Kirjahaku

John Chilton's Who's Who of Jazz has established itself as a major jazz reference book on the lives of over a thousand musicians born before 1920. The informative biographies give the essential details of each musician's life and career, and jazz greats jostle with unknowns for the readers attention. This completely revised edition adds much new information to the musical histories of the players, and the biographies of some of the major figures have been rewritten to incorporate recent research.

Anyone who has ever heard a Billie Holiday record knows the sound of her voice,sad, sexy, always relaxed but securely aware of the beat. Conveying a poignancy that cut to the heart of a song, she redeemed even trivial material with her impeccable sense of dramatic phrasing and time. The well-known tale of her lifelong battle with drugs has obscured the artistry that has made her one of the most revered singers of the twentieth century. Everyone from Frank Sinatra (who in the 1950s called her "unquestionably the most important influence on American popular singing in the last twenty years") to Ella Fitzgerald and Sarah Vaughan has recognized the singularity of her interpretations. The racism that Billie found at every turn, whether in Artie Shaw's band or in the heart of the south, immortalized in the chilling song "Strange Fruit," cannot be overlooked in her biography. Jazz historian John Chilton has told the story of her short, tragic, influential career with restraint, correcting many of the more sensational tales she wrote about herself in Lady Sings the Blues . Buck Clayton, who knew Billie in the Basie band during the nineteen-thirties, has written a warm and personal foreword to this fascinating biography of a great American artist.

Fifty years after hearing Sidney Bechet (1897-1959) in 1923, Duke Ellington recalled, "I have never forgotten the power and imagination with which he played." The first great jazz soloist, Bechet was a genius of the clarinet and the notoriously difficult soprano saxophone. In a career that spanned five decades and two continents he worked with Bunk Johnson, King Oliver, Duke Ellington, Josephine Baker, Jelly Roll Morton, and Louis Armstrong. He was a giant in early New Orleans jazz and a pioneer of improvisation whose contribution to the music, from the traditional to the avant-garde, has been a vital and lasting one. This biography reveals with insight and precision the man and his music, and illuminates the many events obscured by Bechet's own highly readable but factually suspect autobiography, Treat It Gentle.

A space frame is a three-dimensional framework for enclosing spaces in which all members are interconnected and act as a single entity. A benefit of this type of structure is that very large spaces can be covered, uninterrupted by support from the ground. John Chilton's book provides an up-to-date assessment of the use of space grid structures in buildings by reviewing methods of construction, various systems available and detailed studies of the use of space grids in modern buildings. The technical level is aimed at professional and student architects and engineers worldwide and it also serves as a useful construction manual. John Chilton is an engineer, currently teaching architectural students at Nottingham University where he is a senior lecturer. He has also undertaken considerable research in this field.

A biography of jazz trumpeter and singer, Henry "Red" Allen, long regarded as Louis Armstrong's chief rival. As a close friend of Allen's, John Chilton brings to light various aspects of Allen's personality, as well as analyzing his recordings. The intriguing contrast between Allen's spectacular showmanship and his off-stage reticence is dealt with, and details of his early life in New Orleans and on the Mississippi riverboats are covered. The book also discusses Allen's work with King Oliver, Luis Russell, Fletcher Henderson, Kid Ory and Louis Armstrong.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.The Age of Enlightenment profoundly enriched religious and philosophical understanding and continues to influence present-day thinking. Works collected here include masterpieces by David Hume, Immanuel Kant, and Jean-Jacques Rousseau, as well as religious sermons and moral debates on the issues of the day, such as the slave trade. The Age of Reason saw conflict between Protestantism and Catholicism transformed into one between faith and logic -- a debate that continues in the twenty-first century.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT013549A reply to Daniel Waterland.London: printed for J. Roberts, 1730. 71, 1]p.; 8

This book presents a review of the work of the architect Michael Balz, pioneer of concrete-shell architecture. It discusses his projects, both realized and unbuilt, many being designed in collaboration with the renowned Swiss engineer Heinz Isler.Profusely illustrated with original drawings and photographs, Michael Balz: Shells and Visions caters to the increasing interest in the design and construction of free-form reinforced concrete shells consequent on the advent of 3D modelling and form-finding software. The book describes architectural designs and practical construction issues to motivate contemporary shell designers.Balz’s experience of dealing with such difficulties as incompatibility with non-structural features and the insertion of windows into shells, and the assessment of buildings’ long-term performance allow readers to learn more easily how to cope with such issues in their own work.The book introduces Michael Balz, his early workwith other architects, including his work on pneumatic forms with Frei Otto, and his evolution into an exponent of organic architecture. It then discusses completed projects, including the outdoor Theater unter den Kuppeln (1976), Ballettsaal (1979) and Balz House (1981). Competitions Balz entered and unrealized shell projects also receive attention, as does his work on the urban scale, highlighting conceptual designs of mega-cities. His visionary megastructures encourage the exploration of innovative solutions for city spaces by architects faced with today’s increased urbanization. Michael Balz: Shells and Visions will be of interest to students and professionals in the fields of architecture, structural engineering, building and urban design. It’s reflections on the cultural and contextual aspects of Balz’s work will help the architectural historian to appreciate its long-term significance.

