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223 kirjaa tekijältä John Richardson

John Richardson

John Richardson

John Richardson; James Reginato

Rizzoli International Publications
2019
sidottu
John Richardson s Bohemian Aristocrat interiors are, and have been throughout his life, filled with fine English and American antiques; interesting textiles; works of art by friends, legendary artists Pablo Picasso, Georges Braque, Lucian Freud, Andy Warhol, and Robert Mapplethorpe; vivid colour combinations; and objects that prompt stories from a well-lived life. From London and the stately buildings of Stowe School, in the idyllic Buckinghamshire countryside, to the south of France, New York City, and the Connecticut countryside, Richardson shares the story of his life through places, objects, and people a form of autobiography, gloriously illustrated, entertainingly told. In stories about his residences in the south of France (at the Chateau de Castille with celebrated art historian and collector Douglas Cooper), London (a set of rooms at the famed Albany apartment house), and the United States (glamorous New York City apartments and a country retreat in Connecticut), Richardson reveals his life through a melange of interesting places, mementoes, works of art, furnishings that prompt stories, and an endlessly fascinating assortment of friends and acquaintances Fernand Leger, Lady Diana Cooper, Fran Lebowitz, and Oscar and Annette de la Renta, to name a few. Essential reading for those interested in twentieth-century art and social history, grandly liveable interiors, and the good life.
The Philosophical Principles of the Science of Brewing; ... by John Richardson. the Second Edition, in a Collected Form
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT018098Reprints, with separate titlepages, of 'Theoretic hints on an improved practice of brewing malt-liquors', first published before 1777, and 'Statical estimates of the materials for brewing', published in 1784.Hull: printed for the Author, and sold by W.T. and J. Richardson, London; T. Browne, Hull; and E. Peck, York, 1798. xxxvii, 1],458, 10]p.plate; 8
Theoretic Hints on an Improved Practice of Brewing Malt-liquors; Including Some Strictures on the Nature and Properties of Water, ... By John Richardson. The Second Edition, Corrected
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++Huntington LibraryN045605With a half-title.London: printed for G. Robinson; J. Wilkie; J. Sewell; C. Elliot, at Edinburgh; J. Williams, at Dublin; and T. White, at Cork, 1777. 4],74p.; 8
Pop's P.O.W. Stories: The Stories of Captain John Richardson during his time of imprisonment as a POW in Italy in WW2
I am very moved by these stories, and not only because they are my father's. They are evidence of the human spirit that refuses to be overcome by circumstances, even though the circumstances may be horrific. In the overview of the facts of his life, you see him heading off to war full of energy and focus, albeit in his case volunteering to undertake any exceptionally dangerous mission as he was unattached and had recently lost both his father and his beautiful home. Like everyone heading off to war, he was completely unaware of what horrors lay in store for him. He was involved in two major evacuations of troops in Greece in the early part of the war when the Allied troops were not doing very well. He suffered the loss of many of his men, which he obviously felt very keenly. A German army unit captured him as a consequence of a demeaning order from his superior. This capture resulted in severe injuries and the loss of his memory. He then spent nearly two years in POW hospitals and camps until he was repatriated and sent back to New Zealand in 1943. Despite all this he was contacted by the resistance while in the prison camps and obviously became active within the network. H Force was the name of this Intelligence Unit, and it covered underground operations in Italy, Greece, Albania, Yugoslavia and Crete. He refused to talk directly about any of this, but there were enough hints to intrigue. In our ever-present quest to define what it is to be "human", I believe these stories of my father make a humble contribution.
The Pseudo-Biography of John Matson

The Pseudo-Biography of John Matson

John Richardson

Lulu.com
2014
nidottu
Torn from his home in the early 20th Century, John Matson must make a new home and a new life 1,000 years in the future. He is a man much more out of place...he's out of time. But rather than settle down and peacefully surrender the rest of his days to a mundane existence, John embarks on an adventure that will take him into the heart of an interstellar war and beyond the borders of our own galaxy.
Nietzsche's Values

Nietzsche's Values

John Richardson

Oxford University Press Inc
2020
sidottu
John Richardson here organizes Nietzsche's thinking around the central and unifying concept of values. Richardson maps in detail Nietzsche's arguments, which crucially distinguish three basic ways of valuing.The first is the valuingNietzsche attributes to all living things, and to us humans in our bodies; Nietzsche insists that we already value in our drives and affects. The second isour distinctively human valuing, which we carry out as subjects and agents; these conscious and worded values are superimposed on those bodily ones, in ways Nietzsche finds deeply problematic. The third is the new way of valuing that Nietzsche offers as his lesson from that diagnosis and critique of our human values; these new values are centered on a universal affirmation or "Yes," epitomized in the thought of eternal return.Each of the book's twelve chaptersexamines a different aspect of one of these ways of valuing, showing the complexity of Nietzsche's thinking on its topic, but also its unity and consistency. Incorporating recent advances in philosophical scholarship on Nietzsche, Richardson's thought-provoking new interpretation will serve as a vital updated reference point for future work.
Nietzsche's System

