Kirjahaku

Early Art and Artists in West Virginia is copiously illustrated with 136 plates accompanying the essays on portraiture and landscape painting, which form the first half of the book. A similar number of smaller illustrations in full color bring life to a biographical directory in the second part of the book, which contains nearly one thousand known painters who worked in West Virginia. Many West Virginians will find their family names in this directory, and some will doubtless locate the information here that they have long sought in order to learn more about a painting in their family's possession. The book is supported by an extensive bibliography on the state's artistic heritage and a full index to both the directory and the essays.

With striking contrasts, bold colors, and powerful textures and lines, Richard Kidwell Miller’s art is abstract, yet integrated and powerful, while sensuous. Born in the coal-mining region of Fairmont, West Virginia during the Great Depression, Miller displayed artistic talent as a young boy, holding his first solo exhibition by the age of sixteen. As his artistic training progressed, his paintings took on an array of subjects and mediums. He explored realism, abstraction, collage, portraiture, still life and constructed works. The scale of his work varied as well, as he produced huge still life compositions that challenge the very nature of the subject and exquisitely layered canvas on canvas and wood on canvas structures that cross the border between traditional painting and relief sculpture.In 2004, Richard Kidwell Miller’s work was displayed at West Virginia University. This lushly illustrated book encompasses that exhibit, as curator John A. Cuthbert narrates Miller’s development as a student, artist, and teacher. With over twenty-five beautifully reproduced paintings, spanning over forty years of artistic development, this collection brings attention to the life and work of a contemporary artist.