Kirjahaku

This book explores British cinema in relation to its social political and cultural contexts. Each chapter deals with a specific topic and includes close readings of key films from different historical periods. Topics include realism, expressionism, popular cinema, film and theater, sexuality and gender, comedy, class and ideology, heritage film, and diasporic cinema. Demonstrating the richness and variety of a national cinema that has traditionally struggled to define itself between the paradigms of Hollywood popular film and European art cinema, British Film also addresses the problematic concept of 'national character' as it has been applied in studies of national cinemas and cultures, and the increasing pressure on all of these ideas in the age of globalization. Designed for the general reader, this volume is suitable for use as a textbook, providing comprehensive coverage of British cinema and detailed discussion of specific films that can be used in tandem with screenings.

This book explores British cinema in relation to its social political and cultural contexts. Each chapter deals with a specific topic and includes close readings of key films from different historical periods. Topics include realism, expressionism, popular cinema, film and theater, sexuality and gender, comedy, class and ideology, heritage film, and diasporic cinema. Demonstrating the richness and variety of a national cinema that has traditionally struggled to define itself between the paradigms of Hollywood popular film and European art cinema, British Film also addresses the problematic concept of ‘national character’ as it has been applied in studies of national cinemas and cultures, and the increasing pressure on all of these ideas in the age of globalization. Designed for the general reader, this volume is suitable for use as a textbook, providing comprehensive coverage of British cinema and detailed discussion of specific films that can be used in tandem with screenings.

"Murder's A Tough Business is an enlightening and entertaining book that explains how police investigate the most serious crime of all. Murder.The author, Jim Leach, shares his insight and expertise developed through four decades of law enforcement to produce an interesting, easy to read, anatomy of police work.The book can make professional law enforcement officers even better. If you are a TV crime story fan, your favorite show will become much more enjoyable, when you understand the "WHY" and, not just the "HOW"."Jim and I worked together in law enforcement for years investigating some of the most hideous cases. I believe that Jim would use his best investigative skills as an author and produce a wonderful murder mystery. If you enjoy a great mystery with top-notch investigative work, be sure to read this book. Kudos to Mr. Leach, this is a great read." Sheriff Delphus V. Hicks Jr.Legendary Sheriff Delphus Hicks served the people of Hardeman County as their Sheriff for 20 years. He was the first African-American to be elected Sheriff in the history of Tennessee. "There's always something new to learn from Jimmie Leach. Being able to draw from his extensive knowledge and expertise in investigation techniques is an asset to an investigator. I look forward to reading his latest book, "Murder's a Tough Business", and benefiting from Jimmie's insight into the depraved minds of killers, and deciphering their thoughts and actions." SAC Terry WolfeState of TennesseeTerry D. WolfeSpecial Agent in Charge (Retired)Special Investigations Unit" Jim Leach is well known for his ability to solve difficult murders. If you are interested in homicide investigations, his new book, "Murder's A Tough Business" is a MUST READ." Sheriff David WoolforkFormer Sheriff David Woolfork served as the sheriff of Madison County Tennessee for 20 years, was honored by being the President of The Tennessee Sheriff's Association, and was the first African-American elected Sheriff in Madison County. "Along the way, the author of "Murder's A Tough Business" and I worked together at the beginning of our careers as uniformed patrol officers. Then, again, years later when I was Chief Investigator for a Sheriff's Office and Jimmie was the TBI Agent assigned to that county. Our paths have crossed many times over the years in our profession and I am honored to have had his friendship over the years." Marshall Jeff HoltFormer U.S. Marshall Jeff Holt, a 45-year law enforcement veteran, served as a patrol officer, an Investigator, Chief of Police, and Sheriff. He holds a B.S. in Criminal Justice and graduated from the 159th Session of the FBI National Academy. "Although these cases have been broadcast on local and/or national TV newscasts, having the insight of a career law enforcement investigator adds so much more to the story." Ellen Ramsey-BarrEllen Ramsey-Barr has retired from the corporate world and is now enjoying life in small-town America. She is an avid reader of mysteries, all things Amish, and enjoys studying different religions from around the world."I am eagerly waiting for the new book written by Jim Leach. He is extremely knowledgeable about criminals, particularly those who have committed murder. He writes with the authority of experience and makes even horrible facts interesting." Madeleine RussellMadeleine Russell is retired from the University of Tennessee in Knoxville and is an avid reader. She has followed Mr. Leach's work for years.

