Kirjahaku

Jan Reid's powerful, moving account of what being shot during a robbery in Mexico City and the painful road to recovery taught him about manhood, friendship, and marriage. On April 20, 1998, Jan Reid was shot during a robbery in Mexico City, where he had gone to watch his friend, the boxer Jesus Chavez, fight. In The Bullet Meant for Me, Reid powerfully recounts his ordeal, the long chain of life events that brought him to that fateful attack, and his struggle to regain the ability to walk and to be a full partner in a deeply satisfying marriage. Re-examining the whole trajectory of his life, Reid questions how much the Texan ideal of manhood shaped his identity, including his love for boxing and participation in the sport. He meditates on male friendship as he tells the story of his close relationship with Chavez, whose career and personal travails Reid details with empathy and insight. And he describes his long months in physical therapy, during which he drew on the unwavering love of his wife and daughter, as well as the courage and strength he had learned from boxing, to heal his body and spirit. A moving, intimate portrait of a man, a friendship, and a marriage, The Bullet Meant for Me is Jan Reid's most personal book.

Winner, Coral Horton Tullis Memorial Prize, Texas State Historical Association, 2012 Liz Carpenter Award for Research in the History of Women, Texas State Historical Association, 2012When Ann Richards delivered the keynote of the 1988 Democratic National Convention and mocked President George H. W. Bush-“Poor George, he can’t help it. He was born with a silver foot in his mouth”-she instantly became a media celebrity and triggered a rivalry that would alter the course of American history. In 1990, Richards won the governorship of Texas, upsetting the GOP’s colorful rancher and oilman Clayton Williams. The first ardent feminist elected to high office in America, she opened up public service to women, blacks, Hispanics, Asian Americans, gays, and the disabled. Her progressive achievements and the force of her personality created a lasting legacy that far transcends her rise and fall as governor of Texas.In Let the People In, Jan Reid draws on his long friendship with Richards, interviews with her family and many of her closest associates, her unpublished correspondence with longtime companion Bud Shrake, and extensive research to tell a very personal, human story of Ann Richards’s remarkable rise to power as a liberal Democrat in a conservative Republican state. Reid traces the whole arc of Richards’s life, beginning with her youth in Waco, her marriage to attorney David Richards, her frustration and boredom with being a young housewife and mother in Dallas, and her shocking encounters with Lyndon Johnson and Jimmy Carter. He follows Richards to Austin and the wild 1970s scene and describes her painful but successful struggle against alcoholism. He tells the full, inside story of Richards’s rise from county office and the state treasurer’s office to the governorship, where she championed gun control, prison reform, environmental protection, and school finance reform, and he explains why she lost her reelection bid to George W. Bush, which evened his family’s score and launched him toward the presidency. Reid describes Richards’s final years as a world traveler, lobbyist, public speaker, and mentor and inspiration to office holders, including Hillary Clinton. His nuanced portrait reveals a complex woman who battled her own frailties and a good-old-boy establishment to claim a place on the national political stage and prove “what can happen in government if we simply open the doors and let the people in.”

Comanche Sundown is the story of the great war chief Quanah Parker, a freed slave and cowboy named Bose Ikard, and the women they love. In 1869 Quanah and Bose do their best to kill each other in a brutal fight on horseback in West Texas. But over several years, through the flash and chaos of war and killing they discover that they are friends, not enemies. They change from violent unformed youths into men of courage and decency. The son of the ferocious warrior Nocona and the tragic captive Texan Cynthia Ann Parker, Quanah suffers the wound of being slurred and rejected by many Comanches as someone of impure blood and certain bad luck. When told he cannot marry his youthful love Weckeah, he rides off and joins another band of his people in the canyonlands and plains of the Texas Panhandle. Later, when Quanah has just emerged as a war chief in a daring rout of army cavalry, in defiance of elders and tradition he elopes with Weckeah and leads a following of the wildest Comanche bunch of all. The enslaved son of a white physician, Bose is freed by the Civil War and rides on trail drives of longhorns into New Mexico Territory that are led by the pioneering Charles Goodnight. Bose winds up captured, utilized, and eventually valued by Quanah and his people. That period in young Bose’s life brings him into intoxicating friendship with Quanah’s other wife, To-ha-yea, a Mescalero Apache and born heart-breaker. Comanche Sundown lays out a sprawling and plausible recast of Southwestern history that brings Pat Garrett, Billy the Kid, Bat Masterson, Colonel Ranald “Bad Hand” Mackenzie, and General William T. Sherman into one fray. In the tradition of Thomas Berger’s Little Big Man, William Styron’s The Confessions of Nat Turner, Larry McMurtry’s Lonesome Dove, and Cormac McCarthy’s All the Pretty Horses, Jan Reid’s novel offers a rich blend of historical detail, exquisite eye for the terrain and the animals, and insight into the culture, customs, poetry, and dignity of Native Americans caught up in a desperate fight to survive.

