Kirjahaku

In the chaos of the English Civil War and Puritan Commonwealth, churches were defaced and organs broken, but the tradition of fine music survived. When Charles II returned from exile in 1660, one of the first things he demanded was music, sacred and profane, anthems and motets, pavannes and gavottes. In 1659 Henry Purcell was born, and his genius would give the period and nation an unforgettable voice.Jonathan Keates traces Purcell's development against the turbulent movements of his time - political, religious, theatrical and social. He shows him growing up in the shadow of Westminster Abbey and follows him as a chorister in the Chapel Royal, copying the innovative and colourful style of Matthew Locke; beginning to composer for the theatre, and for State occasions; writing his great settings of sacred music, his chamber sonatas, and his triumphant Dido and Aeneas, the first British opera.In the background are the heady politics of Restoration England, which expelled the Stuart James II and brought William and Mary to the throne. But almost more important is the rich musical history, the influence of French and Italian composers, blending with and modifying the native tradition. We know and love Purcell through his work; his songs were sung in taverns, his psalms in churches; he was urbane and witty, impassioned and profound.This engrossing biography is as remarkable for its sensitive critical appreciation of Purcell's music, in all its forms, as it is for its vivid portrait of the man, and the boisterous age in which he lived.

On the evening of 22 March 1842, Henri Marie Beyle collapsed on a Parisian pavement and died a few hours later. In death, as in his life, the writer we now know as Stendhal remained ignored and underestimated by his contemporaries.Why this should be is explored by the award-winning writer, Jonathan Keates, in this major biography. Taking us from Stendhal's childhood in Grenoble through his varied careers to his death at fifty-nine, Keates examines the author's personal life, his many friendships and his work.'Exact and illuminating ... Keates, like his subject, loves Italy and music and he loves Stendhal wisely and not too well. He is clear-eyed in appraising his faults.' Sunday TimesJonathan Keates manages to transmit both his own enthusiasm for his subject, and Stendhal's own enthusiasm for varied experience.' Independent'Keates proves to be an alarmingly erudite guide.' Sunday Telegraph'Keates has captured the historical sweep of his career and has a sure feel for the social milieux in which Stendhal lived ... A biography of admirable pace and geniality.' Evening Standard

Massacre and revolution in the mountains of Calabria, passion and betrayal in a Venetian opera house, a web of baffled desire spun during a summer in Verona, a world where exile kills more swiftly than death itself, where innocence becomes a lethal weapon, where lies are saving graces - this is the brittle, bizarre and menacing background to Allegro Postillions.Jonathan Keates's prize-winning collection gathers together four stories of haunting and magnetic brilliance set in 19th-century Italy, a war-torn, emerging nation of secrets and enigmas, of sudden violence and muted anguish, a land where the sought-after beauties of art clash with the unavoidable truth of life as it is lived.'Keates's florid tales of revolution and love, passion and exile, innocence and death create a highly charged atmosphere ... an exciting, adventurous book.' Sunday Times'A dream object ... pre-eminently, wonderfully solid and [it] has the aura of palpable accomplishment ... a virtuoso performance.' Literary Review'Morn Advancing ...alone justifies this book, and leaves an imprint on the memory like a Breughel landscape.' Times Literary Supplement'Clever and extremely stylish.' Daily Telegraph

The siege of Venice, in 1848, is one of history's most thrilling and tragic episodes. Focusing on it, this book presents a story that embraces the wider world of the revolutionary Italy of Garibaldi, Mazzini, and Pope Pius IX, its battles, its dreams, and its wild zigzags between hope and despair.

In 1741, in just 24 days, the German-born, British-naturalized composer George Frideric Handel wrote an oratorio rich in tuneful arias and choruses of robust grandeur. Coolly received in London at first, after Handel's death Messiah enjoyed an extraordinary surge in popularity: it was performed at festivals across England; other composers rushed to rearrange it; it would be commercially recorded on more than 100 occasions. Jonathan Keates tells the story of the composition and musical afterlife of Handel's masterpiece: he considers the first performances and its place in Handel's output; he looks at the oratorio itself and its relationship with spirituality in the age of the Enlightenment; and he examines why Messiah became such an essential element in the national culture of Britain. Illustrated with beautiful images, including the original score of the work, Messiah is a richly informative and affectionate celebration of a high-point of Britain's Georgian golden age.

‘Everything about Venice,’ observed Lord Byron, ‘is, or was, extraordinary – her aspect is like a dream, and her history is like a romance.’ Dream and romance have conditioned myriad encounters with Venice across the centuries, but the city’s story embodies the hard reality of an independent state built on conquest, profit and entitlement and on the toughness and resilience of a free people.In this new study of key moments in Venice’s history, from its half-legendary founding amid the collapse of the Roman empire to its modern survival as a fragile city of the arts menaced by saturation tourism and rising sea levels, Jonathan Keates shows us just how much this remarkable place has contributed to world culture and explains how it endures as an object of desire and inspiration for so many.

Jonathan Keates original biography of Handel was hailed as a masterpiece on its publication in 1985. This fully revised and updated new edition - published to commemorate the 250th anniversary of the composers death - charts in detail Handel's life, from his youth in Germany, through his brilliantly successful Italian sojourn, to the opulence and squalor of Georgian London where he made his permanent home. For over two decades Handel was absorbed in London's heady but precarious operatic world. But even his phenomenal energy and determination could not overcome the public's growing indifference to Italian opera in the 1730s, and he turned finally to oratorio, a genre which he made peculiarly his own and in which he created some of his finest works, such as Saul, Messiah, Belshazzar and Jephtha.Over the last two decades a complete revolution in Handel's status has taken place. He is now seen both as a titanic figure in music, whose compositions have found a permanent place in the international repertoire, and as one of the world's favourite composers, with snatches of his work accompanying weddings, funerals and television commercials the world over.Skillfully interwoven with the account of Handel's life are commentaries on all his major works, as well as many less familiar pieces by this most inventive, expressive and captivating of composers. Handel was an extraordinary genius whose career abounded in reversals that would have crushed anyone with less resilience and will power, and Jonathan Keates writes about his life and work with sympathy and scrutiny.