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37 kirjaa tekijältä Janet Todd
Examining the writing of Aphra Behn, Frances Sheridan, Ann Radcliffe and Fanny Burney among others, this study describes the entry of women into literature as a profession in the 17th century. It describes how the fictional genre became the main vehicle for female self-expression.
The Jane Austen Treasury is a delightful collection of facts and insights into the life and times of the great novelist and the attitudes and customs that shaped both her and her work. Taking each of her novels in turn, and exploring both underlying themes and historical context, it reveals the complexities that underlie her simple and timeless romances. Featuring her views on love and marriage, women's rights and society's mores, this beautiful volume looks at the facts of Austen's life and times, as well as little known stories about her novels, including: the marriage proposal that Austen accepted, only to change her mind, the mock grown-up fiction she wrote as a child, her personal connections to the Napoleonic Wars, and how her love of puzzles and verbal games influenced her writings.
Jane Austen traces the author's life and times, her personal relationships, the attitudes and customs of the time that shaped her and were in turn shaped by her work, and the places where she lived, worked and set her novels, from rural Hampshire to fashionable Bath Spa. Chapters on each of her novels run throughout the book and place them in the context of her life. This volume draws on archives for a truly insightful view of the author, reproducing rare and fascinating documents from her personal archives, including early manuscripts, a handwritten note outlining the profits from her novels, a letter from Jane's father to the publisher Thomas Cadell, which was returned to the family with the words 'Rejected by return of post' written on it, and pages from the unfinished manuscript of Sanditon. For over 200 years, the novels of Jane Austen have been loved and celebrated across a diverse international readership. From her playful digs at the ridiculous to her examination of the strengths and weaknesses of humanity, she shows an insight into human behaviour, arguably unparalleled by any other novelist, that is as relevant today as when her novels were first published.
Aphra Behn's work has always been subject to critical fashion and her literary reputation was only really secured in the closing decade of this century, especially by new historicist and feminist critics. The essays collected here represent the best of a range of contemporary critical views, discussing both Behn's drama and her prose writings. Janet Todd provides a stimulating introduction mapping Behn' s literary reception, situating the works of the critics included in a broader literary context and pointing towards Behn as a newly politicized figure at the close of the twentieth century.
Aphra Behn (1640-1689) was a popular poet, author of the influential novel "Oroonoko" and one of the most successful dramatists of the Restoration theatre. This book contains a selection of her poetry.
First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest.Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.
First published in 1976, this was the first comprehensive annotated bibliography of Mary Wollstonecraft’s works and most of the critical and biographical comments on her in English written between 1788 and 1975. It is designed both as a research tool for scholars and students and as a revelation of the quantity and variety of comment. The book is divided into three main chronological time periods of publication date and suggests the vagaries of Wollstonecraft’s posthumous reputation and indicates the peaks and troughs of interest.Known as an eighteenth-century British writer, philosopher, and advocate of women's rights, Mary Wollstonecraft has received much critical attention with particular interest in her unorthodox lifestyle of the time and is now regarded as one of the founding feminist philosophers.
In this timely book Janet Todd offers an analysis and defence of the feminist literary history practised by Elaine Showalter and other contemporary American literary critics. She argues that this approach rightly links the political concerns of feminist criticism to the uncovering of female voices embedded in history. Todd reconstructs the development of feminist literary history from the 1960s through to the present day, highlighting the central themes as well as the strengths and weaknesses. She then examines the debate between American feminist critics, on the one hand, and feminist critics inspired by the work of French theorists such as Kristeva, Irigaray and Cixous, on the other. She defends feminist literary history against its critics and casts doubt on some of the uses of psychoanalysis in feminism. Todd also considers the debate with men and assesses the relevance of academic analyses of gender, masculinity and homosexuality. Feminist Literary History is a forceful and committed work, which addresses some of the most important issues in contemporary feminist theory and literary criticism. It will be widely read as an introductory text by students in English literature, modern languages, women's studies and cultural studies.
In this book, Janet Todd, one of the leading authorities on seventeenth- and eighteenth century women writers, discusses gender issues from the Restoration to Romanticism investigating women authors and the fascination with culturally privileged art and with heroic death.
