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5 kirjaa tekijältä John Whale

John Keats

John Keats

John Whale

Red Globe Press
2004
sidottu
This book offers an exciting reassessment of Keats with particular emphasis on gender identity and sexuality. Traditionally, Keats has been more readily associated with the 'feminine' than any other canonical male English poet. This feminization was always likely, given his tragically early death and the mythologizing which took place soon after. In contrast, John Whale explores Keats's writings from the perspective of masculinity and gender by placing them in the context of contemporary friendship groupings and coterie relationships. Whale addresses all the major poems and gives due prominence to the letters. In so doing, he offers a new understanding of Keats's exploration of poetry, gender and desire, and provides an extended analysis of Keats's quest for poetic fame in the face of the often conflicting forces of love and sexuality.Clear, concise and insightful, this is an essential guide to one of the best-known Romantic poets.
John Keats

John Keats

John Whale

Red Globe Press
2004
nidottu
This book offers an exciting reassessment of Keats with particular emphasis on gender identity and sexuality. Traditionally, Keats has been more readily associated with the 'feminine' than any other canonical male English poet. This feminization was always likely, given his tragically early death and the mythologizing which took place soon after. In contrast, John Whale explores Keats's writings from the perspective of masculinity and gender by placing them in the context of contemporary friendship groupings and coterie relationships. Whale addresses all the major poems and gives due prominence to the letters. In so doing, he offers a new understanding of Keats's exploration of poetry, gender and desire, and provides an extended analysis of Keats's quest for poetic fame in the face of the often conflicting forces of love and sexuality.Clear, concise and insightful, this is an essential guide to one of the best-known Romantic poets.
Imagination under Pressure, 1789–1832

Imagination under Pressure, 1789–1832

John Whale

Cambridge University Press
2005
pokkari
This ambitious study, first published in 2000, offers a radical reassessment of one of the most important concepts of the Romantic period - the imagination. In contrast to traditional accounts, John Whale locates the Romantic imagination within the period's lively and often antagonistic polemics on aesthetics and politics. In particular he focuses on the different versions of imagination produced within British writing in response to the cultural crises of the French Revolution and the ideology of utilitarianism. Through detailed analysis of key texts by Burke, Paine, Wollstonecraft, Bentham, Hazlitt, Cobbett and Coleridge, Imagination under Pressure seeks to restore the role of imagination as a more positive force within cultural critique. The book concludes with a chapter on the afterlife of the Coleridgean imagination in the work of John Stuart Mill and I. A. Richards. As a whole it represents a timely and inventive contribution to the ongoing redefinition of Romantic literary and political culture.
Imagination under Pressure, 1789–1832

Imagination under Pressure, 1789–1832

John Whale

Cambridge University Press
2000
sidottu
This ambitious study, first published in 2000, offers a radical reassessment of one of the most important concepts of the Romantic period - the imagination. In contrast to traditional accounts, John Whale locates the Romantic imagination within the period's lively and often antagonistic polemics on aesthetics and politics. In particular he focuses on the different versions of imagination produced within British writing in response to the cultural crises of the French Revolution and the ideology of utilitarianism. Through detailed analysis of key texts by Burke, Paine, Wollstonecraft, Bentham, Hazlitt, Cobbett and Coleridge, Imagination under Pressure seeks to restore the role of imagination as a more positive force within cultural critique. The book concludes with a chapter on the afterlife of the Coleridgean imagination in the work of John Stuart Mill and I. A. Richards. As a whole it represents a timely and inventive contribution to the ongoing redefinition of Romantic literary and political culture.