Kirjahaku

Knowledge of public affairs matters: this friendly guide is an invaluable read for journalism students and journalists looking for a firm grasp on how central and local governments work, how public services operate, and how political events generate informative new stories. · Offers engaging coverage of the constitutional framework and the governing institutions of the UK, and gives stimulating insights into how they are, and could be, covered by journalists · Designed to complement NCTJ-accredited syllabi, this text is also recommended for a broad range of media qualifications · Chapters move logically through relevant topics including the economy, the electoral system, political parties, healthcare, education and housing, and conclude with 'take-home points' and 'current issues' to summarise the chapter and provide contextual knowledge · Fully updated to reflect policy changes introduced by the governments of Boris Johnson, Liz Truss, and Rishi Sunak · Includes detailed overviews of the key impacts on British politics, public services, and the economy of the Covid-19 pandemic, the 'cost-of-living crisis', and the war in Ukraine · New sections outlining the impact of Chancellor Kwasi Kwarteng's 2022 'mini-Budget' and policy changes affecting a range of areas including asylum and immigration, housing and planning, ownership of the railways, and the National Health Service in England Digital formats and resources The eighth edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book offers a mobile experience and convenient access along with functionality tools, navigation features and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks

Published in partnership with the NCTJ, Essential Public Affairs for Journalists is the indispensable public affairs guide for journalism students and industry professionals. Knowledge of public affairs matters: this friendly guide is an invaluable read for journalism students and journalists looking for a firm grasp on how central and local governments work, how public services operate, and how political events generate informative new stories. Key Features - Offers engaging coverage of the constitutional framework and the governing institutions of the UK, and gives stimulating insights into how they are, and could be, covered by journalists - Published in partnership with the National Council for the Training of Journalists and designed to complement accredited syllabi. This text is also recommended for a broad range of media qualifications. - Chapters move logically through relevant topics including the economy, political parties, health care, education and housing, and conclude with 'take-home points' and 'current issues' to summarise the chapter and provide contextual knowledge - Also available as an e-book with functionality tools, navigation features, and links that offer extra learning support New to this Edition - Fully updated to reflect constitutional and policy changes introduced by the recently elected Labour government - Includes details of significant reforms relating to areas such as regional devolution, local government structures, the NHS, prisons, employment rights, public transport, and town and country planning - Reflections and updates on key policy controversies including the Assisted Dying Bill and the backlash against the Winter Fuel Allowance and tax-raising autumn 2024 Budget - Fully revised and updated 'current issues' and 'further reading' sections Digital formats and resources The ninth edition is available for students and institutions to purchase in a variety of formats. The e-book offers a mobile experience and convenient access along with functionality tools, navigation features, and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks .

A new take on an eclectic and controversial director James Morrison's critical study offers a comprehensive and critically engaged treatment on Roman Polanski's immense body of work. Tracing the filmmaker's remarkably diverse career from its beginnings to 2007, the book provides commentary on all of Polanski's major films in their historical, cultural, social, and artistic contexts. Morrison locates Polanski's work within the genres of comedy and melodrama, arguing that he is not merely obsessed with the theme of repression, but that his true interest is in the concrete—what is out in the open—and why we so rarely see it. The range of Polanski's filmmaking challenges traditional divisions between high and low culture. For example, The Ninth Gate is a brash pastiche of the horror genre, while The Pianist is an Academy Award-winner about the Holocaust. Dubbing Polanski a relentless critic of modernity, Morrison concludes that his career is representative of the fissures, victories, and rehabilitations of the last fifty years of international cinema. A volume in the series Contemporary Film Directors, edited by James Naremore

Provides background information on the history and mythology of Homer's "Odyssey" and presents discussions on each of the twenty-four books of the work.

Shipwrecked: Disaster and Transformation in Homer, Shakespeare, Defoe, and the Modern World presents the first comparative study of notable literary shipwrecks from the past four thousand years, focusing on Homer’s Odyssey, Shakespeare’s The Tempest, and Defoe’s Robinson Crusoe. James V. Morrison considers the historical context as well as the “triggers” (such as the 1609 Bermuda shipwreck) that inspired some of these works, and modern responses such as novels (Golding’s Lord of the Flies, Coetzee’s Foe, and Gordon’s First on Mars, a science fiction version of the Crusoe story), movies, television (Forbidden Planet, Cast Away, and Lost), and the poetry and plays of Caribbean poets Derek Walcott and Aimé Césaire.The recurrent treatment of shipwrecks in the creative arts demonstrates an enduring fascination with this archetypal scene: a shipwreck survivor confronting the elements. It is remarkable, for example, that the characters in the 2004 television show Lost share so many features with those from Homer’s Odyssey and Shakespeare’s The Tempest.For survivors who are stranded on an island for some period of time, shipwrecks often present the possibility of a change in political and social status—as well as romance and even paradise. In each of the major shipwreck narratives examined, the poet or novelist links the castaways’ arrival on a new shore with the possibility of a new sort of life. Readers will come to appreciate the shift in attitude toward the opportunities offered by shipwreck: older texts such as the Odyssey reveals a trajectory of returning to the previous order. In spite of enticing new temptations, Odysseus—and some of the survivors in The Tempest—revert to their previous lives, rejecting what many might consider paradise. Odysseus is reestablished as king; Prospero travels back to Milan. In such situations, we may more properly speak of potential transformations. In contrast, many recent shipwreck narratives instead embrace the possibility of a new sort of existence. That even now the shipwreck theme continues to be treated, in multiple media, testifies to its long-lasting appeal to a very wide audience.

