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91 kirjaa tekijältä James Hall

James Hall on The Self-Portrait

James Hall on The Self-Portrait

James Hall

THAMES HUDSON LTD
2024
sidottu
Excerpts from art critic, historian, lecturer and broadcaster James Hall’s lively and comprehensive cultural history of self-portraiture, including such artists as Dürer, Gentileschi, Van Gogh and Kahlo. Surprising, questioning, challenging, enriching: the Pocket Perspectives series celebrates writers and thinkers who have helped shape the conversation across the arts. Mixing classic and contemporary texts, reissues and abridgements, these are bite-sized, fully illustrated reads in an attractive, affordable and highly collectable package.
Essay on the Origin and Principles of Gothic Architecture. By Sir James Hall, Bart. ... From the Transactions of the Royal Society of Edinburgh. Read April 6. 1797
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT101922The phrase, Read April 6. 1797, is enclosed in square brackets. Edinburgh, 1797]. 27, 1]p., VI plates; 4
Body Language

Body Language

James Hall

HARPERCOLLINS PUBLISHERS
2000
nidottu
Now a forensic photographer for the Miama PD, Alexandra remains haunted by her past and it all comes rushing back when she becomes caught up in the investigation of a gruesome series of murders. The killer is bent on making sure Alexandra won't live long enough to translate his message.
Blackwater Sound

Blackwater Sound

James Hall

HARPERCOLLINS PUBLISHERS
2003
nidottu
The Braswells had everything: money, looks and power. But when their eldest son, the family's shining light, was killed in a freak fishing accident, he took with him a dark secret. Ten years later, in the steamy shallows off the Florida coast, an airliner crashes, killing all aboard. Compelling action and suspense in the Florida Keys and Bahamas - in the atmospheric new thriller from a writer acclaimed by Dennis Lehane, Michael Connelly and Robert Crais.
Off the Chart

Off the Chart

James Hall

HARPERCOLLINS PUBLISHERS
2004
nidottu
A chance encounter with an old flame sets reluctant investigator Thorn on a collision course with some of Florida's most ruthless killers in a heart-stopping story of modern-day piracy from the acclaimed author of Blackwater Sound, hailed by Dennis Lehane as 'the king of Florida noir'.
Illustrated Dictionary Of Symbols In Eastern And Western Art
"A Companion volume to James Hall’s perennial seller Dictionary of Subjects & Symbols in Art. which deals with the subject matter of Christian and Western art, the present volume includes the art of Egypt, the ancient Near East, Christian and classical Europe, India and the Far East. Flail explores the language of symbols in art showing how paintings, drawings and sculpture express man shades of meaning from simple, everyday hopes and fears to the profoundest philosophical and religious aspirations. The book explains and interprets symbols from many cultures, and over 600 illustrations clarify and complement the text. There are numbered references throughout the text to the sacred Iitcra-1 ture, myths and legends in which the symbols had their origins. Details of English translations of the works are in the bibliography. The book includes an appendix of the transcription of Chinese, notes and references, bibliography, chronological tables and index."
The Sinister Side

The Sinister Side

James Hall

Oxford University Press
2008
sidottu
Why does the Mona Lisa have an uneven smile? Was Picasso's Demoiselles d'Avignon an exploration of Satanism? Why did Michelangelo depict so many left-handed archers? Why did the British Queen look so different when Annie Liebowitz lit her from her left side in a recent official portrait? The answer to all these questions lies in a hidden symbolic language in the visual arts: that of the perceived differences between the left and right sides of the body. It is a symbolism that has been interpreted by artists through the centuries, and that can be uncovered in many of our greatest masterpieces, but that has been long forgotten about or misunderstood by those concerned with the history of art and the human body. The Sinister Side reveals the key, and sheds new light on some of the greatest art from before the Renaissance to the present day. Traditionally, in almost every culture and religion, the left side has been regarded as inferior - evil, weak, worldly, feminine - while the right is good, strong, spiritual and male. But starting in the Renaissance, this hierarchy was questioned and visualised as never before. The left side, in part because of the presence of the heart, became the side that represented authentic human feelings, especially love. By the late nineteenth century, with the rise of interest in the occult and in spiritualism, the left side had become associated with the taboo and with the unconscious. Exploring how works of art reflect our changing cultural ideas about the natural world, human nature, and the mind, James Halls'Sinister Side is the first book to detail the richness and subtlety of left-right symbolism in art, and to show how it was a catalyst for some of the greatest works of visual art from Botticelli and Van Eyck to Vermeer and Dali.
Introduction to Audiology Today
Introduction to Audiology Today is a contemporary and clinically oriented review of information traditionally found in an introductory audiology book used by undergraduate students. An up-to-date introduction to the profession of audiology, Introduction to Audiology Today is written to stimulate the student’s interest and excitement in audiology or speech-language pathology as a career choice. Chapters on hearing science covering essential information about sound and auditory anatomy/physiology include helpful figures and readable explanations of recent research findings. Current behavioral and objective procedures and strategies for hearing assessment of children and adults are described and consistently related to clinical audiology practice. Two chapters are devoted to a readable and up-to-date review of the diverse etiologies underlying peripheral and central auditory dysfunction, including auditory neuropathy spectrum disorder and auditory processing disorders. The text is enhanced with an assortment of high quality digital photographs illustrating the tools and technologies used by audiologists in clinical practice.
Dictionary of Subjects and Symbols in Art
The understanding and enjoyment of a work of art depends as much on the story it depicts as on the artist's execution of it. But what were once biblical or classical commonplaces are not so readily recognizable today. This book relates in a succinct and readable way the themes, sacred and secular, on which the repertoire of Western art is based. Combined here in a single volume are religious, classical, and historical themes, figures of moral allegory, and characters from romantic poetry that appeared throughout paintings and sculpture in Western art before and after the Renaissance. More than just a dictionary, this text places these subjects in their narrative, historical, or mythological context and uses extensive cross-referencing to enhance and clarify the meanings of these themes for the reader.The definitive work by which others are compared, this volume has become an indispensable handbook for students and general appreciators alike. This wholly redesigned second edition includes a new insert of images chosen by the author, as well as a new preface and index to highlight the ideas, beliefs, and social and religious customs that form the background of much of this subject matter.
Red Sky At Night

