Kirjahaku

The 'Masters of Photography' series is a new approach to photography how-to. Each volume is dedicated to the work of one key photographer who, through a series of bite-sized lessons and ideas, tells you everything you always wanted to know about their approach to taking photographs. From their influences, ideas and experiences, to tech tips and best shots.The series begins with Joel Meyerowitz, who will teach you, among other essentials: how to use a camera to reclaim the streets as your own, why you need to watch the world always with a sense of possibility, how to set your subjects at ease, and the importance of being playful and of finding a lens that suits your personality.Praise for Joel Meyerowitz's retrospective, Where I Find Myself:"So let me say it plainly: Joel Meyerowitz's Where I Find Myself is a compelling, wonderful, deeply pleasing collection of an essential photographer's work. [it] is a necessary book. Necessary because of its size and scope. Necessary because of the way it holds the aesthetic of the artist in the air." LensCulture"More than just a career retrospective, Meyerowitz's book is a personal celebration of photography as an art form." Publishers Weekly"After over half a century of making pictures, Meyerowitz is noted as one of the most influential photographers living today. A new book titled Joel Meyerowitz's Where I Find Myself brings together his tremendous archive to create a portrait of not only America during the 20th and early 21st centuries, but also a prolific artist with a lifetime of groundbreaking work." BuzzFeed"Joel Meyerowitz's Where I Find Myself is a pièce de résistance, a masterful feat of publishing that sets the bar as high as it can possibly reach. The photographer's magnum opus opens in the present day, with his most recent body of work and unfolds in reverse chronological order, leading us through a spellbinding life in photography that is simply unparalleled." Feature Shoot"After 40 years Meyerowitz continues to entice and enthrall with a consistency of vision that reshapes subject matter in his own light. If you are a fan of Meyerowitz's work and especially of Cape Light, this lifetime retrospective will be a treasured addition." New York Journal of Books

This new and expanded edition of Joel Meyerowitz’s widely acclaimed photobook, Wild Flowers — now, in a larger format, features new and unpublished images. For nearly forty years Joel Meyerowitz has tended his visual garden in the streets and parks and cities he has visited or lived in. He goes out into the streets open-eyed and passionate, carrying a machine which is perfectly suited to the task of taking it all in. The Leica, as quick as the flick of an eyelash, effortlessly interrupts time, stopping and holding it forever. These walks gave shape to new territory for him, which he began to think of as a garden that reflected the variety of his observations. Then, one day, while editing, Meyerowitz stumbled upon a small group of these flower photographs which he had gathered unknowingly. He began to believe that this innocent premise might be enough to tie together many of his other photographic concerns under the nominal subject of ‘flowers,’ which, given the surprises of city life, he viewed as flowers gone somewhat berserk—and so Wild Flowers was born.

Photographer Joel Meyerowitz (born 1938) began photographing redheads in 1978 against the contrasting blue backdrop of Cape Cod. The portraits from this period are collected in this new edition of Meyerowitz's 1991 photobook Redheads, featuring 16 additional images. After running an ad in the Provincetown Advocate, Meyerowitz began collecting the experiences of people who grew up with red hair, in addition to photographing them. Making up only two or three percent of the world’s population, their stories of schoolyard bullying and self-acceptance illustrate a broader narrative of growth and beauty. Despite cultural and racial distinctions between redheads, the phenotypic association between the subjects brings a sense of familiality to the collection of portraits. Meyerowitz describes how red hair and its reaction to light evokes a sense of the color film process. He is known for his transition to color film during a period of resistance to color photography. “My way of making portraits is not by getting down on my hands and knees, nor climbing high on a ladder, nor getting into bed with a celebrity,” Meyerowitz writes, “but simply standing eye to eye with anyone who has found their way to me, young or old. I need only one or two sheets of film and the patience to see it through.” This hardcover edition includes previously unseen portraits.

Aimed at children between the ages of nine and twelve, Seeing Things is a wonderful introduction to photography that asks how photographers transform ordinary things into meaningful moments. In this book, acclaimed and beloved photographer Joel Meyerowitz takes readers on a journey through the power and magic of photography: its abilities to freeze time, tell a story, combine several layers into one frame, and record life’s fleeting and beautiful moments. The book features the work of masters such as William Eggleston, Mary Ellen Mark, Helen Levitt, and Walker Evans, among many others. Each picture is accompanied by a short commentary, encouraging readers to look closely and use their imagination to understand key ideas in photography such as light, gesture, composition—and, ultimately, how there is wonder all around us when viewed through the lens.

Taking My Time is the first career retrospective on the work of renowned and influential American photographer Joel Meyerowitz (b.1938), including over 550 famous and previously unpublished photographs spanning his extensive 50-year career. Edited and sequenced with the photographer, this large-format publication comprises two volumes in a slipcase with special inserts. It includes photographs from Meyerowitz’s complete oeuvre, including his colour and black and white street photographs from the 60s and 70s, the Cape Cod seascapes, his landmark images documenting Ground Zero after 9/11 and, more recently, his work in Tuscany and on the parks of New York City.Arguably one of America’s greatest photographers working today, Meyerowitz is best known for his spontaneous photographs of the streets of New York from the 1960s and his pioneering photographs of colour, light and space. Instrumental in changing the attitude towards the use of colour photography from one of resistance to nearly universal acceptance, he is an innovator and teacher, inspiring a younger generation of photographers.

T&HFL12 After a lifetime of working on a series of “collective portraits” in far-flung places such as Mexico; Ghana; Italy; Tir a’Mhurain, Scotland; and his adoptive country, France, an aging Paul Strand decided to concentrate on still lifes and the stony beauty of his own garden at Orgeval, France, as a site in which to distill his discoveries as a photographer. The work that constitutes The Garden at Orgeval is marked by close and careful study of the forms and patterns within nature—of tiny buttonshaped flowers, cascading winter branches, and fierce snarls of twigs. While the images bear the same directness and precise vision that is quintessentially Strand, the work also reflects a growing metaphorical turn. Renowned photographer Joel Meyerowitz—whose own affinity toward Strand’s Orgeval series stems from a lifetime of photographing in different genres and ultimately returning to nature as an enduring subject—will select the photographs in the book, and respond to them in an accompanying personal essay, reflecting on issues, including the contemplation of one’s garden and growing old. Beautifully produced in a modest size, in the manner of a volume of poems, this book’s task is to do credit to Strand’s final work, both as an individual and as a key figure in Modernist photography.

In this book, the authors explore and discuss the development of one of the most interesting and dynamic of photographic genres. Hailed as a landmark work when it was first published in 1994, Bystander is widely regarded by street photographers as the ‘bible’ of street photography. It covers an incredible array of talent, from the unknowns of the late 19th century to the acknowledged masters of the 20th, such as Atget, Stieglitz, Strand, Cartier-Bresson, Brassai, Kertesz, Frank, Arbus, Winogrand and Levitt to name just a few. In this new and fully revised edition, the story of street photography is brought up to date with a re-evaluation of some historical material, the inclusion of more contemporary photographers and a discussion of the ongoing rise of digital photography.