Kirjahaku

This introductory volume offers an elegant analysis of the enduring appeal of the cinematic vampire. From Georges Melies' early cinematic experiments to Twilight and Let the Right One In, the history of vampires in cinema can be organized by a handful of governing principles that help make sense of this movie monster's remarkable fecundity. Among these principles are that the cinematic vampire is invariably about sex and the vexed human relationship with technology, and that the vampire is always an overdetermined body condensing what a culture considers other. This volume includes in-depth studies of films including Powell's A Fool There Was, Franco's Vampyros Lesbos, Cronenberg's Rabid, Kumel's Daughters of Darkness, and Merhige's Shadow of the Vampire.

The book successfully discusses Brown's seven novels, including all other significant material, focusing on the subgenres of the Gothic, arguing that Brown is of significant value in the study of Gothic literature, and that his work remains important today.

Within just a few years, The Rocky Horror Picture Show grew from an oddball musical to a celebrated cinematic experience of midnight features and outrageous audience participation. This study tells the extraordinary story of the film from initial reception to eventual cult status. Uncovering the film's non-conformist sexual politics and glam-rock attitude, this volume explores its emphasis on the theatrical body (tattooed, cross-gendered, flamboyant), and its defiant queering of cinema history.