Kirjahaku

Soviet Russia (1955) discusses the origins and growth of Russian industry, in particular the emergence of a large modern working class and administrative class since the war, how the factories and farms are run, the wage systems, and the plans. The development of farming is described, especially the political management of relations between the peasants and industry. It covers the Soviet political system as a product of Russian history, and the deep changes in the Soviet political system after industrialization. It also looks at finance, the standard of living, strikes, the control of labour, family organization, ideas of world revolution, and the nations of the Soviet Union.

Soviet Russia (1955) discusses the origins and growth of Russian industry, in particular the emergence of a large modern working class and administrative class since the war, how the factories and farms are run, the wage systems, and the plans. The development of farming is described, especially the political management of relations between the peasants and industry. It covers the Soviet political system as a product of Russian history, and the deep changes in the Soviet political system after industrialization. It also looks at finance, the standard of living, strikes, the control of labour, family organization, ideas of world revolution, and the nations of the Soviet Union.

Lines from a Canvas offers the public one of the best kept secrets in the world of poetry for years, the work of Jacob Miller. His poems uniquely traverse the cultural territory from Homer to the Grateful Dead, taking the reader from ancient Greece and Rome to the Holocaust to the Cold War to Vietnam to 9/11. In short, the expansive canvas of his content presents a compelling spectrum mixing classical and modern brush strokes, all while exploring experiences of love and loss, isolation and separation, as well as mortality. Consistent with his content, though perhaps of even greater importance, the crowning achievement shown in this collection is Jacob Miller’s new poetic technique, which delivers the reader to an expertly constructed and long-needed bridge between classical traditions (such as rhyme and meter, or even hidden slant rhymes or assonance connections), and imagistic free-verse. Additionally, this collection contains the poet’s free-verse libretto to the modern opera Manhattan in Charcoal, (recently released on CD). The title poem, Lines from a Canvas, offers the point of view of a canvas, not the painter, and this launches the operative conceit in this collection: each poem explores the perspective of the canvas of life and death, more than the poet himself. Each poem truly brings something new to the page.