'The Left Behind' is a defining motif of contemporary British political discourse. It is the thread that knits together the 2016 Brexit referendum, the crumbling of the fabled 'Red Wall' in the North, and the pernicious culture war being waged today. But who are the Left Behind? James Morrison goes in search of the reality behind the rhetoric, offering the first comprehensive, historical analysis of the origins, uses and meanings of the term. He interrogates the popular archetype of the Left Behind - as a working class, leave-voting white male from a former industrial heartland - and situates the concept in the context of longstanding, demonising discourses aimed at communities seen as backward and 'undeserving'. Analysing national newspaper coverage and parliamentary discussions, and drawing on interviews with MPs, community leaders, charities and people with direct lived experiences of poverty and precarity, The Left Behind grapples with the real human cost of austerity for neglected post-industrial communities and other marginalised groups across the world, and the stigmatising discourse that does little to serve them.

'The Left Behind' is a defining motif of contemporary British political discourse. It is the thread that knits together the 2016 Brexit referendum, the crumbling of the fabled 'Red Wall' in the North, and the pernicious culture war being waged today. But who are the Left Behind? James Morrison goes in search of the reality behind the rhetoric, offering the first comprehensive, historical analysis of the origins, uses and meanings of the term. He interrogates the popular archetype of the Left Behind - as a working class, leave-voting white male from a former industrial heartland - and situates the concept in the context of longstanding, demonising discourses aimed at communities seen as backward and 'undeserving'. Analysing national newspaper coverage and parliamentary discussions, and drawing on interviews with MPs, community leaders, charities and people with direct lived experiences of poverty and precarity, The Left Behind grapples with the real human cost of austerity for neglected post-industrial communities and other marginalised groups across the world, and the stigmatising discourse that does little to serve them.

Examines popular films made in Hollywood by European directors, offering a fresh take on the much-debated issue of the "great divide" between modernism and mass culture.CHOICE 1999 Outstanding Academic BooksIn Passport to Hollywood, James Morrison examines a series of Hollywood films by directors from European art-cinemas. Drawing widely on current research in film theory, film history, and cultural studies, he traces the influence of European filmmakers in Hollywood from the 1920s to the 1980s and illuminates the relation between modernism and mass-culture in American movies. By interpreting important American films, Morrison also shows how these films illustrate key issues of cultural hierarchy and national culture over fifty years of American cinema. In addition, he explores the complex and often contradictory ways that these Hollywood movies conceptualize ideas about "foreignness." Using insightful close viewings, Morrison demonstrates new connections among modernism, postmodernism, and American movies.

On the 29 June 1914 Archduke Franz Ferdinand was assassinated in Sarajevo triggering events leading to the outbreak of the First World War. Less well known is that the car he was in was a borrowed Graf + Stift Double Phaeton, that the route was published in advance, and the decision to lower the hood was only taken at the last minute. As with the other events in this book, the car played a central role, yet its history is largely unknown. These cars not only had their own stories in terms of design, ownership, and the role they played but they are also a way of telling the story of the events themselves - they are literally a vehicle for history. In this book James Morrison takes 20 cars involved in twenty key 20th century world events and examines their involvement and history to provide a new angle and fascinating insights.

On the 29 June 1914 Archduke Franz Ferdinand was assassinated in Sarajevo triggering events leading to the outbreak of the First World War. Less well known is that the car he was in was a borrowed Graf + Stift Double Phaeton, that the route was published in advance, and the decision to lower the hood was only taken at the last minute. As with the other events in this book, the car played a central role, yet its history is largely unknown. These cars not only had their own stories in terms of design, ownership, and the role they played but they are also a way of telling the story of the events themselves - they are literally a vehicle for history. In this book James Morrison takes 20 cars involved in twenty key 20th century world events and examines their involvement and history to provide a new angle and fascinating insights.

This book argues that Britain is gripped by an endemic and ongoing panic about the position of children in society – which frames them as, alternately, victims and threats. It argues the press is a key player in promoting this discourse, which is rooted in a wide-scale breakdown in social trust.

This book argues that Britain is gripped by an endemic and ongoing panic about the position of children in society – which frames them as, alternately, victims and threats. It argues the press is a key player in promoting this discourse, which is rooted in a wide-scale breakdown in social trust.