Kirjahaku

In this stimulating book, a leading authority on the Spanish master Diego Velázquez discusses this enigmatic artist and explores the mysteries presented by his paintings. The essays collected here, written over the course of Jonathan Brown’s distinguished career, include some which are published in English for the first time and one which has never before been published. Two themes unite them. The first concerns the changing relationship between Velázquez and his patron Philip IV, which provides a framework for Brown to interpret the painter’s career. The centerpiece of this relationship is Veláquez’s masterpiece, Las Meninas, and this painting is the subject of two essays. The second theme is the problem of attributions and the related issue of Velázquez’s innovative technique. Since Velázquez was not a prolific painter, questions of authenticity become increasingly contentious. Brown considers this matter in its widest dimensions and participates in the debate about individual attributions. Distributed for the Centro de Estudios Europa Hispánica

The first comprehensive discography on one of Wagner's music dramas, this volume lists all complete performance recordings, all major selections recorded, and hundreds of individually-recorded excerpts, both vocal, and instrumental, from the earliest acoustic recordings to recent laser discs. Many excerpts have never appeared in discographies or other works on Wagner, and pirate recordings have been identified. Precise information is given as to date and place of recording and record numbers as well as performers, choruses, orchestras, and conductors. Musical incipits introduce each excerpt. The index provides access to more than 230 singers of the principal roles and over 130 conductors. A lengthy introduction provides a lively and provocative commentary on the recordings.Written in Australia where Parsifal has never been fully staged, the discography was researched in major libraries and archives of Europe and the United States as well as old record shops in New York, London, Paris, and Sydney. The result is an important resource for the discographer and record collector, the student of opera and vocal art, and all lovers of Wagner in performance.

This critical discography of Wagner's Tristan und Isolde opens with an introduction that illustrates the challenges the opera poses to performers. The discography lists all complete recordings, all major selections, and hundreds of individually recorded vocal and instrumental excerpts from 1901 to 1999. Information was researched in major public collections and libraries in France, the United Kingdom, and the United States. Pirate recordings and fictitious conductors are identified, and an extensive list of arrangements from the opera, ranging from piano to jazz ensemble, and a list of performances on video are included.This unique discography will appeal to Wagnerian scholars, opera fans, and record collectors. Of special interest is a listing of the timings of complete performances, including some early Bayreuth performances not on disc and more than 200 recordings of the Prelude and arrangements of the Liebestod.

Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velazquez, Zurbaran's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdes Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.

A vivid and exciting account of royal collectors, art dealers, connoisseurs, and the rise of old master paintingsOld master paintings are among the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In Kings and Connoisseurs, Jonathan Brown tells the story of how painting rose to this exalted status. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. By comparing collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue.

With world markets upset and economies in recession, the 1920s and '30s were not an easy time for farmers, who required great resilience to survive. Jonathan Brown here examines the challenges that farmers faced and the ways in which they responded. Some turned to new crops, with new markets emerging for sugar beet, eggs, milk and pork. Some used tractors and other machines to increase productivity, and the motor car and lorry opened up new possibilities for bringing produce to market. It was hard work whichever direction was taken, but the effects of these innovations was undeniably beneficial and the farming landscape was transformed from what it had been in Victorian and Edwardian times.

The old-time shepherd – lamb in one hand, crook in the other – is an emblem of sturdiness, dependability and independence. He was one of the most important men on the farm, responsible for the care and well-being of the flock, with which he might need to spend days and nights out in open pastures. How did he manage his charges and his own life? What skills and equipment did he use? How did sheep farming change in the nineteenth and twentieth centuries, and what effect did those changes have on the shepherd’s work? These are some of the questions considered by this fully illustrated exploration of shepherding life.

A breathtaking ride through the history of cycling in Yorkshire The UK's growing obsession with two wheels is well fed in this outstanding book by Jonathan Brown - the man on the press bike.