Red Sky At Night

James Hall

Dell Publishing Co Inc.,U.S.
1998
sidottu
A full-throttle thriller anda powerful human drama of wounded love and the hurts that afflict the body, mind, and spirit It was truly a crime against innocents. Eleven dolphins, part of an experiment in healing, are found slaughtered in their saltwater tanks. When Thorn, a Florida renegade who has lived a life of fierce freedom, investigates, he triggers a vicious attack that leaves him paralyzed from the waist down, plagued by unrelenting pain. Now Thorn is starting over in a wheelchair, bitter enough to drive his lover away, desperate enough to seek miracles on the fringes of medical science where his childhood friend, now a doctor, is doing cutting-edge research in a quest for the ultimate painkiller. Bean Wilson was once destined for greatness. Then came the war in Vietnam, a debilitating injury, and a simmering rage. Now Bean is running a pain-relief clinic in Key West, assisted by a beautiful six-foot-tall island girl named Pepper Tremaine, who chews hot chilies like gum and carries a scalpel in her blouse. Under the guise of a respectable research facility, Bean and Pepper are using human beings as lab rats, then feeding the bodies of their failures to the shark-churned sea. Within hours of entering the clinic, Thorn can sense the danger. But when he makes the bizarre connection between eleven dead dolphins and Bean's clinic, the stakes are raised. Because thismad, ruthless doctor may be on the brink of the most dangerous discovery of all."
The Artist's Studio: A Cultural History – A Times Best Art Book of 2022
A 'TIMES' BEST ART BOOK OF 2022 ___________________________________________ An exciting narrative and visual history of the artist’s studio, examining the myth and reality of the creative space from early times to today. The artist’s workplace has always been an imaginary as well as an actual location, an idealized utopia as well as the domain of dirty, back-breaking work. Written descriptions, paintings, prints and even photographs of the artist’s atelier distort as much as they document. This pioneering cultural history charts the myth and reality of the creative space from Ancient Greece to the present day. Tracing a history that extends far beyond the bohemian, romantic and renaissance cults of the artist, each chapter focuses on key developments of the studio space as seen in a variety of familiar and unfamiliar images. Mythical and divine makers, and some amateurs, are included, and so too are craftspeople – workers in metal and wood, potters, illuminators, weavers, embroiderers and architects to name a few. Each carefully chosen example is placed within a cultural and political context, with the aim of correcting the historical imbalance that has long overlooked the many artisans who collaborated with artists. Leading authority James Hall also extends the discussion to the artist’s museum and the artist’s house, as well plein air painting and the development of portable studios.
The Self-Portrait

The Self-Portrait

James Hall

Thames Hudson Ltd
2014
sidottu
In this broad cultural survey, James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of `bearing witness’ to the prolific self-image-making of today’s contemporary artists. Along the way he reveals the importance of the medieval `mirror craze’; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch and Bonnard; and the latest developments in our globalized age. Hall covers the full range of self-portraits, from comic and caricature self-portraits to `invented’ or imaginary ones, and looks deeply into the worlds and mindsets of the artists who have created them. Offering a rich and lively history, this is an essential read for all those interested in this most enduringly popular and humane of art forms.
The Self-Portrait

The Self-Portrait

James Hall

Thames Hudson Ltd
2015
nidottu
In this broad cultural survey, James Hall brilliantly maps the history of self-portraiture, from the earliest myths of Narcissus and the Christian tradition of ‘bearing witness’ to the prolific self-image-making of today’s contemporary artists. Along the way he reveals the importance of the medieval ‘mirror craze’; the confessional self-portraits of Titian and Michelangelo; the role of biography for serial self-portraitists such as Courbet and van Gogh; themes of sex and genius in works by Munch and Bonnard; and the latest developments in our globalized age. Hall covers the full range of self-portraits, from comic and caricature self-portraits to ‘invented’ or imaginary ones, and looks deeply into the worlds and mindsets of the artists who have created them. Offering a rich and lively history, this is an essential read for all those interested in this most enduringly popular and humane of art forms.
Dictionary of Subjects and Symbols in Art

Dictionary of Subjects and Symbols in Art

James Hall

Westview Press Inc
2014
nidottu
The understanding and enjoyment of a work of art depends as much on the story it depicts as on the artist's execution of it. But what were once biblical or classical commonplaces are not so readily recognizable today. This book relates in a succinct and readable way the themes, sacred and secular, on which the repertoire of Western art is based. Combined here in a single volume are religious, classical, and historical themes, figures of moral allegory, and characters from romantic poetry that appeared throughout paintings and sculpture in Western art before and after the Renaissance. More than just a dictionary, this text places these subjects in their narrative, historical, or mythological context and uses extensive cross-referencing to enhance and clarify the meanings of these themes for the reader.The definitive work by which others are compared, this volume has become an indispensable handbook for students and general appreciators alike. This wholly redesigned second edition includes a new insert of images chosen by the author, as well as a new preface and index to highlight the ideas, beliefs, and social and religious customs that form the background of much of this subject matter.