Kirjahaku

The "Old Hollywood" of studios, stars, and house directors began to break up in the 1960s. Newly independent directors freed from budgetary and aesthetic limitations imposed by studio moguls were the "New Hollywood." Directors could develop their own styles, hire whom they wanted, and make movies that would dazzle jaded audiences. Hollywood would never be the same … What happened? The author looks at the productions of the "New Hollywood" to answer that question. Scene by scene analyses of some of the 70s most significant films (i. e., Apocalypse Now, Taxi Driver, M. A. S. H., Annie Hall, and American Graffiti) assess both the successes and failures of the New Hollywood.

This work illuminates the art of George Cukor, the director of some of the most acclaimed and popular films ever to come out of Hollywood. Eight films, ranging in time from David Copperfield (1935) to Rich and Famous (1981) and in mood from the fairy-tale comedy of The Philadelphia Story to the intense melodrama of Cukor's masterpiece, A Star Is Born, are closely analyzed in a search for the elusive secret of Cukor's success. Through his long and varied body of work Cukor was preoccupied with certain themes of enduring significance that found expression through his mastery of film direction. More than a mere Hollywood craftsman or the congenial collaborator of such Hollywood luminaries as Hepburn, Grant, Tracy, and Monroe, George Cukor was a true film artist.