Kirjahaku

In the closing decade of the twentieth century, Don DeLillo emerged from the privileged status of a writer's writer to become by any measure - productivity, influence, scope, gravitas - the dominant novelist of fin-de-millennium America. Beginning in 1982 with ""The Names and continuing with White Noise and Underworld"", DeLillo defined himself as a provocative, articulate anatomist of American culture. Dewey offers an astute assessment of this daunting yet important writer's four-decade cultural critique. Dewey finds DeLillo's concerns to be organized around three rubrics that mark the writer's own creative evolution: the love of the street, the embrace of the word, and the celebration of the soul. Dewey takes the reader through the novelist's hip avant-garde satires of the mid-1960s, his dense interrogations of the power of language and the spell of narrative in the 1980s and 1990s, and his recent efforts to transcend the immediate. Dewey explores DeLillo's fascination with Eastern philosophies, interest in Native American traditions, passion for jazz, and deep roots in Catholicism.

This is a critical survey of works by a writer torn between Emersonian engagement and Dickinsonesque withdrawal.""Understanding Richard Powers"" presents an introduction to one of the most important and admired writers to emerge in the post-Pynchon era of American literature. Joseph Dewey contends that while Powers' novels investigate the most pressing issues of the new millennium, the novelist is most deeply interested in the same thematic argument that consumed Ralph Waldo Emerson and Emily Dickinson - the problem of the self, the deep and unshakable loneliness that has always been at the heart of the American literary imagination.Through an overview of Powers' career and close readings of his novels, which include ""Galatea 2.2"", ""Prisoner's Dilemma"", ""The Gold Bug Variations"", ""Operation Wandering Soul"", ""Gain"", and ""Plowing the Dark"", Dewey places Powers in context as a major voice in the first generation born entirely within the era of television and the computer and shows us how Powers reminds his readers that we have never been so connected and yet never quite so alone.

Pulitzer Prize-winning author Michael Chabon has emerged as one of the most daring writers of American fiction in the post-Pynchon era. Joseph Dewey examines how Chabon's narratives have sought to bring together the defining elements of the two principal expressions of the American narrative that his generation inherited: the formal extravagances of postmodernism and the compelling storytelling of psychological realism. Like the audacious, self-conscious excesses of Pynchon and his postmodern disciples, Dewey argues, Chabon's fictions are extravagant, often ironic, experiments into form animated by dense verbal and linguistic energy. As with the probing texts of psychological realism by Updike and his faithful, Chabon's fictions centre on keenly drawn, recognizable characters caught up in familiar, heartbreaking dilemmas; enthralling storylines compelled by suspense, enriched with suggestive symbols; and humane themes about love and death, work and family, and sexuality and religion.Evolving over three decades, this hybrid fiction has made Chabon not only one of the most widely read composers of serious fiction of his guild but one of the most critically respected writers as well, thus positioning Chabon as a representative voice of the generation. Dewey's study, the first to examine the full breadth of Chabon's fiction from his landmark debut novel, The Mysteries of Pittsburgh, to his controversial 2012 best seller, Telegraph Avenue, places Chabon's fictional sensibility, for all its hipness, within what has been the defining theme of American literature since the provocative romances of Hawthorne and Melville: the anxious tension between escape and engagement; between the sweet, centripetal pull of the redemptive imagination as a splendid, if imperfect, engine of retreat and the harsh, centrifugal pull of real life itself, recklessly deformed by the crude handiwork of surprise and chance and unable to coax even the simplest appearance of logic.

We're not implying anything but...It's time for a bit of no-nonsense advice in the form of some choice expletive-laden life lessons. This small but f*cking mighty tome is just the tonic to set you on the path to being an awesome human, and will teach YOU how not to be a D*CK.

Hey you. Yes, you. Have you ever wondered if you're being a dick? This pocket-sized humorous guide is here to help you be a decent human instead.Sometimes you need someone to tell you when you're acting up. We all make mistakes, and if you believe your behaviour has always been faultless, that probably means you can be a bit of an idiot at times.This small but mighty book will help you navigate life as a more self-aware and generally awesome person. Within its pages, you will find:- Hilarious, irreverent and no-nonsense direction- Life lessons bursting with wisdom (and expletives)- Actionable advice on how to be less of a prickThe perfect gift for a friend, colleague or sibling, and a must-read for most of us, Don't Be a Dick will call you out when you need it and show you how to be the best version of yourself. Whether sharing it with someone as a joke or a much-needed intervention, this little book is your go-to guide to help you stop dicking around.