Kirjahaku

The New York Times bestselling novel that inspired the hit film Fiercely funny, honest, heart-breaking--this is an unforgettable novel from a bright talent, and a film that critics called "a touchstone for its generation" and "an instant classic." This is the funniest book you'll ever read about death. It is a universally acknowledged truth that high school sucks. But on the first day of his senior year, Greg Gaines thinks he's figured it out. The answer to the basic existential question: How is it possible to exist in a place that sucks so bad? His strategy: remain at the periphery at all times. Keep an insanely low profile. Make mediocre films with the one person who is even sort of his friend, Earl. This plan works for exactly eight hours. Then Greg's mom forces him to become friends with a girl who has cancer. This brings about the destruction of Greg's entire life.

A New York Times bestseller From Jesse Andrews, author of the New York Times bestselling Me and Earl and the Dying Girl and screenwriter of the Sundance award-winning motion picture of the same name, comes a groundbreaking young adult novel about music, love, friendship, and freedom as three young musicians follow a quest to escape the law long enough to play the amazing show they hope (but also doubt) they have in them. For Wes and his best friend, Corey, jazz camp turns out to be lame. It's pretty much all dudes talking in Jazz Voice. But then they jam with Ash, a charismatic girl with an unusual sound, and the three just click. It's three and a half hours of pure musical magic, and Ash makes a decision: They need to hit the road. Because the road, not summer camp, is where bands get good. Before Wes and Corey know it, they're in Ash's SUV heading south, and The Haters Summer of Hate Tour has begun. In his second novel, Andrews again brings his brilliant and distinctive voice to YA, in the perfect book for music lovers, fans of The Commitments (author Roddy Doyle raves "The Haters is terrific. It is shocking and funny, unsettling and charming."), and High Fidelity, or anyone who has ever loved--and hated--a song or a band. This witty, funny coming-of-age novel is contemporary fiction at its best.

A hilarious, outrageous, and truthful look at friendship, high school - and death - from a talented debut author. Film adaptation to be released summer 2015.

A wry and witty new coming-of-age story from the New York Times bestselling author of Me and Earl and the Dying Girl, now an award-winning film.A band. A road trip. A gig that maybe doesn't suck. Corey and Wes are convinced nothing cool can come of their lame summer at jazz camp, when along comes Ash - all blonde hair and brash words - who cracks their world wide open. Finally, something they can't seem to hate. Convinced that a great musician is made on the road, the three friends flee camp and begin the epic, hilarious road trip: The Haters Summer of Hate Tour.Amidst sneaking into seedy bars, evading their parents and the police, and spending every minute together in a makeshift tour bus, romance blossoms and bursts and hygiene takes a back seat. Wes begins to realize the limitations of hating everything: it keeps you at a convenient distance from something, or someone, you just might love.

Corey and Wes are convinced nothing cool can come of their lame summer at jazz camp, when along comes Ash - all blonde hair and brash words - who cracks their world wide open. Finally, something they can't seem to hate. When Ash convinces them that a great musician is made on the road, the three friends flee camp and begin the epic, hilarious road trip: The Haters 2016 Summer of Hate Tour. Amidst sneaking into seedy bars, evading their parents and the police, and spending every minute together in a makeshift tour bus, romance blossoms and bursts, hygiene takes a back seat, and Wes begins to realize the limitations of hating everything - it keeps you at a convenient distance from something, or someone, you just might love.

In an alternate reality a lot like our world, every person's physical size is directly proportional to their wealth. The poorest of the poor are the size of rats, and billionaires are the size of skyscrapers.Warner and his sister Prayer are destitute - and tiny. Their size is not just demeaning but dangerous: day and night they face mortal dangers that bigger, richer people don't ever have to think about, from being mauled by cats to their house getting stepped on. There are no cars or phones built small enough for them, or schools or hospitals, for that matter - there's no point, when no one that little has any purchasing power, and when salaried doctors and teachers would never fit in buildings so small. Warner and Prayer know their only hope is to scale up, but how can two littlepoors survive in a world built against them?Brilliant, warm and funny, this is a social novel for our times in the tradition of 1984 or the work of Douglas Adams.

In an alternate reality a lot like our world, every person's physical size is directly proportional to their wealth. The poorest of the poor are the size of rats, and billionaires are the size of skyscrapers.Warner and his sister Prayer are destitute - and tiny. Their size is not just demeaning but dangerous: day and night they face mortal dangers that bigger, richer people don't ever have to think about, from being mauled by cats to their house getting stepped on. There are no cars or phones built small enough for them, or schools or hospitals, for that matter - there's no point, when no one that little has any purchasing power, and when salaried doctors and teachers would never fit in buildings so small. Warner and Prayer know their only hope is to scale up, but how can two littlepoors survive in a world built against them?Brilliant, warm and funny, this is a social novel for our times in the tradition of 1984 or the work of Douglas Adams.

In an alternate reality a lot like our world, every person's physical size is directly proportional to their wealth. The poorest of the poor are the size of rats, and billionaires are the size of skyscrapers.Warner and his sister Prayer are destitute - and tiny. Their size is not just demeaning but dangerous: day and night they face mortal dangers that bigger, richer people don't ever have to think about, from being mauled by cats to their house getting stepped on. There are no cars or phones built small enough for them, or schools or hospitals, for that matter - there's no point, when no one that little has any purchasing power, and when salaried doctors and teachers would never fit in buildings so small. Warner and Prayer know their only hope is to scale up, but how can two littlepoors survive in a world built against them?Brilliant, warm and funny, this is a social novel for our times in the tradition of 1984 or the work of Douglas Adams.