Kirjahaku

An exciting and richly illustrated book presenting an accessible survey of Christo and Jeanne-Claude’s career and celebrates the long-awaited Gates project for Central Park, New York City Christo and Jeanne-Claude are renowned for their dramatic and innovative public projects. Their installations often feature fabric—sometimes wrapped around existing structures or used to create large-scale temporary environments. Some of their most influential projects include Running Fence inSonoma and Marin Counties, California, Surrounded Islands inMiami, the Pont Neuf Wrapped in Paris,the Wrapped Reichstag inBerlin, and The Umbrellas simultaneouslyin Japan and California. Now New York City, where they have lived and worked for forty years, will be the site for a much-anticipated Christo and Jeanne-Claude project. The Gates willconsist of saffron-colored fabric panels suspended from the horizontal tops of over 7,500 sixteen-foot-tall vinyl gates, positioned at regular intervals throughout 23 miles of walkways of Central Park. The installation will be on view for sixteen days, beginning February 12, 2005 (weather permitting). This book, published in conjunction with a major exhibition that opens in April 2004 at The Metropolitan Museum of Art, celebrates the culmination of the artists’ vision for The Gates, a project that began in 1979. It includes an illustrated introduction by Jonathan Fineberg that surveys the career of Christo and Jeanne-Claude and assesses their contribution to contemporary art and culture. The heart of the book consists of beautiful reproductions of the various preparatory collages and drawings that Christo has created for The Gates project, many of which have not been previously published, and detailed documentation of the personalities and events that have led up to the project. This volume also features four highly engaging, unpublished interviews conducted by Fineberg with the artists, from the 1970s to a recent interview in July 2003. Published in association with The Metropolitan Museum of Art

Alice Aycock (b. 1946) emerged onto the New York art scene in the 1970s and is best known for her large-scale public sculptures that often combine an industrial appearance with references to weightlessness as well as to science and cosmology. Aycock also has embraced the practice of drawing throughout her enormously productive career. Alice Aycock: Drawings is the first exploration of her spectacular drawings, which include elements of mirage, fantasy, and science, and evoke both abstract thinking and bodily sensation. The works on paper featured in this handsome volume highlight the major themes that have governed her artistic practice: the role of architecture as a founding point of reference; the importance of mechanics and structure; and references to nature. As author Jonathan Fineberg demonstrates, Aycock is an artist who thinks on paper. Her works are often equal parts engineering plan and science fiction imagining. Visualizing such contradictions allows us to, in her words, transport ourselves “farther into another place.”Distributed for the Parrish Art MuseumExhibition Schedule:Grey Art Gallery, New York University(04/21/13–07/13/13)Parrish Art Museum(04/21/13–07/14/13)Santa Barbara Museum of Art(01/25/14–04/19/14)University Art Museum, UC Santa Barbara(01/25/14–04/19/14)

Back in print in an expanded edition, this richly illustrated survey of Christo and Jeanne-Claude’s entire career is timed to celebrate the twentieth anniversary of their acclaimed Gates project Christo (1935–2020) and Jeanne-Claude’s (1935–2009) landscape-scaled, outdoor projects were astounding temporary works of art in public settings that captured headlines across the globe. For sixteen days in February of 2005, their most celebrated installation, The Gates—7,500 saffron-colored fabric panels suspended from the tops of vinyl gates—stood along 23 miles of walkways in New York City’s Central Park. This book celebrates the twentieth anniversary of The Gates with photographs of their installation alongside reproductions of the preparatory drawings that Christo created as he planned the project. An essay by Jonathan Fineberg surveys the career of Christo and Jeanne-Claude and their life journey through projects such as Surrounded Islands in Miami, The Umbrellas in Japan and California, Wrapped Reichstag in Berlin, and many more. This expanded edition also includes an epilogue that considers the artists’ works after The Gates—including Floating Piers in Italy and L’Arc de Triomphe, Wrapped in Paris—and a 2017 interview Fineberg conducted with Christo, one of the artist’s last. This new edition is published on the occasion of two documentation exhibitions, curated by the artists in their lifetimes and presented to the public as the artists wanted them to be seen. Exhibition Schedule: Christo and Jeanne-Claude: The Gates and Unrealized Projects for New York CityThe Shed, New York (February 12–March 23, 2025) Surrounded Islands Documentation ExhibitionNSU Art Museum, Fort Lauderdale (Opens February 23, 2025)

The first major book to consider the life and work of Robert Arneson, "A Troublesome Subject" tells the fascinating story of how a high school art teacher transformed himself into an artist of international stature and ambition. Representing the full scope of Arneson's career in a rich survey of color reproductions, this book is at once a study of the trajectory of contemporary culture, the work of Robert Arneson, and the relationship between the two. It shows how Arneson's work articulated the crisis of narcissism that has defined American culture since 1970. Jonathan Fineberg develops his ongoing work toward a psychosocial history of art as he proceeds through Arneson's career - chronicling his early life, the formation of a personal style, and finding a unique subject matter in his famous post - 1970 turn to self-portraiture.