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25 kirjaa tekijältä John Maddison Morton
Drawing Rooms Second Floor And Attics
John Maddison Morton
Createspace Independent Publishing Platform
2015
nidottu
SCENE FIRST.-Interior of an Attic. Small door at L. flat; small attic window at C., shewing the slanting roof of a house beyond, with two large chimney pots, &c. At the rising of the curtain, PHOEBE is discovered on chair, R., taking down linen, which is hanging up on a line, and depositing it in a clothes basket at her side. PHOEBE. (singing) I'm off to Charlestown early in the morning; I'm off to Charlestown, and little time to stay; Then give my respects to all the pretty yellar girls; I'm off to Charlestown before the break of day. The small door, L. C., opens, and JONATHAN appears-he has a house broom in one hand. JONATHAN. Ah there's my pretty, merry-hearted little bird, chirruping away as usual. PHOEBE. Yes, uncle Jonathan, and now that you are here, you'll help your "little bird" to take down her clothes line, won't you? (gets down) JONATH. Very well; only we must look sharp about it; our drawing rooms and second floor give a party to-night. Dear, dear only to think of the swaps and changes of this mortal life I recollect our drawing rooms and second floor, Mr. Bunny, going about the streets of London, crying, "Hare skins-rabbit skins " PHOEBE. And now he's a retired furrier, with no end of money I only wish I was rich
Reproduction of the original: Woodcock's Little Game by John Maddison Morton
NEW PRINT WITH PROFESSIONAL TYPE-SET IN CONTRAST TO SCANNED PRINTS OFFERED BY OTHERS Box And Cox: A Romance Of Real Life In One Act. This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING
Betsy Baker! or, Too Attentive by Half; A Farce, in One Act
John Maddison Morton
ALPHA EDITION
2021
pokkari
Drawing Rooms, Second Floor, and Attics A Farce, in One Act
John Maddison Morton
ALPHA EDITION
2021
pokkari