Luke Burgoa is an ex-Marine on a solitary covert mission to infiltrate the Basque separatist organization ETA in Spain and help bring down its military commander, Peru Madariaga. Luke hails from a Basque ancestry that came with the Spanish empire to Cuba, Argentina, Mexico, and, seventy-five years ago, to a Texas ranch. Neighbors consider the Burgoas Mexican immigrants and exiles of that nation’s revolution, but the matriarch of the family speaks the ancient language Euskera and honors traditions of the old country. Luke’s orders are to sell guns to the ETA and lure Peru into a trap. Instead he falls in love with Peru’s estranged wife, Ysolina, who lives in Paris and pursues a doctorate about an Inquisition-driven witchcraft frenzy in her native land. From the day they cross the border into the Basque Pyrenees, their love affair on the run conveys the beauty, sensuality, exoticism, and violence of an ancient homeland cut in two by Spain and France. Their trajectory puts Luke, Ysolina, and Peru on a collision course with each other and the famed American architect Frank Gehry, whose construction of a Guggenheim art museum seeks to transform the Basque city of Bilbao, a decrepit industrial backwater haunted by the Spanish Civil War—and a hotbed of ETA extremism. Ranging from the Amazon rain forest to a deadly prison in Madrid, Sins of the Younger Sons is a love story exposed to dire risk at every turn.

Luke Burgoa is an ex-Marine on a solitary covert mission to infiltrate the Basque separatist organization ETA in Spain and help bring down its military commander, Peru Madariaga. Luke hails from a Basque ancestry that came with the Spanish empire to Cuba, Argentina, Mexico, and, seventy-five years ago, to a Texas ranch. Luke’s orders are to sell guns to the ETA and lure Peru into a trap. Instead he falls in love with Peru’s estranged wife, Ysolina. From the day they cross the border into the Basque Pyrenees, their love affair on the run conveys the beauty, sensuality, exoticism, and violence of an ancient homeland cut in two by Spain and France. Their trajectory puts Luke, Ysolina, and Peru on a collision course with each other and the famed American architect Frank Gehry. Ranging from the Amazon rain forest to a deadly prison in Madrid, Sins of the Younger Sons is a love story exposed to dire risk at every turn.

First published in 1974, The Improbable Rise of Redneck Rock grew out of a magazine article coauthored by Jan Reid. His first book was a sensation in Texas. It portrayed an Austin-based live music explosion variously described as progressive country, cosmic cowboys, and outlaw country. The book has been hailed as a model of how to write about popular music and the life of performing musicians. Written in nine months, Reid's account focuses on predecessors of the 1960s and the swarm of newborn venues, the most enduring one the justly famed Armadillo World Headquarters; profiles of singer-songwriters that included Jerry Jeff Walker, Michael Martin Murphey, Steven Fromholz, B.W. Stevenson, Willis Alan Ramsey, Bobby Bridger, Rusty Wier, Kinky Friedman, and the one who became an international star and one of America's most treasured performers, Willie Nelson; and the rowdy heat-stricken debut of Willie's Fourth of July Picnics.Though Reid has resisted the writerly trend of specialization in his career, his debut brought him back to popular music and musicians' lives in Layla and Other Assorted Love Songs, Texas Tornado: The Music and Times of Doug Sahm, and now a related novel, The Song Leader. The Improbable Rise of Redneck Rock is a landmark of popular culture in Texas and the Southwest. Readers will be glad to once more have it back.

