Kirjahaku

What choices- creative, practical, and technical- make a movie what it is? Here a gifted writer and filmmaker takes us behind the camera and provides a full description of the movie-making process.When John Sayles turned from writing fiction to making movies, he did so with little help from Hollywood: Return of the Secaucus Seven, Sayles's first movie as director and writer, was produced with 60,000 of his own money. Many films later, he still works outside the studio system and guides every phase of his productions.Now Sayles has written an illuminating book about the complex choices that lie at the heart of every movie. Using the making of his film Matewan as an example, he offers chapters on screenwriting, directing, editing, sound, and more. Photographs, sketches, and the complete shooting script illustrate this engaging account of how Sayles's curiosity about a coal miners'strike in the town of Matewan, West Virginia, became a screenplay- and then a movie.

John Sayleswinner of the John Steinbeck Award and othershas been called the "conscience of the independent film world" and the screenwriter's screenwriter. Silver City and Other Screenplays is a collection of Sayles's greatest work, something that will delight his legion of fans and also aspiring screenwriters and film students who will regard the book as a master class in the art of screenwriting. Silver City and Other Screenplays includes Sayles's most celebrated workincluding Matewan, Return of the Secaucus Seven, Lone Star, and Passion Fish (for which he received an Oscar nomination for Best Screenplay), and his latest film Silver City, a spirited lampoon and a timely, toxic warning about the present state of American democracy.

The filmmaker who made Eight Men Out, Matewan, and Lone Star returns to his first passion with a new collection of twenty-five lyrical, insightful short stories that explore life on the edge of poverty and fame. Original.

The setting is Boston, Fall 1969. Radical groups plot revolution, runaway kids prowl the streets, cops are at their wits end, and work is hard to get, even for hookers. Hobie McNutt, a seventeen year old runaway from West Virginia drifts into a commune of young revolutionaries. It's a warm, dry place, and the girls are very available. But Hobie becomes involved in an increasingly vicious struggle for power in the group, and in the mounting violence of their political actions. His father Hunter, who has been involved in a brave and dangerous campaign to unseat a corrupt union president in the coal miners union, leaves West Virginia to hunt for his runaway son. To make ends meet, he takes day-labor jobs in order to survive while searching for him. Living parallel lives, their destinies ultimately movingly collide in this sprawling classic of radicalism across the generations, in the vein of Pete Hamill, Jimmy Breslin, and Richard Price.

Spanning 13 years, two continents, several wars, and many smoke-filled and bloody battlefields, John Sayles's thrilling historical and cinematic epic invites comparison with Diana Gabaldon, George R. R. Martin, Phillippa Gregory, and Charles Dickens. It begins in the highlands of Scotland in 1746, at the Battle of Culloden, the last desperate stand of the Stuart 'pretender' to the throne of the Three Kingdoms, Bonnie Prince Charlie, and his rabidly loyal supporters. Vanquished with his comrades by the forces of the Hanoverian (and Protestant) British crown, the novel's eponymous hero, Jamie MacGillivray, narrowly escapes a roadside execution only to be recaptured by the victors and shipped to Marshalsea Prison (central to Charles Dickens's Hard Times) where he cheats the hangman a second time before being sentenced to transportation and indentured servitude in colonial America for the term of his natural life. His travels are paralleled by those of Jenny Ferguson, a poor, village girl swept up on false charges by the English and also sent in chains to the New World. The novel follows Jamie and Jenny through servitude, revolt, escape, and romantic entanglements -- pawns in a deadly game. The two continue to cross paths with each other and with some of the leading figures of the era- the devious Lord Lovat, future novelist Henry Fielding, the artist William Hogarth, a young and ambitious George Washington, the doomed General James Wolfe, and the Lenape chief feared throughout the Ohio Valley as Shingas the Terrible.

