Kirjahaku

In part one of this book Joshua L. Harper is able to demonstrate the following aspects of the Barberini version: when compared with the other Greek versions, it appears that the Barberini version was originally independent of the Septuagint but has been influenced by it in transmission. The Barberini version was probably translated no earlier than the later books of the Septuagint (that is, around the first century BC), and no later than the mid-third century AD. The style, methods of translation, and exegetical affinities suggest that the translator was primarily concerned with producing stylistic, understandable Greek rather than with conforming closely to the Hebrew source text. The translator was probably Jewish, particularly since some readings resonate with Jewish exegetical traditions. The relatively polished Greek suggests that the translator had received some formal Greek education, perhaps in a Hellenistic Jewish community. In the second part of this work Harper provides text, translation, and notes for the major Greek versions. The Barberini version has been analysed in particular detail, with regard to lexical and syntactical translation technique, as well as matters of style.

In part one of this book Joshua L. Harper is able to demonstrate the following aspects of the Barberini version: when compared with the other Greek versions, it appears that the Barberini version was originally independent of the Septuagint but has been influenced by it in transmission. The Barberini version was probably translated no earlier than the later books of the Septuagint (that is, around the first century BC), and no later than the mid-third century AD. The style, methods of translation, and exegetical affinities suggest that the translator was primarily concerned with producing stylistic, understandable Greek rather than with conforming closely to the Hebrew source text. The translator was probably Jewish, particularly since some readings resonate with Jewish exegetical traditions. The relatively polished Greek suggests that the translator had received some formal Greek education, perhaps in a Hellenistic Jewish community. In the second part of this work Harper provides text, translation, and notes for the major Greek versions. The Barberini version has been analysed in particular detail, with regard to lexical and syntactical translation technique, as well as matters of style.

In Habbakuk, Zephaniah, and Haggai, Joshua Harper provides a foundational examination of the Greek texts of these books. The analysis is distinguished by the detailed yet comprehensive attention paid to the texts. Harper's exposition is a convenient pedagogical and reference tool that explains the form and syntax of the biblical text, offers guidance for deciding between competing semantic analyses, engages important text-critical debates, and addresses questions relating to the Greek text that are frequently overlooked by standard commentaries. Beyond serving as a succinct and accessible analytic key, Habbakuk, Zephaniah, and Haggaialso reflects recent advances in scholarship on Greek grammar and linguistics and is informed by current discussions within Septuagint studies. These handbooks prove themselves indispensable tools for anyone committed to a deep reading of the Greek text of the Septuagint.