Haid Shelton is his small-town church's song leader as a teen and dreams of becoming a rock singer. His enduring gifts are in his tenor voice and success as a Golden Gloves boxer. Hoping to evade Vietnam, Haid joins the Marine reserves, gets into serious trouble, and is sentenced to four years in the brig. There he's recruited as the sparring partner of future heavyweight champion Ken Norton. Haid's knockout by his new friend Kenny gets him routed to the war as an infantry grunt in 1968. Back home, bitter, with a disabled hand and a Purple Heart, he's surprised and signed to a recording contract by the rock star Leon Russell. He rejoins his friendship with Norton on the eve of Kenny's famous upset of Muhammad Ali, who's an important character along with George Foreman, Joe Frazier, and Mike Weaver. Later their lives are brought together by a horrendous accident and by Kenny's guardian angel Virginie Nalula, a child refugee from eastern Congo. The tale embraces themes of race relations, friendship, and the American culture of violence.

For more than three decades of writing about Texas, Jan Reid has reported topics and perspectives that are unsentimental and often unexpected: stories of cops on the beat, Mexican jailbreaks, counterculture country musicians, an oldtime liberal Texas politician, and cows in the corn at J. Frank Dobie's Paisano Ranch. In the course of that reporting, he has seen and has experienced some close calls—none closer than one in Mexico that threatened his own life. Close Calls collects some of the best of Reid's prolific writings into a volume that provides a uniquely personal crosssection of life—the dangerous and the daily—in Texas. The stories that emerge from these pages show and encourage a hardbiting appreciation for the real Texas and its real people. In Reid's nature pieces, he writes vividly of the rivers, canyonlands, and prairies that enrich our national heritage and of his adventures in the wild, including paddling the Devils River, visiting exotic ranches in South Texas, or dealing with rabid coyotes. In other chapters Reid relates dangers of a different sort, including his addiction to the sport of boxing. But Close Calls is first a book of people—profiles of Texans rich and poor, famous and downtrodden. Reid provides details of his various assignments and the people and places he has encountered while working for Texas Monthly and other publications—going on beats with Texas police officers, attending church with George Foreman in New York, and meeting Kickapoo Indians in the Sierra Madres. The book closes with a dramatic account of Reid's hijacking and nearfatal shooting by robbers in Mexico and of the tortuous fight he has waged back to health from his closest call of all.

The Dreaming Series is a chronicle of the challenges faced by three generations of Non-Indigenous Australians and Indigenous Australians living in Wiradjuri country New South Wales from the 1950s to the early 2000s. This exclusive 10th-anniversary edition consists of the three books of the series, Deep Water Tears, Grace and Barons Reach and the quests of the Wintons and Rutherfords to find identity, love, and peace. Deep Water Tears: The story of how an Australian girl, Rachel Winton, discovers that her greatest loss becomes the key to finding her greatest joy. Empowered from childhood with the secret teachings of Mary Rutherford, the Wiradjuri mother of her best friend, Darel, Rachel learns to question everything and follow her heart. Rachel is taken on a journey of self-discovery, but also one that unveils the truth about Australia's recent history, and the heart-breaking consequences that the stolen generation had on those she loves. Grace: The story of how Wiradjuri woman, Grace Taylor, rises above the confusion, loneliness, and despair from being taken at birth from her Wiradjuri mother, Mary Rutherford, to become the leader of a reconciliatory community. After Grace finds her mother, she struggles to come to terms with her Wiradjuri heritage, especially when she falls in love with Dan, a non-Indigenous man, amidst societal discrimination determined to keep them apart. Grace's journey is one of redemption and personal transformation. Barons Reach: The story of how Wiradjuri woman, Libby, overcomes grief and betrayal from a childhood tragedy by honouring her grandmother, Mary Rutherford, in her final days. In returning to face the ghosts of her past, Libby discovers the truth of what happened on that fateful day, and that her childhood relationship with Jimba was an integral part of her destiny to ensure that there will always be storytellers to teach the Wiradjuri dreamtime stories to future generations. Although primarily a work of fiction, The Dreaming Series contains Wiradjuri Dreamtime Stories and words, gratefully authenticated and approved for publication by Wiradjuri elder, Stan Grant Snr. Included at the end is non-fiction historical content about the Wiradjuri people and their culture, Aboriginal resistance leader, Windradyne, the transcript of the Australian Prime Minister's 2008 Apology To Australian Indigenous Peoples and a bibliography.