Booker-winning novelist, playwright, essayist, poet and critic, John Berger has excelled in a variety of literary fields. This collection of essays takes a definitive look at his career.
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70 kirjaa tekijältä John Berger
John Berger's explorations of the relationships between the individual and society, culture and politics, and experience and expression through the written word, films, photographic collaborations and performances are unmatched in their diversity, ambition and reach. His television series and book Ways of Seeing revolutionized the way that art is understood. Now, Understanding a Photograph gathers the photography writings of one of the most internationally influential authors of the past 50 years. Understanding a Photograph is arranged chronologically, leading the reader on a thought-provoking journey through selected essays from hallmark works such as "About Looking" and "Another Way of Telling," as well as previously uncollected pieces written for exhibitions or catalogues that discuss a wide range of artists--from August Sander to Jitka Hanzlov . This collection of some 25 texts has been carefully selected by novelist and essayist Geoff Dyer, who has also written a critical study of Berger's oeuvre.
Spanning more than forty years of work, this collection of essays, gathered from the author's previous collections--including Toward Reality, The Look of Things, and The Sense of Sight, among others--reflects on such topics as Jackson Pollock, museums, mass demonstratons, ideologies, philosophy, and more. Reprint. 10,000 first printing.
Examines the social implications and psychological impact of the images and conventions of modern and classical artists
Based on the BBC television series, John Berger's Ways of Seeing is a unique look at the way we view art, published as part of the Penguin on Design series in Penguin Modern Classics.'Seeing comes before words. The child looks and recognizes before it can speak.''But there is also another sense in which seeing comes before words. It is seeing which establishes our place in the surrounding world; we explain that world with words, but word can never undo the fact that we are surrounded by it. The relation between what we see and what we know is never settled.' John Berger's Ways of Seeing is one of the most stimulating and influential books on art in any language. First published in 1972, it was based on the BBC television series about which the Sunday Times critic commented: 'This is an eye-opener in more ways than one: by concentrating on how we look at paintings . . . he will almost certainly change the way you look at pictures.' By now he has.John Berger (b. 1926) is an art critic, painter and novelist.born in Hackney, London. His novel G. (1972) won both the James Tait Black Memorial Prize and the Booker Prize. If you enjoyed Ways of Seeing, you might like Susan Sontag's On Photography, also available in Penguin Modern Classics.'Berger has the ability to cut right through the mystification of professional art critics ... he is a liberator of images: and once we have allowed the paintings to work on us directly, we are in a much better position to make a meaningful evaluation'Peter Fuller, Arts Review'The influence of the series and the book ... was enormous ... It opened up for general attention areas of cultural study that are now commonplace'Geoff Dyer in Ways of Telling'One of the most influential intellectuals of our time'Observer
John Berger broke new ground with his penetrating writings on life, art and how we see the world around us. Here he explores how the ancient relationship between man and nature has been broken in the modern consumer age, with the animals that used to be at the centre of our existence now marginalized and reduced to spectacle.Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
John Berger's writings on photography are some of the most original of the twentieth century. This selection contains many groundbreaking essays and previously uncollected pieces written for exhibitions and catalogues in which Berger probes the work of photographers such as Henri Cartier-Bresson and W. Eugene Smith - and the lives of those photographed - with fierce engagement, intensity and tenderness.The selection is made and introduced by Geoff Dyer, author of the award-winning The Ongoing Moment.How do we see the world around us? This is one of a number of pivotal works by creative thinkers whose writings on art, design and the media have changed our vision for ever.John Berger was born in London in 1926. His acclaimed works of both fiction and non-fiction include the seminal Ways of Seeing and the novel G., which won the Booker Prize in 1972. In 1962 he left Britain permanently, and he now lives in a small village in the French Alps.Geoff Dyer is the author of four novels and several non-fiction books. Winner of the Lannan Literary Award, the International Centre of Photography's 2006 Infinity Award and the American Academy of Arts and Letters's E. M. Forster Award, Dyer is also a regular contributor to many publications in the UK and the US. He lives in London.
'Language is a body, a living creature ... and this creature's home is the inarticulate as well as the articulate'. John Berger's work has revolutionized the way we understand visual language. In this new book he writes about language itself, and how it relates to thought, art, song, storytelling and political discourse today. Also containing Berger's own drawings, notes, memories and reflections on everything from Albert Camus to global capitalism, Confabulations takes us to what is 'true, essential and urgent'.
