Kirjahaku

Arguing for the compatibility of phenomenology and naturalism, this book also refashions each. The opening chapters begin with a methodological focus, which seeks to curb the "over-bidding" characteristic of both traditional transcendental phenomenology and scientific naturalism. Having thus opened up the possibility that the twain might meet, it is in the detailed chapters on matters where scientific and phenomenological work overlap and sometimes conflict – on time, body, and others – that the book contests some of the standard ways of understanding the relationship between phenomenological philosophy and empirical science, and between phenomenology and naturalism. Without invoking a methodological move of quarantine, in which each is allocated to their proper and separate domains, the book outlines the significance of the first-person perspective characteristic of phenomenology – both epistemically and ontologically – while according due respect to the relevant empirical sciences. The book thus renews phenomenology and argues for its ongoing relevance and importance for the future of philosophy.

A battle over the politics (and philosophy) of time is a major part of what is at stake in the differences between three competing currents of contemporary philosophy: analytic philosophy, post-structuralist philosophy, and phenomenological philosophy. Avowed or tacit philosophies of time define representatives of each of these groups and also guard against their potential interlocutors. However, by bringing the temporal differences between these philosophical trajectories to the fore, and showing both their methodological presuppositions and their ethico-political implications, this book begins a long overdue dialogue on their respective strengths and weaknesses. It argues that there are systemic temporal problems (chronopathologies) that afflict each, but especially the post-structuralist tradition (focusing on Gilles Deleuze and Jacques Derrida and their prophetic future politics) and the analytic tradition (focusing on John Rawls and philosophical methodology in general, particularly the tendency to oscillate between forms of atemporality and intuition-oriented “presentism”). What is required is a “middle-way” that does not treat the living-present and the pragmatic temporality associated with bodily coping as an epiphenomenon to be explained away as either a transcendental illusion (and as a reactive force that is ethically problematic), or as a subjective/psychological experience that is not ultimately real.

Arguing for the compatibility of phenomenology and naturalism, this book also refashions each. The opening chapters begin with a methodological focus, which seeks to curb the "over-bidding" characteristic of both traditional transcendental phenomenology and scientific naturalism. Having thus opened up the possibility that the twain might meet, it is in the detailed chapters on matters where scientific and phenomenological work overlap and sometimes conflict – on time, body, and others – that the book contests some of the standard ways of understanding the relationship between phenomenological philosophy and empirical science, and between phenomenology and naturalism. Without invoking a methodological move of quarantine, in which each is allocated to their proper and separate domains, the book outlines the significance of the first-person perspective characteristic of phenomenology – both epistemically and ontologically – while according due respect to the relevant empirical sciences. The book thus renews phenomenology and argues for its ongoing relevance and importance for the future of philosophy.

Set against a beautifully observed Thailand of the 1950s, this is the story of a young Englishman's infatuation with a dance hall hostess named Vilai, who all Bangkok knows as the White Leopard. Acknowledged today as one of the most memorable novels about Thailand, A Woman of Bangkok was first published to critical acclaim in London and New York in the 1950s and is a classic of Bangkok fiction.

Acknowledged as one of the most memorable novels about Thailand, A Woman of Bangkok was first published to critical acclaim in London and New York in the 1950s and is a classic of Bangkok fiction. Set in 1950s Thailand, this is the story of an Englishman s infatuation with a dance-hall hostess named Vilai. No ordinary prostitute, Vilai is one of the most memorable in literature s long line of brazen working girls