This book presents a review of the work of the architect Michael Balz, pioneer of concrete-shell architecture. It discusses his projects, both realized and unbuilt, many being designed in collaboration with the renowned Swiss engineer Heinz Isler.Profusely illustrated with original drawings and photographs, Michael Balz: Shells and Visions caters to the increasing interest in the design and construction of free-form reinforced concrete shells consequent on the advent of 3D modelling and form-finding software. The book describes architectural designs and practical construction issues to motivate contemporary shell designers.Balz’s experience of dealing with such difficulties as incompatibility with non-structural features and the insertion of windows into shells, and the assessment of buildings’ long-term performance allow readers to learn more easily how to cope with such issues in their own work.The book introduces Michael Balz, his early workwith other architects, including his work on pneumatic forms with Frei Otto, and his evolution into an exponent of organic architecture. It then discusses completed projects, including the outdoor Theater unter den Kuppeln (1976), Ballettsaal (1979) and Balz House (1981). Competitions Balz entered and unrealized shell projects also receive attention, as does his work on the urban scale, highlighting conceptual designs of mega-cities. His visionary megastructures encourage the exploration of innovative solutions for city spaces by architects faced with today’s increased urbanization. Michael Balz: Shells and Visions will be of interest to students and professionals in the fields of architecture, structural engineering, building and urban design. It’s reflections on the cultural and contextual aspects of Balz’s work will help the architectural historian to appreciate its long-term significance.

Dieses Buch gibt einen Überblick über das Werk des Architekten Michael Balz, dem Pionier der Betonschalenarchitektur. Es behandelt seine realisierten und nicht realisierten Projekte, von denen viele in Zusammenarbeit mit dem renommierten Schweizer Ingenieur Heinz Isler entworfen wurden.Michael Balz. Schalen und Visionen ist reichlich mit Originalzeichnungen und Fotos illustriert: Schalen und Visionen trägt dem zunehmenden Interesse am Entwurf und der Konstruktion von Stahlbeton-Freiformschalen Rechnung, das mit dem Aufkommen von 3D-Modellierungs- und Formfindungssoftware einhergeht. Das Buch beschreibt architektonische Entwürfe und praktische Konstruktionsfragen, um zeitgenössische Schalendesigner zu motivieren.Balz' Erfahrung im Umgang mit Schwierigkeiten wie der Unvereinbarkeit mit nicht-strukturellen Merkmalen und dem Einbau von Fenstern in Schalen sowie der Bewertung der langfristigen Leistungsfähigkeit von Gebäuden ermöglicht es den Lesern, leichterzu lernen, wie sie mit solchen Problemen bei ihrer eigenen Arbeit umgehen können.Das Buch stellt Michael Balz vor, seine frühe Arbeit mit anderen Architekten, einschließlich seiner Arbeit an pneumatischen Formen mit Frei Otto, und seine Entwicklung zu einem Vertreter der organischen Architektur. Anschließend werden realisierte Projekte besprochen, darunter das Theater unter den Kuppeln (1976), der Ballettsaal (1979) und das Haus Balz (1981). Wettbewerbe, an denen Balz teilgenommen hat, und nicht realisierte Rohbauprojekte finden ebenfalls Beachtung, ebenso wie seine Arbeiten im städtischen Maßstab, wobei die konzeptionellen Entwürfe für Megastädte im Mittelpunkt stehen. Seine visionären Megastrukturen ermutigen Architekten, angesichts der zunehmenden Urbanisierung innovative Lösungen für den Stadtraum zu finden. Michael Balz: Schalen und Visionen wird für Studenten und Fachleute aus den Bereichen Architektur, Bauingenieurwesen, Bauwesen und Stadtplanung vonInteresse sein. Die Überlegungen zu den kulturellen und kontextuellen Aspekten von Balz' Werk werden dem Architekturhistoriker helfen, seine langfristige Bedeutung zu schätzen.