Kirjahaku

Jacqueline Taylor offers an original reconstruction of Hume's social theory, which examines the passions and imagination in relation to institutions such as government and the economy. Reflecting Subjects begins with a close examination of Hume's use of an experimental method to explain the origin, nature and effects of pride, an indirect passion that reflects a person's sense of self-worth in virtue of her valuable qualities, for example, her character or wealth. In explaining the origin of pride in terms of efficient causes, Hume displaces the traditional appeal to final causes, and is positioned to give an account of the significance for us of the passions in terms of a social theory. Subsequent chapters reconstruct this social theory, looking in particular at how the principle of sympathy functions to transmit cultural meanings and values, before examining Hume's account of social power--especially with regard to rank and sex. Turning to Hume's system of ethics, Taylor argues for the importance of Hume's more sophisticated moral philosophy in his Enquiry concerning the Principles of Morals, since it emphasizes certain virtues of good moral evaluation. She demonstrates that the principle of humanity stands as the central concept of Hume's Enlightenment philosophy.

Jacqueline Taylor offers an original reconstruction of Hume's social theory, which examines the passions and imagination in relation to institutions such as government and the economy. Reflecting Subjects begins with a close examination of Hume's use of an experimental method to explain the origin, nature and effects of pride, an indirect passion that reflects a person's sense of self-worth in virtue of her valuable qualities, for example, her character or wealth. In explaining the origin of pride in terms of efficient causes, Hume displaces the traditional appeal to final causes, and is positioned to give an account of the significance for us of the passions in terms of a social theory. Subsequent chapters reconstruct this social theory, looking in particular at how the principle of sympathy functions to transmit cultural meanings and values, before examining Hume's account of social power--especially with regard to rank and sex. Turning to Hume's system of ethics, Taylor argues for the importance of Hume's more sophisticated moral philosophy in his Enquiry concerning the Principles of Morals, since it emphasizes certain virtues of good moral evaluation. She demonstrates that the principle of humanity stands as the central concept of Hume's Enlightenment philosophy.

The extraordinary life and work of architect Amaza Lee Meredith, and the role modernism and material culture played in the aspiring Black American middle class of the early twentieth century.Amaza Lee Meredith Imagines Herself Modern tells the captivating story of Amaza Lee Meredith, a Black woman architect, artist, and educator born into the Jim Crow South, whose bold choices in both life and architecture expand our understanding of the Great Migration and the Harlem Renaissance, while revealing the importance of architecture as a force in Black middle-class identity. Through her charismatic protagonist, Jacqueline Taylor derives new insights into the experiences of Black women at the forefront of culture in early twentieth-century America, caught between expectation and ambition, responsibility and desire. Central to Taylor’s argument is that Meredith’s response to modern architecture and art, like those of other Black cultural producers, was not marginal to the modernist project; instead, her work reveals the tensions and inconsistencies in how American modernism has been defined. In this way, the book shines a necessary light on modernism’s complexity, while overturning perceived notions of race and gender in relation to the modernist project and challenging the notion of the white male hero of modern architecture.

Grace Paley is a "writer's writer," admired by both scholars and the reading public for her originality and unique voice. In this first book-length study of her work, Jacqueline Taylor explores the source of Paley's originality, locating it in the way Paley transforms language to create strongly woman-centered stories. Drawing on interviews with the author, as well as the stories themselves, Taylor emphasizes Paley's awareness that women's voices have been muted and their stories ignored or left untold in our culture's male-oriented dominant discourse. She watches Paley in the process of reshaping language at both the semantic and narrative levels to make it express women's perceptions and experiences. In Paley's stories, it becomes possible to ignore traditional heroic and dramatic themes and instead talk about women and children in such everyday settings as the playground, the kitchen, and the grocery store. Some of the specific techniques Paley uses to accomplish this include identifying and repudiating sexist language in the dominant discourse and redefining ordinary words from the perspective of women. At the narrative level, Taylor reveals how she draws on women's oral traditions to tell open-ended stories that resist rigid beginning-middle-and-end structuring. This transformed language enables Paley to construct a social world where woman-centered meanings can flourish. In her nontraditional stories, no single narrator or version of events dominates. Anyone can be a storyteller and no one has the last word.

“Well-written, absorbing, and a great pleasure to read . . . will appeal to Christians struggling to square their traditional beliefs with acceptance of homosexuality as well as to all those interested in adoption, lesbian marriage, and the changing shape of America’s families.”—Elizabeth C. Fine, Virginia Tech University Waiting for the Call takes readers from the foothills of the Appalachians—where Jacqueline Taylor was brought up in a strict evangelical household—to contemporary Chicago, where she and her lesbian partner are raising a family. In a voice by turns comic and loving, Taylor recounts the amazing journey that took her in profoundly different directions from those she or her parents could have ever envisioned.Taylor’s father was a Southern Baptist preacher, and she struggled to deal with his strictures as well as her mother’s manic-depressive episodes. After leaving for college, Taylor finds herself questioning her faith and identity, questions that continue to mount when—after two divorces, a doctoral degree, and her first kiss with a woman—she discovers her own lesbianism and begins a most untraditional family that grows to include two adopted children from Peru. Even as she celebrates and cherishes this new family, Taylor insists on the possibility of maintaining a loving connection to her religious roots. While she and her partner search for the best way to explain adoption to their children and answer the inevitable question, “Which one is your mom?” they also seek out a church that will unite their love of family and their faith. Told in the great storytelling tradition of the American South, full of deep feeling and wry humor, Waiting for the Call engagingly demonstrates how one woman bridged the gulf between faith and sexual identity without abandoning her principles.

Growing up, Jacqueline Taylor was the ideal preacher's daughter. In the conservative communities of Pennsylvania and Kentucky where she lived, Taylor never questioned the solid pillars of the faith that informed her and her family's entire life. As she matures, however, Taylor's independent spirit and restless intellect begin to unravel the rigid fabric of belief that enfolds her world. Hoping to escape the watchful eyes of her parents and her church, Taylor leaves for college and almost immediately marries. After that relationship fails - much to her parents' disappointment - she finds herself married again. Her world is further shaken when her mother (normally a typically proper and straight-laced Baptist preacher's wife) experiences a wildly manic episode that shocks the church community and the family's very foundations. Despite the widening gap between Taylor and her parents, she takes on the role of caregiver to her mother. When Taylor finally realizes she is lesbian, she breaks with every tradition she has ever known and embarks on a new life, finding love with another woman and eventually adopting two Peruvian infants, Grace and Lucy. Through these experiences Taylor discovers not only a way to love and be in the world that allows her at last to hear her call, but an unexpected and deeply meaningful path to renewed communication and reconnection to her parents and community. ""Waiting for the Call"" is the story of one woman's discovery of herself and of the faith she feared may have fled in the hour of her greatest need. At times funny, uplifting, sad, and profoundly stirring, but always emotionally honest and courageous, ""Waiting for the Call"" reminds us that we can remain true to ourselves without abandoning our principles.

Empowering and Motivating Women of God to move forward in life without regurgitating life's hiccups, stumbles and falls living in the right now. Sinless*Saved*Delivered*Set Free*