In Yellow Earth, John Sayles introduces an epic cast of characters, weaving together narratives of competing agendas and worldviews with lyrical dexterity, insight, and wit. When rich layers of shale oil are discovered beneath the town of Yellow Earth, all hell breaks loose. Locals, oil workers, service workers, politicians, law enforcement, and get-rich-quick opportunists—along with an earnest wildlife biologist—commingle and collide as the population of the town triples overnight. Harleigh Killdeer, chairman of the tribal business council of the neighboring Three Nations reservation, entertains visions of "sovereignty by the barrel" and joins forces with a fast-talking entrepreneur. From casino dealers to activists and high school kids, everyone in the region is swept up in the unsparing wave of an oil boom. Sayles’s masterful storytelling draws an arc from the earliest exploitation of this land and its people all the way to twenty-first-century privatization schemes. Through the intertwining lives of its characters, Yellow Earth lays bare how the profit motive erodes human relationships, as well as our living planet. The fate of Yellow Earth serves as a parable for our times.

In Yellow Earth, John Sayles introduces an epic cast of characters, weaving together narratives of competing agendas and worldviews with lyrical dexterity, insight, and wit. When rich layers of shale oil are discovered beneath the town of Yellow Earth, all hell breaks loose. Locals, oil workers, service workers, politicians, law enforcement, and get-rich-quick opportunists—along with an earnest wildlife biologist—commingle and collide as the population of the town triples overnight. Harleigh Killdeer, chairman of the tribal business council of the neighboring Three Nations reservation, entertains visions of "sovereignty by the barrel" and joins forces with a fast-talking entrepreneur. From casino dealers to activists and high school kids, everyone in the region is swept up in the unsparing wave of an oil boom. Sayles’s masterful storytelling draws an arc from the earliest exploitation of this land and its people all the way to twenty-first-century privatization schemes. Through the intertwining lives of its characters, Yellow Earth lays bare how the profit motive erodes human relationships, as well as our living planet. The fate of Yellow Earth serves as a parable for our times.

In the vein of Never Let Me Go and Killers of the Flower Moon, one of America's greatest storytellers sheds light on an American tragedy: the Wounded Knee Massacre, and the 'cultural genocide' experienced by the Native American children at the Carlisle Indian Industrial School . . . In September of 1890, the academic year begins at the Carlisle school -- a military-style boarding school for Indians run by Captain Richard Henry Pratt. Pratt's motto, "Kill the Indian, Save the Man" is enforced in the classroom as well as the dorm rooms: speak English, forget your own language and customs, learn to be white. While the students navigate survival, they hear rumors of a sweeping tribal lands reservations in the west--the "ghost dance," whereby desperate Native Americans engaged in frenzied dancing and chanting hoping it will cause the buffalo will return, the Indian dead to rise, and the white people to disappear. Local whites panic, and the government sends in troops to keep the reservations under control. When legendary medicine man Sitting Bull is killed by native police working for the government troops, each Carlisle resident is faced with the question: Whose side are you on? And what will you risk to gain your freedom?

A New York Times Book Review Editor's Choice 'It gets under the skin of this extraordinary time in a way that few historical novels do. Sayles writes superbly about the confusion of warfare and deals equally well with the horrors of the plantations...This is a first-rate historical novel told with wit, verve and a subtle understanding of the mechanics of the genre.' - The New York Times Book Review "John Sayles is a living master." - Jennifer Haigh, author of Faith Spanning 13 years, two continents, several wars, and many smoke-filled and bloody battlefields, John Sayles's thrilling historical and cinematic epic invites comparison with Diana Gabaldon, George R. R. Martin, Phillippa Gregory, and Charles Dickens. It begins in the highlands of Scotland in 1746, at the Battle of Culloden, the last desperate stand of the Stuart 'pretender' to the throne of the Three Kingdoms, Bonnie Prince Charlie, and his rabidly loyal supporters. Vanquished with his comrades by the forces of the Hanoverian (and Protestant) British crown, the novel's eponymous hero, Jamie MacGillivray, narrowly escapes a roadside execution only to be recaptured by the victors and shipped to Marshalsea Prison (central to Charles Dickens's Hard Times) where he cheats the hangman a second time before being sentenced to transportation and indentured servitude in colonial America "for the term of his natural life." His travels are paralleled by those of Jenny Ferguson, a poor, village girl swept up on false charges by the English and also sent in chains to the New World. The novel follows Jamie and Jenny through servitude, revolt, escape, and romantic entanglements -- pawns in a deadly game. The two continue to cross paths with each other and with some of the leading figures of the era- the devious Lord Lovat, future novelist Henry Fielding, the artist William Hogarth, a young and ambitious George Washington, the doomed General James Wolfe, and the Lenape chief feared throughout the Ohio Valley as Shingas the Terrible. A DELUXE EDITION with a brilliant design. 700 PAGES of a thrilling, historical, and cinematic epic

