Kirjahaku

The books in the Florida and the Caribbean Open Books Series demonstrate the University Press of Florida’s long history of publishing Latin American and Caribbean studies titles that connect in and through Florida, highlighting the connections between the Sunshine State and its neighboring islands. Books in this series show how early explorers found and settled Florida and the Caribbean. They tell the tales of early pioneers, both foreign and domestic. They examine topics critical to the area such as travel, migration, economic opportunity, and tourism. They look at the growth of Florida and the Caribbean and the attendant pressures on the environment, culture, urban development, and the movement of peoples, both forced and voluntary. The Florida and the Caribbean Open Books Series gathers the rich data available in these architectural, archaeological, cultural, and historical works, as well as the travelogues and naturalists’ sketches of the area in prior to the twentieth century, making it accessible for scholars and the general public alike. The Florida and the Caribbean Open Books Series is made possible through a grant from the National Endowment for the Humanities and the Andrew W. Mellon Foundation, under the Humanities Open Books program.

'A thrilling and ground-breaking account' - Eye-Spy MagazineAs the war in Europe entered its final months, the world teetered on the edge of a Third World War. While Soviet forces hammered their way into Berlin, Churchill ordered British military planners to prepare the top secret Operation Unthinkable - the plan for an Allied attack on the Soviet Union - on 1 July 1945. Using US, British and Polish forces, the invasion would reclaim Eastern Europe. The controversial plan called for the use of Nazi troops, and there was the spectre of the atomic bomb. Would yet another army make the fatal mistake of heading East?In Churchill’s Third World War Jonathan Walker presents a haunting study of the war that so nearly was. He outlines the motivations behind Churchill’s plan, the logistics of launching a vast assault against an enemy who had bested Hitler, potential sabotage by Polish communists, and he speculates whether the Allies would have succeeded had the operation gone forward.Well supported by a wide range of primary sources from the Churchill Archives Centre, Sikorski Institute, National Archives and Imperial War Museum, this is a fascinating insight into the upheaval as the Second World War drew to a close and former alliances were shattered. Operation Unthinkable became the blueprint for the Cold War.

Poland was the 'tripwire' that brought Britain into the Second World War, but it was largely the fear of the new Nazi-Soviet Pact rather than the cementing of an old relationship that created the formal alliance. But neither Britain, nor Poland's older ally, France, had the material means to prevent Poland being overrun in 1939. The broadcast, 'Poland is no longer alone' had a distinctly hollow ring. During the next four years the Polish Government in exile and armed forces made a significant contribution to the allied war effort; in return the Polish Home Army received a paltry 600 tons of supplies.Poland Alone focuses on the bloody Warsaw Uprising of 1944, when the Polish Resistance attempted to gain control of their city from the German Army. They expected help from the Allies but received none, and they were left helpless as the Russians moved in. The War ended with over five million Poles dead, three million of whom died in the concentration camps.Jonathan Walker examines whether Britain could have done more to save the Polish people in their crisis year of 1944, dealing with many different aspects such as the actions of the RAF and SOE, the role of Polish Couriers, the failure of British Intelligence and the culpability of the British Press.

‘The Blue Beast’—Edwardian slang for sexual passion—is the true account of the intimate lives of three extraordinary Edwardian women. Drawing on private family archives and highly revealing letters and diaries, the story examines how they became mistresses or confidantes of some of the most powerful men in Britain, men who profoundly affected the Empire’s efforts in the First World War. The wealthy and voluptuous American adventuress, Emilie Grigsby, claimed she was the ‘mascot of High Command’ – and not without good reason. She courted the press baron Lord Northcliffe, the philandering Quartermaster-General, Sir John Cowans and The Times military correspondent, Colonel Charles Repington, all of whom fell under her spell. It was manipulation on an ambitious scale, although eventually her schemes unravelled. Meanwhile, the sensuous and statuesque Winifred ‘Wendy’ Bennett launched into a passionate affair with the Commander-in-Chief, Field Marshal Sir John French. ‘The ‘Blue Beast’ uncovers how they conducted their relationship, whilst French wrestled with crisis after crisis to keep command of a vast army on the Western Front. Finally, the strong-willed and aristocratic Hon. Sylvia Henley replaced her sister Venetia Stanley as the close confidante of Prime Minister Asquith. It brought her great influence; but it was no compensation for the personal heartache that followed. Taking the reader on a journey into London’s High Society during the glittering Edwardian era and the tumult of the Great War, Jonathan Walker uncovers a story of power, passion and betrayal.

The year is 1622. Anxiety is high in the city of Venice. Rumors of treason flourish. The noble Antonio Foscarini stands accused and pays the ultimate price. Gerolamo Vano, General of Spies, provides the evidence. But who is really guilty? By the end of the year, Vano is swinging from the gallows in Piazza San Marco, while Foscarini is absolved posthumously. Pistols! Treason! Murder! uncovers the shadowy world of seventeenth-century espionage and the truth behind the most infamous miscarriage of justice in the history of Venice. Including vividly illustrated comic strips, accounts of the author's bar tour around contemporary Venice, and painstaking detective work, Jonathan Walker's story of the rise and fall of a master spy is compelling and highly original. In untangling the career of the master spy Vano, Walker invites the reader into the historian's task of piecing together evidence from incomplete archival sources, making sense of motives, coming to terms with the story, and knowing when the job is done. Aspiring historians will find the methods Walker used to uncover this fascinating story invaluable in their own historical quests.