Nietzsche's System

John Richardson

Oxford University Press Inc
1996
sidottu
This book challenges the popular recent view of Nietzsche as an anti-systematic, anti-traditional thinker, and argues that his work is in fact highly systematic, and therefore congruent with the main traditions of western philosophy.
Nietzsche's System

Nietzsche's System

John Richardson

Oxford University Press Inc
2002
nidottu
This book argues, against recent interpretations, that Nietzsche does in fact have a metaphysical system--but that this is to his credit. Rather than renouncing philosophy's traditional project, he still aspires to find and state essential truths, both descriptive and valuative, about us and the world. These basic thoughts organize and inform everything he writes; by examining them closely we can find the larger structure and unifying sense of his strikingly diverse views. With rigor and conceptual specificity, Richardson examines the will-to-power ontology and maps the values that emerge from it. He also considers the significance of Nietzsche's famous break with Plato--replacing the concept of "being" with that of "becoming." By its conservative method, this book tries to do better justice to the truly radical force of Nietzsche's ideas--to demonstrate more exactly their novelty and interest.
Nietzsche's New Darwinism

Nietzsche's New Darwinism

John Richardson

Oxford University Press Inc
2004
sidottu
Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as mediocre. So most readers of Nietzsche have inferred that he must have cast Darwin quite aside. But in fact, John Richardson argues, Nietzsche was deeply and pervasively influenced by Darwin. He stressed his disagreements, but was silent about several core points he took over from Darwin Moreover, Richardson claims, these Darwinian borrowings were to Nietzsches credit: when we bring them to the surface we discover his positions to be much stronger than we had thought. Even Nietzsches radical innovations are more plausible when we expose their Darwinian ground; we see that they amount to a new Darwinism.
An Eye for Music

An Eye for Music

John Richardson

Oxford University Press Inc
2012
sidottu
The music we hear is always inhabited by voices of previous performances. Because listening is now so often accompanied by moving images, this process is more complex than ever. Music videos, television and film music, interactive video games, and social media are now part of the contemporary listening experience. In An Eye for Music, John Richardson navigates key areas of current thought - from music theory to film theory to cultural theory - to explore what it means that the experience of music is now cinematic, spatial, and visual as much as it is auditory. Richardson maps out the terrain of recent audiovisual production over a wide array of styles and practices, and sketches out a set of common structures that inform how we experience sound and vision. Whether examining Philip Glass or The Gorillaz, Richard Linklater's Waking Life or Michel Gondry's Be Kind Rewind, Richardson's arguments are both fascinating and provocative.
An Eye for Music

An Eye for Music

John Richardson

Oxford University Press Inc
2011
nidottu
The music we hear is always inhabited by voices of previous performances. Because listening is now so often accompanied by moving images, this process is more complex than ever. Music videos, television and film music, interactive video games, and social media are now part of the contemporary listening experience. In An Eye for Music, John Richardson navigates key areas of current thought - from music theory to film theory to cultural theory - to explore what it means that the experience of music is now cinematic, spatial, and visual as much as it is auditory. Richardson maps out the terrain of recent audiovisual production over a wide array of styles and practices, and sketches out a set of common structures that inform how we experience sound and vision. Whether examining Philip Glass or The Gorillaz, Richard Linklater's Waking Life or Michel Gondry's Be Kind Rewind, Richardson's arguments are both fascinating and provocative.
Nietzsche's New Darwinism

Nietzsche's New Darwinism

John Richardson

Oxford University Press Inc
2009
nidottu
Nietzsche wrote in a scientific culture transformed by Darwin. He read extensively in German and British Darwinists, and his own works dealt often with such obvious Darwinian themes as struggle and evolution. Yet most of what Nietzsche said about Darwin was hostile: he sharply attacked many of his ideas, and often slurred Darwin himself as "mediocre." So most readers of Nietzsche have inferred that he must have cast Darwin quite aside. But in fact, John Richardson argues, Nietzsche was deeply and pervasively influenced by Darwin. He stressed his disagreements, but was silent about several core points he took over from Darwin. Moreover, Richardson claims, these Darwinian borrowings were to Nietzsche's credit: when we bring them to the surface we discover his positions to be much stronger than we had thought. Even Nietzsche's radical innovations are more plausible when we expose their Darwinian ground; we see that they amount to a "new Darwinism." The book's four chapters show how four of Nietzsche's most problematic ideas benefit from this Darwinian setting. These are: his claim that life is "will to power," his insistence that his values are "higher" yet also "just his," his disturbing ethics of selfishness and politics of inequality, and his elevation of aesthetic over moral values. Richardson argues that each of these Nietzschean ideas has a clearer and stronger sense when set on the scientific ground he takes from Darwin.
Existential Epistemology

Existential Epistemology

John Richardson

Oxford University Press
1986
sidottu
This study introduces the `existential phenomenology' of Martin Heidegger, and shows how Heidegger's ideas bear on the central problem of epistemology, that of how we can have objective knowledge.
The Sorcerer's Apprentice

The Sorcerer's Apprentice

John Richardson

University of Chicago Press
2001
nidottu
This is John Richardson's memoir of the time he spent living with and learning from the deeply knowledgeable and temperamental art collector, Douglas Cooper. For ten years the two entertained a circle of friends that included Jean Cocteau, W.H. Auden, Tennessee Williams and Pablo Picasso.