Kirjahaku

Includes correspondence, poetry, short fiction, and essays.

Jean Toomer's Cane is one of the most significant works to come out of the Harlem Renaissance and is considered to be a masterpiece in American modernist literature due to its distinct structure and style. First published in 1923 and told through a series of vignettes, Cane uses poetry, prose and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned.

Originally published in 1923, Jean Toomer’s Cane remains an innovative literary work—part drama, party poetry, part fiction. This revised Norton Critical Edition builds upon the First Edition (1988), which was edited by the late Darwin T. Turner, a pioneering scholar in the field of African American studies. The Second Edition begins with the editors’ introduction, a major work of scholarship that places Toomer within the context of American Modernism and the Harlem Renaissance. The introduction provides groundbreaking biographical information on Toomer and examines his complex, contradictory racial position as well as his own pioneering views on race. Illustrative materials include government documents containing contradictory information on Toomer’s race, several photographs of Toomer, and a map of Sparta, Georgia—the inspiration for the first and third parts of Cane. The edition reprints the 1923 foreword to Cane by Toomer’s friend Waldo Frank, which helped introduce Toomer to a small but influential readership. Revised and expanded explanatory annotations are also included. “Backgrounds and Sources” collects a wealth of autobiographical writing that illuminates important phases in Jean Toomer’s intellectual life, including a central chapter from The Wayward and the Seeking and Toomer’s essay on teaching the philosophy of Russian psychologist and mystic Georges I. Gurdjieff, “Why I Entered the Gurdjieff Work.” The volume also reprints thirty of Toomer’s letters from 1919–30, the height of his literary career, to correspondents including Waldo Frank, Sherwood Anderson, Claude McKay, Horace Liveright, Georgia O’Keeffe, and James Weldon Johnson. An unusually rich “Criticism” section demonstrates deep and abiding interest in Cane. Five contemporary reviews—including those by Robert Littell and W. E. B. Du Bois and Alain Locke—suggest its initial reception. From the wealth of scholarly commentary on Cane, the editors have chosen twenty-one major interpretations spanning eight decades including those by Langston Hughes, Robert Bone, Darwin T. Turner, Charles T. Davis, Alice Walker, Gayl Jones, Barbara Foley, Mark Whalan, and Nellie Y. McKay. A Chronology, new to the Second Edition, and an updated Selected Bibliography are also included.

Jean Toomer (1894–1967) was a modernist writer, a member of the Harlem Renaissance, and briefly part of the literary and artistic community that grew up around Mabel Dodge Luhan in Taos, New Mexico. This book, a critical edition of a previously unpublished 1935 manuscript, makes A Drama of the Southwest available to readers for the first time. The play provides a vivid glimpse into the social world of the artists who mined Taos for creative and spiritual renewal in the early twentieth century, and editor Dekker provides cultural and literary historical context, arguing for Toomer’s continuing creative power and significance at a time in his career that has been largely overlooked by critics.

N. Jean Toomer's "An Interpretation of Friends Worship" offers a profound exploration of the practices and principles of the Religious Society of Friends. This insightful work delves into the heart of Quakerism, examining the unique form of worship central to their faith. Toomer illuminates the spiritual life within the Society, providing a detailed interpretation of Friends worship and its significance. A valuable resource for those interested in Christian theology and spirituality, this book explores the doctrines of the Society of Friends with clarity and depth. It sheds light on the rich tradition of Friends worship, offering readers a deeper understanding of this distinctive branch of Christianity. Experience Toomer's insightful perspective on Quakerism and its enduring relevance. This meticulously prepared print edition preserves the original text for contemporary study and reflection.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

First published in 1923, "Cane" by Jean Toomer, is one of the most significant books to come out of the Harlem Renaissance. Jean Toomer, born Nathaniel Pinchback Toomer in Washington D. C. in 1894, was raised by his mother and her wealthy parents after being abandoned by his father as a baby. While he spent much of his life on the East Coast and at various colleges in Chicago and Wisconsin, he worked for several months in 1921 as a principal at a newly formed agricultural and industrial school for blacks in rural Sparta, Georgia, near where his father had lived. This experience gave Toomer a new-found understanding of the struggle of African-Americans in a society full of white supremacy and racial violence. At the end of his time in the South, Toomer began writing "Cane" and based the book on both the rural and urban lives of blacks in early 20th century America. The novel is organized into a series of loosely and thematically related vignettes and contains numerous literary styles, such as prose, poetry, and dramatic play-like passages of dialogue. "Cane" is a classic masterpiece of modernism and an important testament on the lives and struggles of African-Americans in the early part of the 20th century. This edition is printed on premium acid-free paper.

