Kirjahaku

This is the first book to offer comprehensive discussion of the dynamics of Greek obscenity and a detailed commentary on the terminology itself. It sets the standard for scholarly work on ancient obscenity in language, and has established itself as a classic in the field. For this new edition, Jeffrey Henderson has corrected and updated the philological material and added a new introduction.

This volume provides modern, uncensored translations of Aristophanes’ Acharnians, Knights, and Wasps. These plays, originally a series, are the world’s earliest political satires, and are made available here for the first time in one volume, augmented by full introductions and notes.In these three works, Aristophanes launched satirical attacks on Cleon, the world’s first demagogue, and explored the vulnerability of democracy to populist manipulation and disinformation. Henderson's fresh translations and exploration of the themes within them enable readers to explore the perils facing democracy in its first century which are still with us today. The Introduction offers the reader background on Aristophanes' life, Athenian democracy, classical drama, as well as on political comedy, while introductions to each individual play provide the reader with context. An appendix also collects selected fragments from Aristophanes' lost political plays.Three More Plays by Aristophanes offers an invaluable collection of these works for students and faculty working on classical studies, theatre and theatre history, and drama. The clear translations and contextualizing introductions and notes also make these plays accessible to students of government, law, and political science, and to the general reader interested in any of these subjects.

This volume provides modern, uncensored translations of Aristophanes’ Acharnians, Knights, and Wasps. These plays, originally a series, are the world’s earliest political satires, and are made available here for the first time in one volume, augmented by full introductions and notes.In these three works, Aristophanes launched satirical attacks on Cleon, the world’s first demagogue, and explored the vulnerability of democracy to populist manipulation and disinformation. Henderson's fresh translations and exploration of the themes within them enable readers to explore the perils facing democracy in its first century which are still with us today. The Introduction offers the reader background on Aristophanes' life, Athenian democracy, classical drama, as well as on political comedy, while introductions to each individual play provide the reader with context. An appendix also collects selected fragments from Aristophanes' lost political plays.Three More Plays by Aristophanes offers an invaluable collection of these works for students and faculty working on classical studies, theatre and theatre history, and drama. The clear translations and contextualizing introductions and notes also make these plays accessible to students of government, law, and political science, and to the general reader interested in any of these subjects.

This book analyses how high technology production has shifted from a regional to a global scale. Using the example of semi-conductors it illustrates the interaction of the developed industrial and developing industrialising nations. This book should be of interest to lecturers and students of international economics and international business, professionals dealing with multinationals.

From the re-emergence of Japan as an industrial power in the 1950s through to the contemporary rise of China as a potential economic and political behemoth, the story of East Asian development has been central to any serious analysis of the dynamics and trajectory of the global political economy. Integrated into a coherent, critical narrative, this book examines key political-economic and social dynamics that helped forge the ‘miracle’ economies of East Asia and continue to drive them forward in the volatile circumstances of our current epoch. It analyses the relation between the state and markets; the changing nature of economic governance and its relation to inequality; and the rise of China and its international consequences. Historically informed and comparative in nature, the book contributes to the analysis of the transformations of Japan, Hong Kong, South Korea, Taiwan, Singapore, Malaysia and China, and is the first to cover the ground in one volume. Written by a leading analyst of East Asian development, the book engages with the relevant issues and debates, in an open, non-technical language, making it useful as an advanced textbook not only for East Asian studies, but more generally in international political economy and development studies.

From the re-emergence of Japan as an industrial power in the 1950s through to the contemporary rise of China as a potential economic and political behemoth, the story of East Asian development has been central to any serious analysis of the dynamics and trajectory of the global political economy. Integrated into a coherent, critical narrative, this book examines key political-economic and social dynamics that helped forge the ‘miracle’ economies of East Asia and continue to drive them forward in the volatile circumstances of our current epoch. It analyses the relation between the state and markets; the changing nature of economic governance and its relation to inequality; and the rise of China and its international consequences. Historically informed and comparative in nature, the book contributes to the analysis of the transformations of Japan, Hong Kong, South Korea, Taiwan, Singapore, Malaysia and China, and is the first to cover the ground in one volume. Written by a leading analyst of East Asian development, the book engages with the relevant issues and debates, in an open, non-technical language, making it useful as an advanced textbook not only for East Asian studies, but more generally in international political economy and development studies.

These three plays by the great comic playwright Aristophanes (c. 446-386 BCE), the well-known Lysistrata, and the less familiar Women at the Thesmophoria and Assemblywomen, are the earliest surviving portrayals of contemporary women in the European literary tradition. These plays provide a unique glimpse of women not only in their familiar domestic roles but also in relation to household and city, religion and government, war and peace, theater and festival, and, of course, to men.This freshly revised edition presents, for the first time in a single volume, all three plays in faithful modern translations that preserve intact Aristophanes’ blunt and often obscene language, sparkling satire, political provocation, and beguiling fantasy. Alongside the translations are ample introductions and notes covering the politically engaged genre of Aristophanic comedy in general and issues of sex and gender in particular, which have been fully updated since the first edition in light of recent scholarship. An appendix contains fragments of lost plays of Aristophanes that also featured women, and an up-to-date bibliography provides guidance for further exploration.In addition to their timeless humor and biting satire, the plays are unique and invaluable documents in the history of western sexuality and gender, and they offer strikingly prescient speculations about the social and political future of the female sex.

These three plays by the great comic playwright Aristophanes (c. 446-386 BCE), the well-known Lysistrata, and the less familiar Women at the Thesmophoria and Assemblywomen, are the earliest surviving portrayals of contemporary women in the European literary tradition. These plays provide a unique glimpse of women not only in their familiar domestic roles but also in relation to household and city, religion and government, war and peace, theater and festival, and, of course, to men.This freshly revised edition presents, for the first time in a single volume, all three plays in faithful modern translations that preserve intact Aristophanes’ blunt and often obscene language, sparkling satire, political provocation, and beguiling fantasy. Alongside the translations are ample introductions and notes covering the politically engaged genre of Aristophanic comedy in general and issues of sex and gender in particular, which have been fully updated since the first edition in light of recent scholarship. An appendix contains fragments of lost plays of Aristophanes that also featured women, and an up-to-date bibliography provides guidance for further exploration.In addition to their timeless humor and biting satire, the plays are unique and invaluable documents in the history of western sexuality and gender, and they offer strikingly prescient speculations about the social and political future of the female sex.

Aristophanes, one of the greatest and most important poets of the golden age of classical Greek literature, has remained, in the English-speaking world at least, one of the most forbidding, because least well understood. This is a collection of critical and interpretative essays in English devoted entirely to this poet. Addressed to specialists and non-specialists alike, its purpose is to bring modern literary and philological methods to bear on some aspects of Aristophanic poetry most crucial for our understanding not only of Greek literature but of Greek history and culture as well. The essays provide fresh insights into three of Aristophanes' richest and most challenging plays (Acharnians, Clouds and Lysistrate), a re-evaluation of the poet's fame as a lyricist, and a consideration of his notoriety as an opponent of the great war with Sparta. It is hoped that these essays will stimulate in all students of classical antiquity renewed interest in this brilliant and provocative poet.