly Link) A modest house in upstate New York. One in the morning. Three people--a couple and their child--hurry out the door, but it's too late for them. As the virtuosic and terrifying opening scene of Broken River unfolds, a spectral presence seems to be watching with cold and mysterious interest. Soon the house lies abandoned, and years later a new family moves in. Karl, Eleanor, and their daughter, Irina, arrive from New York City in the wake of Karl's infidelity to start anew. Karl tries to stabilize his flailing art career. Eleanor, a successful commercial novelist, eagerly pivots in a new creative direction. Meanwhile, twelve-year-old Irina becomes obsessed with the brutal murders that occurred in the house years earlier. And, secretly, so does her mother. As the ensemble cast grows to include Louis, a hapless salesman in a carpet warehouse who is haunted by his past, and Sam, a young woman newly reunited with her jailbird brother, the seemingly unrelated crime that opened the story becomes ominously relevant. Hovering over all this activity looms a gradually awakening narrative consciousness that watches these characters lie to themselves and each other, unleashing forces that none of them could have anticipated and that put them in mortal danger. Broken River is a cinematic, darkly comic, and sui generis psychological thriller that could only have been written by J. Robert Lennon.

A new collection of short fiction by the author of the cult classic Pieces for the Left Hand Let Me Think is a meticulous selection of short stories by one of the preeminent chroniclers of the American absurd. Through J. Robert Lennon's mordant yet sympathetic eye, the quotidian realities of marriage, family, and work are rendered powerfully strange in this rich and innovative collection. These stories, most no more than a few pages, are at once experimental and compulsively readable, the work of an expert craftsman who can sketch whole lives in a mere handful of lines, or reveal, over pages, the boundless complexity of a passing thought. Here you'll find a heist gone wrong, a case of mistaken identity, a hostile encounter with a neighborhood eccentric, a glass eye, a talking owl, and a six-fingered hand. Whatever the subject, Lennon disarms the reader with humor before pivoting to pathos, pain, and disappointment--most notably in an extraordinary sequence of darting, painfully funny fictions about a disintegrating marriage that captures the myriad ways intimacy can fail us, and the ways that we can fail it. Like Lennon's earlier story collection Pieces for the Left Hand, Let Me Think holds a mirror up to our long-held grudges and secret desires, our petty resentments and moments of redeeming grace, and confirms him as a virtuoso of the form.