Kirjahaku

ALERT: Before you purchase, check with your instructor or review your course syllabus to ensure that you select the correct ISBN. Several versions of Pearson's MyLab & Mastering products exist for each title, including customized versions for individual schools, and registrations are not transferable. In addition, you may need a CourseID, provided by your instructor, to register for and use Pearson's MyLab & Mastering products. Packages Access codes for Pearson's MyLab & Mastering products may not be included when purchasing or renting from companies other than Pearson; check with the seller before completing your purchase. Used or rental books If you rent or purchase a used book with an access code, the access code may have been redeemed previously and you may have to purchase a new access code. Access codes Access codes that are purchased from sellers other than Pearson carry a higher risk of being either the wrong ISBN or a previously redeemed code. Check with the seller prior to purchase. -- For courses in Introduction to Creative Writing or Creative Writing in English or Creative Writing Departments. Written by bestselling author Janet Burroway, Imaginative Writing, covers all four genres: creative nonfiction, fiction, poetry, and drama. This textbook discusses elements of craft common to all creative writing before delving into the individual genres. After an introduction, the next five chapters each investigate a specific element of craft—Image, Voice, Character, Setting, and Story—from a perspective that crosses all genres. Nearly half of the selections in all four genres are new. New "Try This" exercises give students plenty of practice. Imaginative Writing is a very popular book for courses on teaching the craft of creative writing.

Readers first meet Simone Lerrante, a Belgian war orphan, as a child refugee in Sussex, England, her memory damaged by trauma. The novel offers a kaleidoscopic vision of Simone's fractured life and piecemeal understanding of self across multiple points of view. Following her from Cambridge to New York City and across the United States - through a disastrous marriage, thwarted desire, and the purgatory of academic backwaters - the novel charts Simone's unexpected reconnection with her past, which provides both autonomy and inspiration for her future. In the vein of Elizabeth Strout's Olive Kitteridge, Janet Burroway slowly reveals a multifaceted, fascinating protagonist, who observes her own life without always allowing herself to be immersed in it. Spanning seven decades, this story is both epic and contained, rewarding readers at every turn.

In the small town of Sintiempo in Arizona, in the hot summers of 1942 and 1943, young Millie Delaney is the solitary teacher at the tiny local school. There are only a few students, most of them just biding their time before they leave. The girls most likely will marry; the boys will probably be swallowed up by the town's main employer, the marble mine. Teaching in these circumstances is not very inspiring work, but Millie is used to the dullness, and anyway she's a pillar of the community - her father helped establish the marble mine which put the town on the map. But this period is different. Firstly, one of her students, Miguel, suddenly shows unexpected signs of brilliance, and a love of poetry. He and Millie develop an intense connection which brings joy and inspiration to them both. When Miguel finally finds the confidence to put pen to paper for himself in a poem, Millie is astonished by the result. At about the same time, a wanderer slips into town. Karl is incredibly tall, very blond, and at first fascinatingly elusive. He gets a job at the mine, and once they've met, Millie and he cannot avoid their attraction to each other. Millie can feel her quiet life blooming into much more. But the physical side of Karl's love proves not to have the poetic qualities she has always dreamed of. A barrier develops between them. Miguel is also deeply troubled, because his poem was not all that it seemed. He wants to talk to her about it, but Miss Delaney seems preoccupied. As the summer of 1943 moves into its full peak, the desert landscape ripples not only with ringing waves of heat, but with tension. Before the summer is out, one of the three will be dead, one gone, and the other in hiding. First published in 1960, Descend Again was Janet Burroway's first novel, heralding an extraordinary talent in prose of startling beauty. The rich southern novel of Carson McCullers and Eudora Welty had been given a new desert-state transformation, by a writer somewhat more lean and spare. It was the inauguration of a brilliant career.

Angus Rugg is a successful eye specialist in a city in the South in the turbulent 1960s. His career has been stellar in its own way, having started way back during the war, when he assisted the legendary Guillaume de Sevres in his experiments, first on soldier cadavers and then on live subjects, prisoners of war. Now Angus is ageing fast, and his doctor tells him that his heart is compromised - he won't live long. His wife Maeve and son Hilary are still in the dark about this latest development - the right time to tell them needs to be found. It is all the more critical as Maeve is pregnant with their second child, after an interval of over twenty years. Hilary struggles with his father's success and the generational gap between them, but is slowly forging his independent way as a journalist at the city's main paper. Hilary's fianc e Jadeen substitute teaches at the local secondary school and is alive to the currents that are beginning to sweep through society in these stormy times. Asked to teach from a history textbook with a prejudiced discussion of race, she struggles between her personal convictions and her career aspirations. When Angus gives one of his entertaining talks on the history of the Sevres experiments for a local society, a rival paper to Hilary's sends someone new, veteran staffer Andrew Dodds, who happens to be one of Angus' current patients. Hilary has always covered these talks dutifully, without enthusiasm. When Dodds' story appears the following day, it is clear that he has seen an angle which Hilary has missed in his father's smooth patter. The story of experiments on prisoners quickly goes national, and then international. Angus, at this critical time of his life and that of his family, is immediately notorious. Before the day is out, the situation will have come to a head also in all of their private lives, the currents of ambivalence and dissatisfaction exposed, and the comfort in which they have lived for so long shattered. In her third novel, Janet Burroway navigates with panache the undertow of disturbance that the rapids of the 1960s produced, when old certainties began to crumble and a new awareness dawned. Her superbly modulated prose attains new heights, limning the lives and minds of four people with rich complexity and full-flavoured subtlety. The famed novelist and critic Rosellen Brown discusses this novel with the author in an interview specially undertaken for this publication, providing insights into the creative process not only of this piece, but the persistent preoccupations across Burroway's oeuvre which make her one of the outstanding proponents of fiction of her times.