'It's an improbable city, Bologna - like one you might walk through after you have died.'A dreamlike meditation on memory, food, paintings, a fond uncle and the improbable beauty of Bologna, from the visionary thinker and art critic.Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.
'We live within a spectacle of empty clothes and unworn masks'In this series of remarkable pieces from across his career, John Berger celebrates and dissects the close links between art and society and the individual. Few writers give a more vivid and moving sense of how we make art and how art makes us.One of twenty new books in the bestselling Penguin Great Ideas series. This new selection showcases a diverse list of thinkers who have helped shape our world today, from anarchists to stoics, feminists to prophets, satirists to Zen Buddhists.
From Booker Prize-winning author John Berger, a collection of essays that explores the relationship of art and artists and includes examinations of the work of Brancusi, Degas, Michelangelo, and Frida Kahlo, among others. The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the New World Economic Order. The people coming together are the reader, me, and those the essays are about-Rembrandt, Paleolithic cave painters, a Romanian peasant, ancient Egyptians, an expert in the loneliness of a certain hotel bedroom, dogs at dusk, a man in a radio station. And unexpectedly, our exchanges strengthen each of us in our conviction that what is happening in the world today is wrong, and that what is often said about it is a lie. I've never written a book with a greater sense of urgency. -John Berger
Winer of a 1994 Time Out Theatre Award and TMA/Martini Award for Best UK Touring Production Lucie Cabrol is a wild, tiny woman born into a peasant family in France in 1900. Abandoned by her lover, Jean, and banished by her family, she becomes an outcast. She survives her second life by smuggling goods across the border. But it is not until her thrid life, her afterlife, that she discovers the survival of something more than bare human existence - the survival of hope and love."In Simon McBurney's exhilarating production the story becomes an unsentimental evocation of peasant life, a hymn to the tenacity of love and a Brechtian fable about the world's unfairness...Complicite's brilliant technique is used to express Berger's ideas...Complicite have matured into greatness." (Michael Billington, Guardian)
In the mythic city of Troy, amidst the shanty-towns, factories, opulent hotels, fading heritages and steadfast dreams, the children and grandchildren of rural peasants pursue meagre livings as best they can. And two young lovers embark upon a passionate journey of love and survival.
A furious homage to the homeless and a lyrical meditation on language and experience. You will be led to a place you haven't been, from where few stories come. You will be led by King, a dog (or is he?) to a wasteland beside the motorway called Saint Valery.
This is a collection of interwoven stories, this is a portrait of two worlds - a small Alpine village bound to the earth and by tradition, and the restless, future-driven culture that will invade it - at their moment of collision. The instrument of entrapment is love. Lives are lost and hearts broken.
The pocket in question is a small pocket of resistance. A pocket is formed when two or more people come together in agreement. The resistance is against the inhumanity of the new world economic order.
No one appreciates the detail of being alive more than the dead. In Lisbon, a man encounters his mother sitting on a park bench who laughs with the impudence of a schoolgirl. She has been dead for fifteen years. In Krakow market he recognises Ken, his passeur, the most important person in his life between the ages of eleven and seventeen. They last met when Ken was sixty-five - forty years ago. The number of lives that enter any one life is incalculable. In this nomadic and playful book which travels through fictions across Europe, seemingly disparate stories reveal themselves to be linked, mislaid objects find their place and sensual memories penetrate the present.
'Those who read or listen to our stories see everything as though through a lens. This lens is the secret of narration, and it is ground anew in every story, ground between the temporal and the timeless ...In our brief mortal lives, we are grinders of these lenses'. When John Berger wrote this apparently unclassifiable book, it was to become a sensation, translated into nine languages and indelible from the minds of those who read it. This stunning work is a shoebox filled with delicate love letters containing poetry and thoughts on mortality, art, love and absence, capturing moments in time that hover above Berger's surprising landscapes. From his lyrical description of the works of Caravaggio and profound explorations of death and immigration to the sight of some lilac at dusk in the mountains, this is a beautiful and most intimate response to the world around us.
A mother and father, estranged for years, are travelling across Europe to their daughter's wedding. Vibrant, beautiful Ninon has fallen in love with the young Italian Gino. She is twenty-three years old - and she is dying of AIDS. As their wedding approaches, the story of Ninon and Gino unfolds. On their wedding day, Ninon will take off her shoes and dance with Gino: they will dance as if they will never tire; as if their happiness is eternal; as if death will never touch them. To the Wedding is a novel of devastating heartache, soaring hope and above all, love that triumphs over death.