Kirjahaku

I've read the studies. No one has been able to draw a conclusive correlation between virtual behaviour and behaviour in-world.The Nether is a virtual wonderland that provides total sensory immersion. Just log in, choose an identity and indulge your every desire. But when a young detective uncovers a disturbing brand of entertainment, she triggers an interrogation into the darkest corners of the imagination.Winner of the 2012 Susan Smith Blackburn Prize, The Nether is both a serpentine crime drama and haunting sci-fi thriller that explores the consequences of living out our private dreams.Jennifer Haley's The Nether received its UK premiere in July 2014 at the Royal Court Theatre, London, in a co-production with Headlong.

3m 2f / Dark Comedy / Unit SetIn a suburban subdivision with identical houses parents find their teenagers addicted to an online horror video game. The game setting? A subdivision with identical houses. The goal? Smash through an army of zombies to escape the neighborhood for good. But as the line blurs between virtual and reality both parents and players realize that fear has a life of its own. "Playing like a nifty episode of 'The Twilight Zone' the story builds to an affectingly grues

The Nether is a virtual wonderland that provides total sensory immersion. Just log in, choose an identity and indulge your every desire. But when a young detective uncovers a disturbing brand of entertainment, she triggers an interrogation into the darkest corners of the imagination. Winner of the 2012 Susan Smith Blackburn Prize, The Nether is both a serpentine crime drama and haunting sci-fi thriller that explores the consequences of living out our private dreams.

A reclusive fiction writer diagnosed with dementia must depend upon a troubled young caretaker to complete her autobiography. In a symbiotic battle of wills, they delve into the dark woods of the past, unearthing a tragedy that shatters their notions of language, loneliness and essential self. "Though most plays depend on words, words are immutably the crux of Jennifer Haley's West Coast premiere play. The telling of stories and memories, lies and truths, relies on our words. And like the b

The Nether, a daring examination of moral responsibility in virtual worlds, opens with a familiar interrogation scene given a technological twist. As Detective Morris, an investigator of the Nether's online offerings, questions Mr. Sims about his activities in a role-playing realm so realistic it could be life, she finds herself on unexpectedly slippery ground. Sims argues for the freedom to explore even the most deviant corners of our imagination. Morris holds that we cannot flesh out our malign fantasies without consequence. Their clash of wills leads to a consequence neither could have imagined. Suspenseful, ingeniously constructed, and fiercely intelligent, Haley's play forces us to confront deeply disturbing questions about the boundaries of reality.