Through close readings of Jutra's major films, Jim Leach analyses their distinctive cinematic qualities and discusses the responses they have received from reviewers and critics. He focuses both on the films and the historical and cultural contexts in which they were made, arguing that critics have frequently used inappropriate criteria to judge them and that these misunderstandings reveal much about attitudes to Canadian cinema in general. Jutra's films are shown to reflect the instability of their cinematic and cultural contexts and raise important questions about nationhood. Jutra always identified himself as a separatist and his films were shaped by the rapid changes in Quebec society during the Quiet Revolution and by the political tensions of the sixties and seventies. At the same time his work was often appreciated by English Canadian critics and audiences and was affected by federal film policy and institutions. Although Jutra died in 1986, his films and career still have much to tell us about Canadian cinema and media production, and about the complex cultural contexts that underlie the ongoing debates on Canadian and Quebec nationhood.

Denys Arcand is best known outside Canada for three films that were nominated for Academy Awards for Best Foreign-Language Film: The Decline of the American Empire (1986), Jesus of Montreal (1989), and The Barbarian Invasions (2003), the last of which won the Award. Yet Arcand has been making films since the early 1960s. When he started making films, Quebec was rapidly transforming from a relatively homogeneous community, united by its Catholic faith and French language and culture, into a more fragmented modern society. The Films of Denys Arcand sheds light on how Arcand addressed the impact of these changes from the 1960s, when the long-drawn-out debate on Quebec's possible separation from the rest of Canada began, to the present, in which the traditional cultural heritage has been further fragmented by the increasing presence of diasporic communities. His career and films offer an ideal case study for exploring the contradictions and tensions that have shaped Quebec cinema and culture in a period of increasing globalization and technological change.

Denys Arcand is best known outside Canada for three films that were nominated for Academy Awards for Best Foreign-Language Film: The Decline of the American Empire (1986), Jesus of Montreal (1989), and The Barbarian Invasions (2003), the last of which won the Award. Yet Arcand has been making films since the early 1960s. When he started making films, Quebec was rapidly transforming from a relatively homogeneous community, united by its Catholic faith and French language and culture, into a more fragmented modern society. The Films of Denys Arcand sheds light on how Arcand addressed the impact of these changes from the 1960s, when the long-drawn-out debate on Quebec's possible separation from the rest of Canada began, to the present, in which the traditional cultural heritage has been further fragmented by the increasing presence of diasporic communities. His career and films offer an ideal case study for exploring the contradictions and tensions that have shaped Quebec cinema and culture in a period of increasing globalization and technological change.

This is a comprehensive account of ""Doctor Who"" as a television series and product of popular culture. ""Doctor Who"", the iconic British science-fiction series following a time-traveling alien scientist, was first broadcast November 23, 1963, on BBC Television. Though modestly conceived and produced, its depiction of the alien but strangely human 'Doctor' proved to be such a commercial success that the program was shown in more than forty countries over twenty-six seasons - from 1963 to 1989 - and returned successfully to television in 2005. In ""Doctor Who"", Jim Leach explores the reasons behind the original series' popularity and the ways it evolved during its long run. Leach analyzes in detail seven representative episodes from the original run of the series to trace the development of the seven 'regenerations' of the main character by different actors. In addition to detailing each actor's contribution to the role, he also tackles such issues as the show's self-reflexivity, its attitude toward science and technology, and its generic mix of science fiction, fantasy, and horror. Leach considers ""Doctor Who"" as a 'fantastic' text, with its concept of regeneration and the complex experience of time that evolved during its run. He also looks at the series' manipulation of the medium of television and its broader cultural influences and implications. Leach concludes with a section that looks at the continuities and differences found in the new series. ""Doctor Who"" is an accessible and intriguing guide to one of the most popular series in television history. Film and television studies scholars, fans of the show, and general readers interested in popular cultural studies will enjoy this enlightening volume.