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage.Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama.Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.

Site Unscene: The Offstage in English Renaissance Drama explores the key role of dramatic episodes that occur offstage and beyond the knowledge-generating faculty of playgoers’ sight. Does Ophelia drown? Is Desdemona unfaithful to Othello? Does Macbeth murder Duncan in his sleep? Site Unscene considers how the drama’s nonvisible and eccentric elements embellish, alter, and subvert visible action on the stage.Jonathan Walker demonstrates that by removing scenes from visible performance, playwrights take up the nondramatic mode of storytelling in order to transcend the limits of the stage. Through this technique, they present dramatic action from the subjective, self-interested, and idiosyncratic perspectives of individual characters. By recovering these offstage elements, Walker reveals the pervasive and formative dynamic between the onstage and offstage and between the seen and unseen in Renaissance drama.Examining premodern dramatic theory, Renaissance plays, period amphitheaters, and material texts, this interdisciplinary work considers woodcuts, engravings, archaeology, architecture, rhetoric, the history of the book, as well as plays by Shakespeare, Marlowe, Kyd, Ford, Middleton, and Webster, among others. It addresses readers engaged in literary criticism, dramatic theory, theater history, and textual studies.

During the early 1960s the Cold War reached its climax. Britain's dwindling power in the Middle East was under siege from Arab nationalism, the Communist bloc and from American designs in the region. Aden, with its strategic military base and old Protectorate buffer zone, was soon the main battleground. The 1962 Egyptian-inspired coup in the neighbouring Kingdom of North Yemen further tightened the noose. So began a bitter and bloody insurgency war in South Arabia. British regular an special forces were soon pitted against growing and formidable insurgency forces, fighting both a war in the mountains and an urban conflict in the backstreets of Aden. Intelligence agencies vied for control of 'hearts and minds'. The British launched a clandestine war in Yemen to keep their enemies at bay. But still the situation in Aden spiralled out of control, culminating in a bloody slaughter in 1967. In that November, the British Army finally withdrew from South Arabia. Aden Insurgency is the extraordinary story of Britain's last colonial conflict. Using a wide range of recently released archive and eye-witness accounts, the author charts the collapse of the South Arabian state. Set against a background of ruthless political ambition, these events shaped the Yemen of today.

'A thrilling and ground-breaking account' - Eye-Spy MagazineAs the war in Europe entered its final months, the world teetered on the edge of a Third World War. While Soviet forces hammered their way into Berlin, Churchill ordered British military planners to prepare the top secret Operation Unthinkable - the plan for an Allied attack on the Soviet Union - on 1 July 1945. Using US, British and Polish forces, the invasion would reclaim Eastern Europe. The controversial plan called for the use of Nazi troops, and there was the spectre of the atomic bomb. Would yet another army make the fatal mistake of heading East?In Churchill’s Third World War Jonathan Walker presents a haunting study of the war that so nearly was. He outlines the motivations behind Churchill’s plan, the logistics of launching a vast assault against an enemy who had bested Hitler, potential sabotage by Polish communists, and he speculates whether the Allies would have succeeded had the operation gone forward.Well supported by a wide range of primary sources from the Churchill Archives Centre, Sikorski Institute, National Archives and Imperial War Museum, this is a fascinating insight into the upheaval as the Second World War drew to a close and former alliances were shattered. Operation Unthinkable became the blueprint for the Cold War.

The Angels of L19 is a moving and entirely original story of young lives at the confluence of faith and doubt, angels and demons, life and death. And where redemption is possible, even for those we think might be lost forever.

'More speed, more light, more time. But this is the fastest possible film, pushed as hard as it can be pushed; the lens wide open to catch every drop of brightness; the slow exposure shaking the image apart. Right up at the edge. Go farther, closer.' VENICE, 2000. Richard is a postgraduate student living in the city to research its past. He's supposed to be working in the archive, but he meets Merlo and Lars, two art students who are more interested in Venice's present. He decides to pick up a camera and join them. The world comes alive for Richard through photographs: for the first time, he feels connected to a place - and other people. He's determined to continue, whatever the cost. Push Process is a novel about art, friendship and being European, illustrated with over fifty black-and-white photographs of Venice.

This text is a history of the battle of Bullecourt in 1917, one of the bloodiest battles of the Great War, which caused a lasting rift between the British and Australian armies.

This volume is an account of Britain's last End of Empire conflict. As Cold War tensions escalated, a brutal fight was contested with the rebel tribes of the wild interior as well as terrorist assassins in the back streets of Aden.

Fly away with Bill and Edward as they follow a flock of swifts into the unknown and beyond. Bill returns with a sense of wonder, before realising that swifts are even more mysterious than he first thought "Bill and Edward were now heading into unknown territory. The mystery deepened. They could see the sea, and they were moving toward it."