Now in paperback: in the vein of Killers of the Flower Moon, one of America's greatest storytellers sheds light on an American tragedy: the Wounded Knee Massacre, and the 'cultural genocide' experienced by the Native American children at the Carlisle Indian Industrial School . . . In September of 1890, the academic year begins at the Carlisle School, a military-style boarding school for Indians in Pennsylvania, founded and run by Captain Richard Henry Pratt. Pratt considers himself a champion of Native Americans. His motto, "To save the man, we must kill the Indian," is severely enforced in both classroom and dormitory: Speak only English, forget your own language and customs, learn to be white. As the young students navigate surviving the school, they begin to hear rumors of a "ghost dance" amongst the tribes of the west--a ceremonial dance aimed at restoring the Native People to power, and running the invaders off their land. As the hope and promise of the ghost dance sweeps across the Great Plains, cynical newspapers seize upon the story to whip up panic among local whites. The US government responds by deploying troops onto lands that had been granted to the Indians. It is an act that seems certain to end in slaughter. As news of these developments reaches Carlisle, each student, no matter what their tribe, must make a choice: to follow the white man's path, or be true to their own way of life . . .

From the Oscar-nominated filmmaker comes a complex and sweeping historical novel about Henry Ford -- the Elon Musk of his day -- and the violent rise of the Ford Motor Company in 1920-30's Detroit, featuring strikes, riots, misbegotten jungle expeditions, and the story behind Ford's private army . . . As the Depression hits Detroit, Henry Ford -- who doesn't like change -- finds himself having to confront the crash of the economy, which he blames on the Jews. But his mass firings and severe salary reductions lead to an uproar, including massive hunger protests at the factory. It also heightens ethnic tension in the city, because Ford, who resisted hiring African-Americans in the first place, lays them all off first. Can his private army -- consisting of ex-cons and gangsters from the Chicago Mob -- keep things under control? And what about the rubber plantation he's trying to build in the Amazon rainforest of Brazil, so that he can wrest control of the rubber industry for tires? It's off to a disastrous start, with a food riot by the indigenous employees that led to Ford having to borrow the Brazilian army. There also seems to be a blight affecting the thousands of newly planted rubber trees . . . John Sayles presents this epic saga with a cast of characters featuring many of the real historical figures involved, including fascinating character studies of Henry Ford, his beleaguered son Edsel, the ex-cop running Ford's huge, private "security" force, Harry Bennett, and appearances by union leader Walter Reuther and boxer Joe Louis. It is also a stirring portrayal of the people who toiled in the hyper-monotonous jobs of the factories in Detroit and the Brazilian plantation. Piercing the image of one of our most vaunted historical figures, and bringing forth the brave and inspiring story of the people who actually built Ford's empire, Crucible is the kind of griping, revealing look at the American character that John Sayles has become famous for.

The rules of practice in the civil courts of record of the state of Texas - Third Edition, Vol. 2 is an unchanged, high-quality reprint of the original edition of 1896. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.