Kirjahaku

Sex, political violence in Stockholm, Tel Aviv and Paris.Political murder in suburban London.Death, love and homicide in New York.War in the belly of a whale. These are the themes in Julia Pascal's latest collection which takes place in London in 1946, Europe in 1982, Manhattan today and in a whale at anytime.Honeypot: Ten years after the massacres at the Munich Olympics, Susanne joins Mossad as a secret agent. This beautiful Swedish woman is at the heart of a struggle between desire and destruction, between love and infidelity, between motherhood and freedom. Between Arab and Jew.Broken English: An exploration of a secret history that happened in London just after the end of the war. Why was there a plot to assassinate Ernest Bevin, the Foreign Secretary by right-wing Jewish activists? When does loyalty to nation state conflict with loyalty to nation? Nineveh: What happens when four former soldiers are trapped in a whale? How can they live with the atrocities they have committed and escape from this hell which imprisons them? Based on research in Kashmir, Israel, Rwanda and Lebanon, this Beckettian play fuses absurd humour, the horror of war and the possibility of redemption in a ninety-minute drama.Woman on the Bridge: Judith, a London journalist, goes to the Brooklyn Bridge. Does she want to jump off? On her disturbing journey she spends a night with a very young man, she meets Anna, her hundred-and-ten-year old great aunt and Gloria, a homicide cop. Her encounters with these New Yorkers forces her to change her life.

Inspired by a series of debates at the Conference of Women Theatre Directors and Administrators, the articles in this issue record the history of women in the theatre and honour their accomplishments. It also aims to establish role models for women and enrich creativity in this domain.

Does Tommy know you're Jewish?Tommy knows I'm Irish.At 12:37pm on 22 July 1946, the King David Hotel in Jerusalem was bombed. 91 people were killed, 46 wounded. The bombing was carried out by right-wing Zionists, targeting the headquarters of the British in Palestine.Two Irish Jewish brothers, Paul and Cecil Green, journey from their Dublin birthplace to battle antisemitism on the streets of East London. Their Irish nationalism propels them towards Jewish nationalism as they struggle against British Imperialism to form a Jewish nation state. As violence between British soldiers and Jewish terrorists erupts, Paul and Cecil become involved in an act of terrorism that changes both their lives.12:37 raises complex and controversial questions around Jewish violence, homeland and national identity in a stunning new play that is both a hard-hitting historical epic and an intimate family drama.This edition was published to coincide with the world premiere at the Finborough Theatre, London, in November 2022.

Includes the plays Theresa, A Dead Woman on Holiday and The Dybbuk Presented as a trilogy at the New End Theatre in 1995 before touring much of Europe, The Dybbuk pays homage to Anski's great Russian classic. Set in a ghetto in Eastern Europe in 1942, it traces the final moments of five irreligious Jews. A Dead Woman on Holiday is a love story set during the Nuremberg trials. Theresa is based on secret research into the Channel Island occupation by the Nazis and the collaboration of the residents with the Holocaust. The play is still banned there.

Crossing Jerusalem: twenty four hours in the life of an Israeli family in March 2002. Varda an estate agent, is preparing a birthday lunch party for Yael, her daughter in law. Her husband Serge, a Russian emigre, is helping her clinch a tricky property deal. Her son Gideon and her daughter Lee are about to return to the Occupied Territories on reserve duty in the army. Bombs are going off in cafes, restaurants and street markets. Over this 24 hours huge questions surface as personal and political history burst into the present. The Israelis meet the Arabs in an East Jerusalem restaurant where Sammy, a Christian Arab and two Muslim Palestinians, Sharif and Yusuf, are waiting for customers. The encounter of enemies reveals a hidden past which returns to haunt Gideon. The Golem is a play for children, which has been touring schools since Autumn 2002. It's the tale of a friendly giant, the Golem, created by magic to save a village from harm. Fusing absurdism and physical theatre with original music and a modern text, this fantastic story will thrill and intrigue young audiences and their families.

" When Warsaw Ghetto-escapee Sarah visits the Venice Ghetto she happens to witness a group of actors staging a dress rehearsal of The Merchant of Venice, upon this chance encounter Sarah is confronted by the terrible story of 'The Jew' which touches her own life. Through this emotive and provocative play Julia Pascal re-works Shakespeare's controversial text, transposing the fervent theme of anti-Semitism raised by the bard, playing it out in a contemporary setting. Challenging the portrayal of 'The Jew' that for many years has dominated society's attitudes towards the Jewish people, Pascal ambitiously places her own text within Shakespeare's classic, producing a thoroughly thought-provoking and original work."

Inspired by a series of debates at the Conference of Women Theatre Directors and Administrators, the articles in this issue record the history of women in the theatre and honour their accomplishments. It also aims to establish role models for women and enrich creativity in this domain.

"The Yiddish Queen Lear: New York in the late 1930s: a once-famous Yiddish actress gives her theatre business over to her three daughters. The Yiddish Queen Lear is a story of love, infedelity, betrayal and exile, which examines the moment when Jewish East European and American cultures mix, on the eve of the Holocaust. Both a free reworking of Shakespeare's King Lear and a homage to the lost world of Yiddish theatre, The Yiddish Queen Lear is a vibrant, funny and tragic study of the clashes and connections between two very different worlds. ""This play is an affecting and electic treat."" Evening Standard (The Yiddish Queen Lear) Woman In The Moon: Set in the United States, England and Germany, between 1920 and 2001, Woman In The Moon is a dream play inspired by both the legend of Faust and the testimonies of French, Austrian and German survivors from Camp Dora. It explores the connections between the US space programme, the V1 and V2 bombers, and the slave labour in the Third Reich. ""Brave, intelligent and desperately moving."" The Guardian (Woman In The Moon)"