Kirjahaku

Ruskin, whose life spanned almost a century from 1819 to 1900, was one of the most influential cultural and intellectual figures of his age.

A fascinating, richly illustrated exploration of the poignant origins of Rudyard Kipling’s world-famous children’s classic“In this concise and remarkable book . . . Batchelor guides us expertly . . . drawing on multiple sources and making intriguing connections between Kipling’s stories for children and for adults.”—John Carey, The Sunday Times From "How the Leopard Got Its Spots" to "The Elephant’s Child," Rudyard Kipling’s Just So Stories have delighted readers across the world for more than a century. In this original study, John Batchelor explores the artistry with which Kipling created the Just So Stories, using each tale as an entry point into the writer’s life and work—including the tragedy that shadows much of the volume, the death of his daughter Josephine. Batchelor details the playful challenges the stories made to contemporary society. In his stories Kipling played with biblical and other stories of creation and imagined fantastical tales of animals' development and man's discovery of literacy. Richly illustrated with original drawings and family photographs, this account reveals Kipling’s public and private lives—and sheds new light on a much-loved and tremendously influential classic.

Published in 1900, Conrad’s Lord Jim can in many ways be seen as the first ‘modern’ novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad’s masterpiece.John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad’s writing. It also considers the novel’s technical innovations, including Conrad’s ‘impressionism’ and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel’s critical reception since its first publication.This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad’s place in the development of modern fiction.

Published in 1900, Conrad’s Lord Jim can in many ways be seen as the first ‘modern’ novel. This important full study of the book, originally published in 1988, emphasizes the outstanding historical and artistic significance of Conrad’s masterpiece.John Batchelor pursues the ways in which Conrad dramatizes with unprecedented fidelity a relationship between friends and also explores what for Conrad is clearly a central truth about the human condition, namely the inalienable loneliness of man. The book provides a full discussion of the biographical and literary contexts of the novel, making use of the original manuscript and tracing the literary influences and sources of Conrad’s writing. It also considers the novel’s technical innovations, including Conrad’s ‘impressionism’ and its method of dramatization. Further chapters are devoted to a detailed commentary on the text and the book concludes with a study of the novel’s critical reception since its first publication.This volume will be essential reading for all students of literature and particularly for those with an interest in Conrad’s place in the development of modern fiction.

40 drawings of Cape Hatteras, Montauk Point, Cape Canaveral, Quoddy Head, Point Reyes, and many other lighthouses. Captions.

H. G. Wells wrote almost a hundred books, yet he is generally remembered for only a handful of them. He is known above all as a writer who heralded the future, yet throughout his life he clung to fixed attitudes from the Victorian past. He began his career as a draper's apprentice; by the age of forty-five he had secured an international reputation as the author of The Time Machine, The War of the Worlds, Kipps and Tono Bungay; he went on to establish himself as an influential educator, polemicist and sage. In this book John Batchelor offers a readable introduction to Wells's huge and varied output as a writer and thinker. He guides the reader through the whole oeuvre, and argues persuasively that at his best Wells was a great artist: a man with a remarkable, restless imagination (not limited, as many critics have implied, merely to his early romances) and with a coherent and responsible theory of fiction.

Alfred Lord Tennyson, Queen Victoria's favourite poet, commanded a wider readership than any other of his time. This biography shows him as a Romantic as well as a Victorian, exploring both the poems and Tennyson's attempts at play writing, as well as the pressures of his age and the personal relationships that made the man.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.