INSTANT NEW YORK TIMES BESTSELLER "It's never quite the book you think it is. It's better." --Dwight Garner, The New York TimesFrom John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That's what his mother always told him. Years later, he is a true crime writer, with one grisly success--and a movie adaptation--to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell--his closest childhood friend lived there, once upon a time. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle's most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.
Collected and annotated lyrics from one of music's most visionary bards, John Darnielle. A work of rapturous beauty, This Year: 365 Songs Annotated celebrates the creative life and the musical genius of John Darnielle through his most meaningful songs. From his early days recording on a boom box, through the evolution of the Mountain Goats from a solo project to a full band, to his continued influence on indie music, This Year pairs the definitive texts of 365 John Darnielle songs with first-person commentaries on his life and music. These commentaries reveal how the songs came to be and the people who inspired them: his family and friends; his wife, Lalitree Darnielle; his longtime collaborator, Peter Hughes; and even his literary heroes, among many others. Here are the origins of "This Year," "No Children," "The Best Ever Death Metal Band in Denton," and "Up the Wolves," as well as Darnielle's literary influences, including Flannery O'Connor, Jorge Luis Borges, and Stephen King. This Year, spanning decades, becomes the definitive literary record of one of the greatest songwriters and musical creative forces of all time.
From New York Times bestselling author and Mountain Goats' singer/songwriter John Darnielle-"a master at building suspense" (Los Angeles Times)-comes an epic, gripping novel about murder, truth, artistic obsession, and the dangers of storytelling in Devil House.
John Darnielle describes Master of Reality through a fictional character, a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985.John Darnielle describes "Master of Reality" in the voice of a fifteen-year-old boy being held in an adolescent psychiatric centre in southern California in 1985. Adolescents in treatment are often required to keep a journal, and they write letters by the dozens: to their parents, to their friends on the outside, to the nurses who confiscate their belongings, to the teachers back at school who've offered them an outlet for their creativity. Our narrator has arrived in treatment with a Walkman and some tapes that are precious to him, only to have them taken away on the ground that their content is part of his greater problem.His various writings, aimed mainly at getting his tapes and Walkman back, will explain how Black Sabbath differs from their Satan-worshipping popular image, and how Master of Reality is an overtly Christian album, which it is. Our narrator will try to explain Black Sabbath like an emissary from an alien race describing his culture to his captors: passionately, patiently, and lovingly. This album has a genuinely remarkable historical status: as a touchstone for the directionless, and as a common coin for young men and women who felt shut out of the broader cultural economy.It'd be hard to overstate Ozzy Osbourne's totemic status among adolescents in the early eighties. His public image, cobbled together by his audience from occasional mainstream press mentions and niche magazine coverage, made him a nearly perfect sponge for the aggressive feelings of frustrated young men around the world. To this audience, who continue to occupy a an enormous if ghostly position on the margins, the early Black Sabbath albums were accepted classics in a genre whose lack of real status only served to indicate its true value.This, for me, is one of the places where the music does its most interesting work: when it becomes a tool in the hands of its listeners, and when the process of explaining it becomes part of its essence. This was never truer than in the mainstream metal subcultures of the eighties, where album titles served as passwords to a more accepting world. "Master of Reality", from its Christian heart right down to its ultimately incomprehensible title, is the perfect candidate for illuminating these undersung passageways."33 1/3" is a series of short books about a wide variety of albums, by artists ranging from James Brown to the Beastie Boys. Launched in September 2003, the series now contains over 50 titles and is acclaimed and loved by fans, musicians and scholars alike.
Life in a small town takes a dark turn when mysterious footage begins appearing on VHS cassettes at the local Video Hut. So begins Universal Harvester, the haunting and masterfully unsettling new novel from John Darnielle, author of the New York Times Bestseller and National Book Award Nominee Wolf in White Van.A New York Times BestsellerA Finalist for the Locus Award (Best Horror Novel) "A moving, beautifully etched picture of America's lost and profoundly lonely." --Kazuo Ishiguro, author of The Remains of the Day and winner of the 2017 Nobel Prize for Literature "Brilliant . . . Darnielle is a master at building suspense, and his writing is propulsive and urgent; it's nearly impossible to stop reading . . . Universal Harvester is] beyond worthwhile; it's a major work by an author who is quickly becoming one of the brightest stars in American fiction." --Michael Schaub, Los Angeles Times "Grows in menace as the pages stack up . . . But] more sensitive than one would expect from a more traditional tale of dread." --Joe Hill, New York Times Book Review (Editors' Choice) "The most unsettling book I've read since House of Leaves." --Adam Morgan, Electric Literature It's the late '90s, and you can find Jeremy Heldt at the Video Hut in Nevada, Iowa--a small town in the center of the state. The job is good enough for Jeremy, quiet and predictable, and it gets him out of the house, where he lives with his dad and where they both try to avoid missing Mom, who died six years ago in a carwreck. But when a local school teacher comes in to return her copy of Targets--an old movie, starring Boris Karloff--the transaction jolts Jeremy out of his routine. "There's something on it," she says as she leaves the store, though she doesn't elaborate. Two days later, another customer returns another tape, and registers the same odd complaint: "There's another movie on this tape." In Universal Harvester, the once-placid Iowa fields and farmhouses become sinister, imbued with loss and instability and foreboding. As Jeremy and those around him are absorbed into tapes, they become part of another story--one that unfolds years into the past and years into the future, part of an impossible search for something someone once lost that they would do anything to regain.