"A must-read for children of all ages "--Marie"Finally, another intriguing teaching story with biblical practices for kids "--Karen M.This book comprises good teaching moments that Jonathan was taught at an early age. Jonathan remembers that, as he gets older, he must not forget some essential teachings in his everyday life about God. In this book, there are thought-provoking ideas and situations that will captivate the target audience. This book targets elementary-age children and younger. The style of this book will benefit all Christian households because it implements Christian practices. Parents are also reminded to continue teaching their children about God daily.Do you have teachings that you were taught that you must not forget?Will you remember to be kind and love everyone?Join Jonathan on his adventure through his godly thoughts of what he must not forget

This book is a collection of stories on family, life and values. It begins with a story of the author's namesake, who came to California in 1849, in pursuit of happiness. The middle section is about a range of events in life. The final section is about beliefs - which helped guide the author's actions. The chapters tell individual stories but when read as a whole you will recognize a life full of experiences - some important, some not so much; but all comfortably wrapped in humor. Eclectic? You bet. Boring, no. The author recognizes that some people who participated in the events described in the book will remember things differently. That's OK with him. Memoirs are perceptions and not necessarily precise. The author asks readers who want 100% accuracy to write their own book.

This book is a collection of stories on family, life and values. It begins with a story of the author's namesake, who came to California in 1849, in pursuit of happiness. The middle section is about a range of events in life. The final section is about beliefs - which helped guide the author's actions. The chapters tell individual stories but when read as a whole you will recognize a life full of experiences - some important, some not so much; but all comfortably wrapped in humor. Eclectic? You bet. Boring, no. The author recognizes that some people who participated in the events described in the book will remember things differently. That's OK with him. Memoirs are perceptions and not necessarily precise. The author asks readers who want 100% accuracy to write their own book.

Chloe can't wait to get out of Dodge, which in her case is Bucksville, California. She's tired of high school, small-town gossip, and most of all looking after her alcoholic mother.Chloe is tough, a straight-A student with a deadly penchant for knife throwing. She's all set to fly to worlds beyond when four bad actors come to town with bad intentions for the sheriff, Jim Boulder. Chloe's fiercely protective of her sheriff. Her attempt to offer help soon puts her in the crosshairs of the bad guys who've come fully locked, loaded, and looking for blood. Chloe should leave law enforcement to the professionals and focus on caring for her mother. Or she should hop on a plane and start her new life. She knows this. But Chloe fights for what she believes is right, even if it might kill her.That's Chloe.

Scotland does not have a ‘law of contract’, as most comparable jurisdictions do, but rather – due in large part to the intellectual innovations of Viscount Stair – possesses a unitary ‘law of voluntary obligations’, of which contracts form but a part. This fact is highly significant, but is frequently overlooked. Indeed, the significance of this has even been overlooked by the Scottish Law Commission, who have recently proposed to significantly reform the ‘law of contract’ in Scotland by urging the passing of a statute which, among other things, would abolish the so-called ‘postal acceptance rule’. This short book takes the view that the proposed reforms are wrongheaded and would be deleterious to the coherence of the Scottish legal framework. To that end, it examines the taxonomy of obligations pioneered by Stair, indicates that the application of that taxonomy to situations such as the process of contracting by distance suggests that there is in fact no ‘postal acceptance rule’ in this jurisdiction and suggests, in light of this, that reform of ‘contracts’ and the formation of, in Scotland, is better left to the courts and jurists than to the Scottish Parliament (or, for that matter, Westminster).

The sight of the watermill is evocative of rural Britain - the wheel turning gently to grind corn. However, that is only part of the story of the harnessing of the power of water, a story that extends back 2000 years and is still far from over, as this invaluable book shows.

To train the greatest, he had to be the greatest. On the streets of South Philly, Angelo Dundee learned what it took to survive-a sense of purpose, a clear head, and sometimes . . . a powerful right uppercut. For the boxing legends of our time, including Muhammad Ali and Sugar Ray Leonard, there was no one else they wanted in their corner.