Kirjahaku

In 1928 Leos Janácek completed 'Intimate Letters', his String Quartet No. 2, just a few months before he died at the age of seventy-four. This work encapsulated musically all his passionate feelings about Kamila Stösslová, the married woman nearly forty years his junior to whom Janácek had written hundreds of letters in the past decade.John Tyrrell has compiled and translated a selection of these letters and presents them together with some mostly unknown photographs, a decoding of the erotic references in the letters and a diary of the couple's meetings.The result is a remarkable book which illuminates the inner life of one of the greatest opera composers of the twentieth century.

One of the most original and engaging composers of the twentieth century, Leos Janacek is now regarded as one of its major musical dramatists. His operas have become a regular part of the repertory, but a full understanding of their diverse subjects and backgrounds has been hampered by the lack of source materials in English. John Tyrrell has here selected and translated the chief literary documents relating to the genesis and early performances of each of the composer's nine operas and presented them in the form of a compelling documentary narrative. Janacek was a vigorous letter-writer and kept every letter he received. A vast quantity of material on his life has survived, providing a unique insight into his working methods and attitudes toward his operas. Scrupulously translated and annotated, the sources in this volume have not previously been brought together in this way. Some have appeared in scattered and often inaccessible publications in Czech, and others, such as the sequence of daily letters that Janacek wrote to his wife during the rehearsals for the Prague premiere of Jenufa, or his instructions to his librettist for Fate, have never been published before.The book is complemented by a chronology of Janacek's operas keyed to the numbered documents in each chapter, a bibliography, and a list of sources. Drawing on twenty-five years of work at the Janacek archive in Brno, this work is a classic of music documentary scholarship. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

One of the most original and engaging composers of the twentieth century, Leos Janacek is now regarded as one of its major musical dramatists. His operas have become a regular part of the repertory, but a full understanding of their diverse subjects and backgrounds has been hampered by the lack of source materials in English. John Tyrrell has here selected and translated the chief literary documents relating to the genesis and early performances of each of the composer's nine operas and presented them in the form of a compelling documentary narrative. Janacek was a vigorous letter-writer and kept every letter he received. A vast quantity of material on his life has survived, providing a unique insight into his working methods and attitudes toward his operas. Scrupulously translated and annotated, the sources in this volume have not previously been brought together in this way. Some have appeared in scattered and often inaccessible publications in Czech, and others, such as the sequence of daily letters that Janacek wrote to his wife during the rehearsals for the Prague premiere of Jenufa, or his instructions to his librettist for Fate, have never been published before.The book is complemented by a chronology of Janacek's operas keyed to the numbered documents in each chapter, a bibliography, and a list of sources. Drawing on twenty-five years of work at the Janacek archive in Brno, this work is a classic of music documentary scholarship. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

People living in Ireland do not expect to encounter a tornado. But, why not? They have been part of the Irish climate and have tracked across the land for hundreds of years. Indeed, during the last three decades they have visited every county in Ireland. This book traces how for centuries there was not the vocabulary to record them in a way we would recognise them today. In retrieving these records new insights emerge into both the written historical record and phrases used in our contemporary accounts. It introduces those conditions in Ireland favourable for tornadoes and waterspouts. Being localised phenomena they are ill suited for capture by the meteorological network, which was designed for quite different purposes. Instead, building a database for recent years has been achieved from reports by numerous weather enthusiasts, followed by site investigations to confirm and characterise them. Many such case studies are presented from all over Ireland. Today, increasing attention is being placed upon severe weather events and their impacts. A chronology for recent decades shows that tornadoes in Ireland occur every year and may occur in any season, but no one year is typical. In addition, the vulnerability of people, built structures and aspects of the environment are explored. Potentially, they are vulnerable at any time of year and anywhere in Ireland. Finally, international comparisons show that the experience in Ireland is not so dissimilar to elsewhere. In particular, comparisons are made with data for the USA and the rest of Europe.