Kirjahaku

This Leather Origin Story of investigative journalism is an eyewitness oral history about a soon-to-be-lost generation of a once-important subculture of gay pioneers. In our leather archetribe, Drummer helped create the very culture it reported on. Drummer was a revolutionary idea evolving in monthly motion. Drummer portrayed our desires to organize our thoughts to inform our practices to create our leather identity. In 214 issues from 1975 to 1999, Drummer was a first draft of leather history and the "magazine of record" for our BDSM species within generic LGBT history. Gay Pioneers continues the leather-heritage GPS mapping Fritscher began in his NLA-I award-winning book, Gay San Francisco. Curious how high we leatherfolk once flew? Fritscher based this book on the "black-box flight recorder" he recovered from the "take-off, cruising altitude, and crash" of Drummer. Young readers will get up to speed fast on the backstage fun and games of who did what to whom, and how Drummer shaped 20th-century leather for 21st-century leatherfolk. Grounded on evidence inside Drummer, and in eyewitness diaries, letters, and interviews, this fact-checked masterwork recalls the thrill it was for millions of readers to pick up their first issue of Drummer. For that a price was paid. Against all odds, Drummer survived 24 years of stress from cruel censorship, plague, and politics that got the Drummer staff arrested, causing Drummer to move from disaster in Los Angeles to destiny in San Francisco. Gay Pioneers is a living history of leatherfolk written in human blood tattooed on human skin.

"Couples," and the changing nature of two people coupling, is the running theme of the eight tales in Sweet Embraceable You: Coffee-House Stories. These Embraceable stories include the "fast-read" of Coming Attractions, a four-person one-act comedy that you and another couple could read out loud for a hoot after supper. For readers who have never had the chance to read an actual screenplay, Duchess: Berlin 1928 reads so clearly, you can see, on the movie-screen in your head, everyones favorite fairy-tale heroine, the lost Grand Duchess Anastasia escaping lovers and villains in the streets of Berlin, two steps ahead of Sally Bowles in Cabaret. In fact, Duchess is a "film noir" story of a person refusing to couple when coupling means losing one's identity. The author, a true humanist, in these stories celebrates women who are coupled as mothers, wives, and friends. The son-mother-grandmother story, "Silent Mothers, Silent Sons," sews up a heart-breaking tale of how silence equals death, and, worse--before death--loneliness and isolation, because no one dares speak the secret that lies beneath nearly every family. All these stories are so vividly cinematic that the eight of them are like going into a Cineplex 8 and changing theaters to see all eight films for one admission. "The Barber of 18th and Castro" reads like Hitchcock, as the odd couple, a barber and a perhaps-serial-killer hustler, jostle suspensefully for power at the corner of 18th and Castro in San Francisco. "The Story Knife" tells the independent-film version of a handsome Catholic priest's reawakened sense of desire for a cabin-boy from Genoa; set on a cruise ship heading north to Alaska. In "Mrs. Dalloway," this coupling theme "triangulates" among the mother, the son, and the son's lover, with everyone refusing to surrender; yet the three arrive, through same-gender marriage, at a healing sense of family. Author Jack Fritscher, celebrates gay couples in this breathless autobiographical story, "Mrs. Dalloway Went That-A-Way." In "The Unseen Hand in the Lavender Light," a young boy grows up in a movie theater surrealistically powered by Hollywood images of coupling which make him finally explode. Fritscher is the best kind of author: one who disappears behind his well-developed characters, dialog, and plots. The diverse stories range from edgy to nostalgic, comic to romantic. The "voice" of the storyteller is pure entertainment without agenda. The style of the writing is lustrous. The author edits himself down to the polished bone, so that every word, every rhythm, every comma propels the feeling of the story. Sweet Embraceable You is recommended for travel, beach, and bedside reading.

Tuning in to media literacy as a modern survival skill. Because all of human life ends up on television today, as it did fifty years ago, the principles of critical thinking need to be taught to each young generation because fake news never dies. This lively and historic pop-culture guide teaching how to decode television was written when a pre-Watergate Richard Nixon was president, and republished during the 2020 election disruption of media. It affirms that timeless principles of critical thinking do not change, nor does human behavior. This 1970 book is an artifact of its times which were then--and now. Nixon can be a synonym for Trump. The necessity of critical thinking for one's self-defense never goes away. This book suggests that the goal for a person's liberation from authoritarians and fundamentalists through education is the ability to interpret, understand, and survive the towering babble of people, media, politics, religion, art, and society. In the 1960s, high schools and universities were the crucible of revolution and change around war, race, and gender. That fact angered conservative politicians who have continued with purpose to systematically de-fund education from kindergarten to college, and have allowed student debt to rise to discouraging levels, because American citizens schooled in critical thinking are a voting population of logic, resistance, and change that questions their rhetoric, and threatens their regime, riches, religion, and reasoning. In his foreword, the author explains: "I wrote this book for teen-age students while teaching American literature on one of those progressive university campuses in the 1960s when film-crazy and politically active students enthusiastically diverted arts-and-ideas discussions of classic literary works into topical discussions of current film and media. They impelled me to reinvent my 'Literary Interpretation' classes within the department of English by adding film/television as a fourth genre to fiction, poetry, and drama as a relevant way to teach principles of critical thinking freshened via the popular culture of movie and television screens. In the half-century since, the names of people and titles of programs have changed, but the principles of critical thinking remain the same."

