Kirjahaku

This important study is the first to offer a sustained look at a variety of early modern Yiddish masterworks—and their writers and readers—paying particular attention to their treatment of supernatural themes and beings.

A spirited dive into the life and career of a performer, writer, and director who dominated twentieth-century American comedy Mel Brooks, born Melvin Kaminsky in Brooklyn in 1926, is one of the great comic voices of the twentieth century. Having won almost every entertainment award there is, Brooks has straddled the line between outsider and insider, obedient and rebellious, throughout his career, making out-of-bounds comedy the American mainstream. Jeremy Dauber argues that throughout Brooks’s extensive body of work—from Your Show of Shows to Blazing Saddles to Young Frankenstein to Spaceballs—the comedian has seen the most success when he found a balance between his unflagging, subversive, manic energy and the constraints imposed by comedic partners, the Hollywood system, and American cultural mores. Dauber also explores how Brooks’s American Jewish humor went from being solely for niche audiences to an essential part of the American mainstream, paving the way for generations of Jewish (and other) comedians to come.

In a work of scholarship both erudite and funny, Jeremy Dauber traces the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organising his book thematically into what he calls the seven strands of Jewish comedy (including the Satirical, the Witty and the Vulgar), Dauber explores the ways Jewish comedy has dealt with persecution, assimilation and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel. He also explores a range of comic masterpieces, from the Book of Esther, Talmudic rabbi jokes, Yiddish satires, Borscht Belt skits and Seinfeld to the work of such masters as Sholem Aleichem, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Sarah Silverman and Jon Stewart.

In a work of scholarship both erudite and funny, Jeremy Dauber traces the origins of Jewish comedy and its development from biblical times to the age of Twitter. Organising his book thematically into what he calls the seven strands of Jewish comedy (including the Satirical, the Witty and the Vulgar), Dauber explores the ways Jewish comedy has dealt with persecution, assimilation and diaspora through the ages. He explains the rise and fall of popular comic archetypes such as the Jewish mother, the JAP, and the schlemiel and schlimazel. He also explores a range of comic masterpieces, from the Book of Esther, Talmudic rabbi jokes, Yiddish satires, Borscht Belt skits and Seinfeld to the work of such masters as Sholem Aleichem, Franz Kafka, the Marx Brothers, Woody Allen, Joan Rivers, Philip Roth, Sarah Silverman and Jon Stewart.

Starting with the Civil War and cartoonist Thomas Nast, creator of the lasting images of Uncle Sam and Santa Claus, author Jeremy Dauber whizzes readers through comics’ progress in the twentieth century and beyond: from the golden age of newspaper comic strips (Krazy Kat, Yellow Kid, Dick Tracy) to the midcentury superhero boom (Superman, Batman, Wonder Woman); from the moral panic of the Eisenhower era to the underground comix movement; from the grim and gritty Dark Knights and Watchmen to the graphic novel’s brilliant rise (Art Spiegelman, Alison Bechdel, Joe Sacco). Dauber’s story shows not only how comics have changed, but how American politics and history have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces and argues that we can understand how America sees itself through whose stories comics tell.

Comics have conquered America. From our cinemas, where Marvel and DC movies reign supreme, to our television screens, where comics-based shows like The Walking Dead have become among the most popular in cable history, to convention halls, best-seller lists, Pulitzer Prize-winning titles and MacArthur Fellowship recipients, comics shape American culture, in ways high and low, superficial and deeply profound. In American Comics, Columbia professor Jeremy Dauber takes readers through their incredible but little-known history, starting with the Civil War and cartoonist Thomas Nast, creator of the lasting and iconic images of Uncle Sam and Santa Claus; the golden age of newspaper comic strips and the first great superhero boom; the moral panic of the Eisenhower era, the Marvel Comics revolution, and the underground comix movement of the 1960s and ’70s, before turning finally into the twenty-first century, taking in the grim and gritty Dark Knights and Watchmen alongside the brilliant rise of the graphic novel by acclaimed practitioners like Art Spiegelman and Alison Bechdel. Dauber’s story shows not only how comics have changed over the decades but how American politics and culture have changed them. Throughout, he describes the origins of beloved comics, champions neglected masterpieces and argues that we can understand how America sees itself through whose stories comics tell. Striking and revelatory, American Comics is a rich chronicle of the last 150 years of American history through the lens of its comic strips, political cartoons, superheroes, graphic novels and more.

From the acclaimed author of American Comics and Jewish Comedy comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, cinema, and, ultimately, culture-from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan PeeleAmerica is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in each of our pockets. Like the victims in any slasher worth its salt, we can't escape the thrall of scary stories.In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.These foundational narratives give rise to and are influenced by the body of work we more closely associate with horror: the weird fiction of HP Lovecraft, the lingering stories of Shirley Jackson, the unsettling films of Alfred Hitchcock, the up-all-night tales of Stephen King, and the gripping critiques of Jordan Peele. From "The Tell-Tale Heart" to M3gan, we begin to see why the horror genre is the perfect prism through which to view America's past and present.With the extraordinary historical breadth and dexterous weave of insight and style that has made him twice a finalist for the National Jewish Book, Dauber makes the haunting case that horror reveals the true depths of the American mind.Featuring cameos from:Shirley Jackson The Sixth Sense Edgar Allan Poe Nathaniel Hawthorne Anne Radcliffe Charles Brockden Brown Los Espookys Washington Irving Nat Turner Night of the Living Dead H.P. Lovecraft Alien Mary Heaton Vorse Edith Wharton Norman Bates Lon Chaney Frankenstein Dracula H.G. Wells William Faulkner Dashiell Hammett Tananarive Due Twilight Zone The Handmaid's Tale Ray Bradbury I Am Legend Elia Kazan Psycho Ralph Ellison The Blair Witch Project Stanley Kubrick Helter Skelter Jordan Peele The Walking Dead H.H. Holmes Harriet Beecher Stowe

"America is the world's biggest haunted house and American Scary is the only travel guide you need. I loved this book."-Grady Hendrix, New York Times bestselling author of How to Sell a Haunted House and The Final Girl Support GroupFrom the acclaimed author of American Comics comes a sweeping and entertaining narrative that details the rise and enduring grip of horror in American literature, and, ultimately, culture-from the taut, terrifying stories of Edgar Allan Poe to the grisly, lingering films of Jordan PeeleAmerica is held captive by horror stories. They flicker on the screen of a darkened movie theater and are shared around the campfire. They blare out in tabloid true-crime headlines, and in the worried voices of local news anchors. They are consumed, virally, on the phones in our pockets. Like the victims in any slasher movie worth its salt, we can't escape the thrall of scary stories.In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the reader to the startling origins of horror in the United States. Dauber draws a captivating through line that ties historical influences ranging from the Salem witch trials and enslaved-person narratives directly to the body of work we more closely associate with horror today: the weird tales of H. P. Lovecraft, the lingering fiction of Shirley Jackson, the disquieting films of Alfred Hitchcock, the up-all-night stories of Stephen King, and the gripping critiques of Jordan Peele.With the dexterous weave of insight and style that have made him one of America's leading historians of popular culture, Dauber makes the haunting case that horror reveals the true depths of the American mind.