From John Darnielle, the New York Times bestselling author and the singer-songwriter of the Mountain Goats, comes an epic, gripping novel about murder, truth, and the dangers of storytelling. Gage Chandler is descended from kings. That's what his mother always told him when he was a child. Years later, he is a true crime writer, with one grisly success--and a movie adaptation--to his name, along with a series of subsequent less notable efforts. But now he is being offered the chance for the big break: to move into the house where a pair of briefly notorious murders occurred, apparently the work of disaffected teens during the Satanic Panic of the 1980s. Chandler finds himself in Milpitas, California, a small town whose name rings a bell--his closest childhood friend lived there, once upon a time. He begins his research into the murders with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected--back into his own work and what it means, back to the very core of what he does and who he is. Devil House is John Darnielle's most ambitious work yet, a book that blurs the line between fact and fiction, that combines daring formal experimentation with a spellbinding tale of crime, writing, memory, and artistic obsession.
A terrible event leaves Sean Phillips disfigured when he is only seventeen. In the weeks following the incident he creates an adventure game he calls the 'Trace Italian', where players awake in an apocalyptic America and make their way to safety across an irradiated landscape, decision by difficult decision. The years pass and Sean lives a quiet life enriched by his games. But when a pair of teenage sweethearts try to seek the Trace in the real world their actions prove fatal, and Sean is forced to confront the dangers of his creation and its origins in his own troubled past. A beguiling story of contingency, solitude and escape, Wolf in White Van is a heart-stopping debut from a musician and songwriter known for the transcendent power of his words.
From the cult author of Wolf in White Van comes a horror- infused thriller set in a tiny Midwestern town; Clerks meets Cormac McCarthy. Jeremy works at the counter of Video Hut in Nevada, Iowa. It’s the 1990s, pre-DVD, and the work is predictable and familiar; he likes his boss, and it gets him out of the house. But when a local schoolteacher comes in to return her copy of Targets, she has an odd complaint: ‘There’s something on it,’ she says. Two days later, another customer brings back She’s All That and complains that something is wrong: ‘There’s another movie on this tape.’ Curious, Jeremy takes a look. And what he sees on the videos is so strange and disturbing that it propels him out of his comfortable routine and into a search for the tapes’ creator. As the once-peaceful fields and barns of the Iowa landscape begin to seem sinister and threatening, Jeremy must come to terms with a truth that is as devastatingly sad as it is shocking.
From New York Times bestselling author and Mountain Goats singer/songwriter John Darnielle, an epic, gripping novel about murder, truth, artistic obsession, and the dangers of storytelling. Gage Chandler is a true crime writer, with one grisly success — and movie adaptation — to his name, along with a series of subsequent lesser efforts that have paid the bills but not much more. Now he is being offered the chance for his big break: to move into ‘The Devil House’, in which a briefly notorious pair of murders occurred, apparently the work of disaffected 1980s teens. He begins his research with diligence and enthusiasm, but soon the story leads him into a puzzle he never expected — his own work and what it means, the very core of what he does and who he is.
Collected and annotated lyrics from one of music’s most visionary bards, John Darnielle. A work of rapturous beauty, This Year: 365 Songs Annotated celebrates the creative life and the musical genius of John Darnielle through his most meaningful songs. From his early days recording on a boom box, through the evolution of the Mountain Goats from a solo project to a full band, to his continued influence on indie music, This Year pairs the definitive texts of 365 John Darnielle songs with first-person commentaries on his life and music. These commentaries reveal how the songs came to be and the people who inspired them: his family and friends; his wife, Lalitree Darnielle; his longtime collaborator, Peter Hughes; and even his literary heroes, among many others. Here are the origins of ‘This Year’, ‘No Children’, ‘The Best Ever Death Metal Band in Denton’, and ‘Up the Wolves’, as well as Darnielle’s literary influences, including Flannery O’Connor, Jorge Luis Borges, and Stephen King. This Year, spanning decades, becomes the definitive literary record of one of the greatest songwriters and musical creative forces of all time.