At midnight on the historic night of July 29, 1971, High Priest Anton LaVey sat down with journalist Jack Fritscher in the dramatic sanctuary of his Church of Satan in San Francisco to speak frankly about the role of the Satanic Church and Satanism in the ongoing revolution around sex, race, and gender. This seminal interview, conducted in the fifth Satanic Year, is the first and earliest in-depth interview given by Anton LaVey whose Satanic Bible was published only two years before in 1969. Marcello Truzzi wrote in Fate magazine: "This is the most candid and informative interview that Anton LaVey has given anyone for publication to date."LaVey and Fritscher hit it off. LaVey responds graciously, humorously, and definitively about how and why he founded his Church while he addresses American religions, white wicca, the Manson Family, and the death of Jayne Mansfield. He sets the record straight declaring to Fritscher that he played the Devil in Roman Polanski's Rosemary's Baby.Growing more golden over the past fifty years, this interview has entered the classic "Canon of Satanic Literature" in the Church of Satan. Certainly, the candid conversation catches one of the most intriguing men of the 20th century around the moment when the Swinging 1960s became the Titanic 1970s that helped shaped the myth, magic, and mysticism of our new century. Here is the truth of what Anton LaVey said. He himself frequently endorsed the accuracy. This is the original question and answer format of the interview.

Desperate HusbandsA Gay Hero's Journey through CovidThis amuse-bouche gay pop-culture novel of arts, ideas, and history, packed with comic dish, is a meta-fiction memoir told by a marvelously unreliable third-person narrator. The "coming-out novel" meets the "elder-exit novel" in the circle of life when the closet of quarantine disrupts a happily married couple aging in place.The longtime husbands are representative men, survivors of gay history, from their coming out into the homophobia of the 1950s to their rowdy post-Stonewall life of fifty years in San Francisco before retiring to the Marin Headlands across the Golden Gate Bridge. Quarantined there, they watch online news of thousands of Covid refugees and renters fleeing the City, creating the most empty downtown in America, turning their once fabulous Castro gayborhood into a ghost town.Covid depression is the worst room in the best hotel of gay life. With the sinking feeling of drowning men, they see their pre-Covid queer life flashing before their eyes in slow-motion homosurreal memory scenes of magical realism, late-night noir films, and their own video diaries of friends lost to AIDS. Having survived isolation in the closet and the viral AIDS years, the veterans of the midcentury gay liberation wars, surveying their personal history, struggle forward on their gay heroic journey through the dark cave of Covid vowing never to surrender to the PTSD many gay men carry from years of homophobia.The author keeps this tale of Covid lockdown, the New Normal, and desperate husbands real and authentic with time-capsule headlines ripped from the news of the pandemic, the rise of MAGA fascism, the great gay migration to Palm Springs, rainbow pronouns, and a transgender person leading the revived Pride Parade.Director Oliver Stone said of his film Platoon, "This movie is not about me, but I had to be in Vietnam to write it." If this literary fiction, gayly packed with queer pop culture, seems as real as an autobiography, the author has done his job as an artist taking the reader on a fanciful ride as entertaining as his award-winning Some Dance to Remember: A Memoir-Novel of San Francisco 1970-1982.

A lively memoir of West Hollywood author-activist-influencer Larry Townsend whose signature Leatherman's Handbook was a founding text for gay men worldwide in the 20th century. Celebrating Townsend's 90th birthday and the 50th anniversary of his Handbook, this homage to Townsend written by his close friend of 40 years is vivid as a screenplay. Like a biographical film comedy sauced with honest realism, it stars the best-selling author of nearly 80 books who, long before the glitter bomb of Stonewall, helped found the new world of gay publishing, politics, and popular culture. The propulsive text, based on the testimony of intimate friends, especially his "Leather Wife" Jeanne Barney, reveals the rise and fall of the private man in all his unvarnished glory struggling behind his public persona even as he fights for the rights of other independent authors, and ends his life in a huge scandal of self-defense, suing floundering gay bookstores to protect his copyrights. The illustrated memoir offers readers unfamiliar with Townsend's leather milieu a charming and intimate profile of the author as a psychologist, author, and healing mentor whose Handbook was such a years-long bestseller that he literally educated American and international gay popular culture about the nature of leather people, principles, and practice. In Europe in 1977, Der Spiegel reported that in the world scene of leathermen, "The Leatherman's Handbook by a certain Larry Townsend is considered their Bible." He was an entertaining teacher who was not didactic, prescriptive, or old guard. His writing was a declaration of gay diversity. He challenged politically-correct mainstream censors condemning as pornography the consensual sadomasochism he championed as a kind of empowering analgesic ritual for men trying to cope counterphobically with PTSD caused by exposure to lifelong homophobia. This memoir unwrapping gay history spotlights the operatic Townsend, founding president of the Hollywood Hills Democratic Club, through revealing quotes from his own writing. It breaks down the barriers between so-called "low" and "high" culture and focuses on filling in the gaps that a neglect of gay popular culture by the politically-correct gay establishment has made in our understanding of the workings of broadband gay society. What Townsend wrote in 1972 describing his own Handbook applies to Fritscher's 2021 handbook about Townsend: "...a definitive exploration of the gay S&M leather scene...written by a qualified writer who has observed it all from the inside." Jack Fritscher, PhD, qualified as a founding member of the American Popular Culture Association in 1968, is the 1970s editor-in-chief of Drummer who invited Townsend to write for that magazine for twelve years. Fritscher, who stayed true to his friend to the scandalous end, is the perfect eyewitness in this candid documentary memoir of gay history. A fascinating, witty, and wise story of leather lives well lived from the 1950s to 2008.