A series of vignettes exploring African American life as it relates to social, political and family dynamics. For many, Cane is considered a literary masterpiece from visionary writer, Jean Toomer. He presents a diverse collection of tales with distinct and vibrant characters who populate a world that’s all too familiar. HEADLINE: Jean Toomer delivers a vivid depiction of America in the early twentieth century that centers the Black experience, consisting of family, religion, romance and race. It’s a detailed work of fiction that’s closely rooted in reality. A collection of disparate stories illustrating the challenges and motivations of Black people in the United States. The author uses poetry and imagery to create a world that’s recognizable but also unique. In “Seventh Street,” the narrative follows the happenings of a historic neighborhood with links to World War I and Prohibition. There’s also “Blood Burning Moon," which highlights a volatile love triangle that leads to tragic results. It’s an insightful read that introduces outsiders to a different point of view. Jean Toomer’s Cane is highly revered for its unique structure and compelling storytelling. It presents a brilliant contrast of rural and urban living, while acknowledging the racial disparities of both. This modern classic was crucial in establishing and cementing Toomer’s literary legacy. With an eye-catching new cover, and professionally typeset manuscript, this edition of Cane is both modern and readable.

A series of vignettes exploring African American life as it relates to social, political and family dynamics. For many, Cane is considered a literary masterpiece from visionary writer, Jean Toomer. He presents a diverse collection of tales with distinct and vibrant characters who populate a world that’s all too familiar. HEADLINE: Jean Toomer delivers a vivid depiction of America in the early twentieth century that centers the Black experience, consisting of family, religion, romance and race. It’s a detailed work of fiction that’s closely rooted in reality. A collection of disparate stories illustrating the challenges and motivations of Black people in the United States. The author uses poetry and imagery to create a world that’s recognizable but also unique. In “Seventh Street,” the narrative follows the happenings of a historic neighborhood with links to World War I and Prohibition. There’s also “Blood Burning Moon," which highlights a volatile love triangle that leads to tragic results. It’s an insightful read that introduces outsiders to a different point of view. Jean Toomer’s Cane is highly revered for its unique structure and compelling storytelling. It presents a brilliant contrast of rural and urban living, while acknowledging the racial disparities of both. This modern classic was crucial in establishing and cementing Toomer’s literary legacy. With an eye-catching new cover, and professionally typeset manuscript, this edition of Cane is both modern and readable.

Cane explores spiritual and emotional frustration, failure of basic communication between individuals, and repression of natural energies. It reveals the chaos of contemporary black American life and calls for a spiritual awakening. A land mark novel that changed the way America looked at black writers.

Cane explores spiritual and emotional frustration, failure of basic communication between individuals, and repression of natural energies. It reveals the chaos of contemporary black American life and calls for a spiritual awakening. A land mark novel that changed the way America looked at black writers.

The book is structured as a series of vignettes revolving around the origins and experiences of African Americans in the United States. The vignettes alternate in structure between narrative prose, poetry, and play-like passages of dialogue. As a result, the novel has been classified as a composite novel or as a short story cycle. Though some characters and situations recur between vignettes, the vignettes are mostly freestanding, tied to the other vignettes thematically and contextually more than through specific plot details.

First published in 1923, Cane is a significant work of Modernist fiction and a literary Goliath of the Harlem Renaissance. In this wholly original novel Jean Toomer highlights issues of class and caste in a three-part pastiche of poems, vignettes, and play-like stories. The audacious, non-traditional structure of the book reflects the prismatic nature of the material itself. Toomer's close observations during a stint as school principal in Sparta, Georgia, primarily informed what Houston A. Baker, Jr. calls a "mysterious brand of Southern psychological realism that has been matched only in the best work of William Faulkner." This edition includes Jean Toomer's essay, The Crock of Problems, in which the author discusses race in America and his own diverse ethnic heritage, and an extensive biographical note.

The Harlem Renaissance writer's innovative and groundbreaking novel depicting African American life in the South and NorthJean Toomer's Cane is one of the most significant works to come out of the Harlem Renaissance, and is considered to be a masterpiece in American modernist literature because of its distinct structure and style. First published in 1923 and told through a series of vignettes, Cane uses poetry, prose, and play-like dialogue to create a window into the varied lives of African Americans living in the rural South and urban North during a time when Jim Crow laws pervaded and racism reigned. While critically acclaimed and known today as a pioneering text of the Harlem Renaissance, the book did not gain as much popularity as other works written during the period. Fellow Harlem Renaissance writer Langston Hughes believed Cane's lack of a wider readership was because it didn't reinforce the stereotypes often associated with African Americans during the time, but portrayed them in an accurate and entirely human way, breaking the mold and laying the groundwork for how African Americans are depicted in literature.

Cane, has been considered important throughout the human history, and so that this work is never forgotten we have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.