Fanny Price, in Mansfield Park, tells her persistent suitor that 'we have all a better guide in ourselves...than any other person can be'. Sometimes, however, we crave external guidance: and when this happens we could do worse than seek it in Jane Austen's own subtle novels. Written to coincide with Austen's 250th birthday, this approachable and intimate work shows why and how - for over half a century - Austen has inspired and challenged its author through different phases of her life. Part personal memoir, part expert interaction with all the letters, manuscripts and published novels, Janet Todd's book reveals what living with Jane Austen has meant to her and what it might also mean to others. Todd celebrates the undimmable power of Austen's work to help us understand our own bodies and our environment, and teach us about patience, humour, beauty and the meaning of home.
The cult of sensibility jangled the nerves of Europe in the mid-eighteenth century. It touched all literary genres and brought into prominence those qualities of tenderness, compassion, sympathy and irrational benevolence associated with women by the binary psychology of the time. It privileged spontaneous emotion and found this expressed in the bodily manifestations of tears, fainting fits, flushes and palpitations. Valuing the pure victim, it took as its archetypes the innocent dying Clarissa and the benevolent, suffering man of feeling.In Sensibility, originally published in 1986, Janet Todd charts the growth and decline of sentimental writing as a privileged mode in the eighteenth century. She shows how sentimental writing is riven with contradictions: while it applauds fellowship, it also expresses a yearning for isolation, and while it stresses the ties of friendship and family, it does so at the expense of sexual feeling, which grows menacing and destructive.By the 1770s, as the idea of sensibility was losing ground, ‘sentimentality’ came in as a pejorative term. Janet Todd ends her study of sensibility by detailing the various attacks on the cult, from radicals and conservatives, feminists and Christian moralists; from Coleridge who saw it as unmanning the nation to Jane Austen who considered it an elaborate sham
The cult of sensibility jangled the nerves of Europe in the mid-eighteenth century. It touched all literary genres and brought into prominence those qualities of tenderness, compassion, sympathy and irrational benevolence associated with women by the binary psychology of the time. It privileged spontaneous emotion and found this expressed in the bodily manifestations of tears, fainting fits, flushes and palpitations. Valuing the pure victim, it took as its archetypes the innocent dying Clarissa and the benevolent, suffering man of feeling.In Sensibility, originally published in 1986, Janet Todd charts the growth and decline of sentimental writing as a privileged mode in the eighteenth century. She shows how sentimental writing is riven with contradictions: while it applauds fellowship, it also expresses a yearning for isolation, and while it stresses the ties of friendship and family, it does so at the expense of sexual feeling, which grows menacing and destructive.By the 1770s, as the idea of sensibility was losing ground, ‘sentimentality’ came in as a pejorative term. Janet Todd ends her study of sensibility by detailing the various attacks on the cult, from radicals and conservatives, feminists and Christian moralists; from Coleridge who saw it as unmanning the nation to Jane Austen who considered it an elaborate sham
Jane Austen is unique among British novelists in maintaining her popular appeal while receiving more scholarly attention now than ever before. This introduction by Janet Todd, leading scholar and editor of Austen's work, explains what students need to know about her novels, life, context and reception. Each novel is discussed in detail, and the essential information is given about her life and literary influences, her novels and letters, and her impact on later literature. For this second edition, the book has been fully revised; a new chapter explores the ways in which Austen's work has prompted imitations, adaptations and creative spin-offs. Key areas of current critical focus are considered throughout, but the book's analysis remains thoroughly grounded in readings of the texts themselves. Janet Todd outlines what makes Austen's prose style so innovative and gives useful starting points for the study of the major works, with suggestions for further reading.
Jane Austen is unique among British novelists in maintaining her popular appeal while receiving more scholarly attention now than ever before. This introduction by Janet Todd, leading scholar and editor of Austen's work, explains what students need to know about her novels, life, context and reception. Each novel is discussed in detail, and the essential information is given about her life and literary influences, her novels and letters, and her impact on later literature. For this second edition, the book has been fully revised; a new chapter explores the ways in which Austen's work has prompted imitations, adaptations and creative spin-offs. Key areas of current critical focus are considered throughout, but the book's analysis remains thoroughly grounded in readings of the texts themselves. Janet Todd outlines what makes Austen's prose style so innovative and gives useful starting points for the study of the major works, with suggestions for further reading.
Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.
Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.
Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.
Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.
Both men and women took part in the education debate that culminated in the 1790s with Wollstonecraft, More and Edgeworth, but positions and arguments were laid down long before by Fordyce, Gregory, Gisbourne, West, Macaulay and Chapone, as featured in this text.