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Sir Joshua Reynolds' Discourses (Edition1)

Sir Joshua Reynolds' Discourses (Edition1)

Joshua Reynolds

Double 9 Books LLP
2025
nidottu
Sir Joshua Reynolds' discourses presents a series of reflections on artistic practice, emphasizing discipline, education, and the enduring value of classical influence. Through careful argument, it explores how imitation, when approached thoughtfully, becomes a foundation for innovation. The lectures consider the role of institutions in cultivating talent and propose that artistic excellence is not solely the product of innate genius, but also of rigorous study, observation, and perseverance. Drawing from the structure of the Royal Academy, the work highlights how formal instruction and exposure to great works shape an artist's ability to think critically and refine technique. The text examines the balance between imagination and rules, asserting that creativity flourishes best when rooted in sound principles. With attention to history, aesthetics, and personal responsibility, it encourages artists to hold themselves to high standards and engage with their craft as both intellectual pursuit and moral duty. The collection ultimately argues for a vision of art grounded in purpose, humility, and continuous self-examination.
Discourses on Art

Discourses on Art

Joshua Reynolds

Yale University Press
1997
pokkari
This standard edition of the Discourses on Art delivered by Sir Joshua Reynolds is now reissued in a new format and with improved illustrations. It has long been recognized as a fundamental text for the study of eighteenth-century English painting, and this edition is generally considered to be the definitive one.Robert R. Wark was Curator of Art Collections at the Henry E. Huntington Library and Art Gallery.Published for the Paul Mellon Centre for Studies in British Art
Seven Discourses Delivered in the Royal Academy by the President
As well as being the most distinguished painter of his generation, Sir Joshua Reynolds (1723–92) was also the author of several works of art criticism and guides for artists, some of which originated as lectures delivered to the students of the Royal Academy by him as their founding president. This work, first published in 1778, collects six of the addresses given to the Academy on 'Prize Day', between 1769 and 1776, prefaced with the first address by Reynolds to his fellow artists of the newly founded institution in 1769. Each discourse was later printed and distributed to those present at Reynolds' expense. They present his views of the purpose of art, and in particular the necessity of intellectual dignity in what he calls the 'great style' of the Florentine Renaissance masters. The discourses also demonstrate his wide reading among the aesthetic theorists of his own and earlier ages.