Kirjahaku

Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought. Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968. This extraordinary book captures the life of the woman who was a tireless champion of capitalism and the freedom of the individual, and whose ideas are still devoured by eager students, debated on blogs, cited by political candidates, and promoted by corporate tycoons.

Worshipped by her fans, denounced by her enemies, and forever shadowed by controversy and scandal, the novelist and philosopher Ayn Rand was a powerful thinker whose views on government and markets shaped the conservative movement from its earliest days. Drawing on unprecedented access to Rand's private papers and the original, unedited versions of Rand's journals, Jennifer Burns offers a groundbreaking reassessment of this key cultural figure, examining her life, her ideas, and her impact on conservative political thought. Goddess of the Market follows Rand from her childhood in Russia through her meteoric rise from struggling Hollywood screenwriter to bestselling novelist, including the writing of her wildly successful The Fountainhead and Atlas Shrugged. Burns highlights the two facets of Rand's work that make her a perennial draw for those on the right: her promotion of capitalism, and her defense of limited government. Both sprang from her early, bitter experience of life under Communism, and became among the most deeply enduring of her messages, attracting a diverse audience of college students and intellectuals, business people and Republican Party activists, libertarians and conservatives. The book also traces the development of Rand's Objectivist philosophy and her relationship with Nathaniel Branden, her closest intellectual partner, with whom she had an explosive falling out in 1968. One of the Denver Post's Great Reads of 2009 One of Bloomberg News's Top Nonfiction Books of 2009 "Excellent." --Time magazine "A terrific book--a serious consideration of Rand's ideas, and her role in the conservative movement of the past three quarters of a century." --The American Thinker "A wonderful book: beautifully written, completely balanced, extensively researched. The match between author and subject is so perfect that one might believe that the author was chosen by the gods to write this book. She has sympathy and affection for her subject but treats her as a human being, with no attempt to cover up the foibles." --Mises Economics Blog

An Economist Best Book of 2023 One of The New York Times' 33 Nonfiction Books to Read This Fall Named a most anticipated fall book by the Chicago Tribune and Bloomberg Finalist for the 2024 Hayek Book Prize "Wherever you sit on the political spectrum, there's a lot to learn from this book. More than a biography of one controversial person, it's an intellectual history of twentieth-century economic thought." --Greg Rosalesky, NPR's Planet Money The first full biography of America's most renowned economist. Milton Friedman was, alongside John Maynard Keynes, the most influential economist of the twentieth century. His work was instrumental in the turn toward free markets that defined the 1980s, and his full-throated defenses of capitalism and freedom resonated with audiences around the world. It's no wonder the last decades of the twentieth century have been called "the Age of Friedman"--or that analysts have sought to hold him responsible for both the rising prosperity and the social ills of recent times. In Milton Friedman, the first full biography to employ archival sources, the historian Jennifer Burns tells Friedman's extraordinary story with the nuance it deserves. She provides lucid and lively context for his groundbreaking work on everything from why dentists earn less than doctors, to the vital importance of the money supply, to inflation and the limits of government planning and stimulus. She traces Friedman's long-standing collaborations with women, including the economist Anna Schwartz; his complex relationships with powerful figures such as the Federal Reserve chairman Arthur Burns and the Treasury secretary George Shultz; and his direct interventions in policymaking at the highest levels. Most of all, Burns explores Friedman's key role in creating a new economic vision and a modern American conservatism. The result is a revelatory biography of America's first neoliberal--and perhaps its last great conservative.

Milton Friedman was, alongside John Maynard Keynes, the most influential economist of the twentieth century. His work was instrumental in the turn toward free markets that defined the 1980s, and his full-throated defenses of capitalism and freedom resonated with audiences around the world. It’s no wonder the last decades of the twentieth century have been called “the Age of Friedman” - or that he has been held responsible for both the rising prosperity and the social ills of recent times. In Milton Friedman, the first full biography to employ archival sources, the historian Jennifer Burns tells Friedman’s extraordinary story with the nuance it deserves. She provides lucid and lively context for his groundbreaking work on everything from why dentists earn less than doctors, to the vital importance of the money supply, to inflation and the limits of government planning and stimulus. She traces Friedman’s long-standing collaborations with women, including the economist Anna Schwartz; his complex relationships with powerful figures such as the Federal Reserve chairman Arthur Burns and the Treasury secretary George Shultz; and his direct interventions in policymaking at the highest levels. Most of all, Burns explores Friedman’s role in creating a new economic vision and a modern American conservatism. The result is a revelatory biography of America’s first neoliberal - and perhaps its last great conservative.

With the "Tangentopoli" corruption scandals of the early 1990s, Italy is purported recently to have experienced a period of political change comparable to the period immediately following World War II. This latter being the socio-political environment in which the concept of "impegno" - political commitment - in literature became current, this work asks whether an equivalent moment of constitutional crisis in the 1990s has had a comparable impact on perceptions of the role of the writer and of literature in Italian society. This volume traces the development of "impegno" (political commitment) in post-war Italian prose literature using the metaphor of fragmentation: the monolithic notion of commitment to an overarching political agenda has splintered, facilitating a fragmentary attention to specific issues.Part One examines the early "impegno" debate through the critical works of Vittorini, Calvino and Pasolini, tracing it forward into the 1960s and 1970s. The remaining three parts study in detail the "fragments of impegno" offered by contemporary authors - Tabucchi, Ramondino, De Carlo, Tondelli, Ballestra, and African immigrant writers, including Fazel, Melliti and Methnani. This range of authors and texts illustrates the ways in which socio-political issues are explicitly or implicitly addressed, represented, or embedded in contemporary Italian literature.

Autumn is here From colorful leaves, to football games, to lazy Sundays curled up with a book, this truly is the perfect time of year. So grab some warm apple cider, a fleecy blanket, and your little ones as you learn about fall and all the joy it brings.

Autumn is here From colorful leaves, to football games, to lazy Sundays curled up with a book, this truly is the perfect time of year. So grab some warm apple cider, a fleecy blanket, and your little ones as you learn about fall and all the joy it brings.

This book addresses a rich corpus of contemporary narratives by authors who have come to Italy as migrants. It traces the figurative commonalities that emerge across these diverse texts, which together suggest the shape and substance of what might be termed ‘migrant imaginaries’. Examining five central figures and concepts – identity, memory, home, place and space, and literature – across a range of novels and stories by writers of African and Middle Eastern origin, the study elucidates the affective and expressive processes that inflect migrant story-telling. Drawing on the work of cultural theorists such as Sara Ahmed and Michel de Certeau, as well as on recent work in postcolonial literary studies, memory studies, human geography and feminist theory, the book probes the varied works of Shirin Ramzanali Fazel, Amara Lakhous, Mohsen Melliti, Younis Tawfik and many others. Each chapter posits alternative interpretations of the ways in which the interior experience of encounters across territories, cultures and languages is figured in this literature. In doing so, the book moves towards a wider apprehension of recent Italian migration narratives as suggestions of what a new notion of contemporary ‘Italian’ literature might look like, figured at once within and beyond the boundaries of a national literature, a national language and a national cultural imaginary.