Kirjahaku

Man, Woman, Birth, Death, Infinity, Plus Red Tape, Bad Behavior, Money, God, and Diversity on Steroids A warts-and-all exploration of the struggles suffered and triumphs achieved by America's health-care professionals, Hospital follows a year in the life of Maimonides Medical Center in Brooklyn, which serves a diverse multicultural demographic. Unraveling the financial, ethical, technological, sociological, and cultural challenges encountered every day, bestselling author Julie Salamon tracks the individuals who make this complex hospital run-from doctors, patients, and administrators to nurses, ambulance drivers, cooks, and cleaners. Drawing on her skills as an award-winning interviewer, observer, and social critic, Salamon reveals the dynamic universe of small and large concerns and personalities that, taken together, determine the nature of care in America.

Winner of the Pulitzer Prize, the first woman playwright to win a Tony Award, Wendy Wasserstein was a Broadway luminary. But with her high-pitched giggle and unkempt curls, she projected an image of warmth and familiarity. Everyone knew Wendy Wasserstein. Or thought they did. In Wendy and the Lost Boys, Salamon delicately pieces together the many fractured narratives of Wendy's life--the stories (often contradictory) that she shared amongst friends and family, the half truths of her plays and essays, the confessions and camouflage present even in her own journal writing--to reveal Wendy's most expertly crafted character: herself. Born in Brooklyn on October 18, 1950 to Polish Jewish immigrant parents, Wendy was the youngest of Lola and Morris Wasserstein's five children. Her mother had big dreams for her children, and they didn't disappoint: Sandra, Wendy's glamorous sister, became a high-ranking corporate executive at a time when Fortune 500 companies were an impenetrable boys club. Their brother Bruce became a billionaire superstar of the investment banking world. Yet behind the family's remarkable success was a fiercely guarded world of private tragedies.Wendy perfected the family art of secrecy while cultivating a densely populated inner circle. Her long time friends included theater elite such as playwright Christopher Durang, Lincoln Center Artistic Director Andr Bishop, New York Times theater critic Frank Rich, the many women of the theater for whom she served as both mentor and ally, and countless others. Yet almost no one knew that Wendy was pregnant when, at age forty-eight, she was rushed to Mount Sinai Hospital to deliver Lucy Jane three months premature. The paternity of her daughter remains a mystery. At the time of Wendy's tragically early death less than six years later, very few were aware that she was gravely ill. The cherished confidante to so many, Wendy privately endured her greatest heartbreaks alone. At once a moving portrait of an uncommon woman, and a nuanced study of the generation she came to represent, Wendy and The Lost Boys uncovers the magic of Wendy's work. A daughter of the 1950s, an artist that came of age during the freewheeling 1970s, a power woman in 1980s New York, and a single mother at the turn of the century, Wendy's very life spoke to the tensions of an era of great change, for women in particular. Salamon brings each distinct moment to vibrant life, always returning to Wendy's works--The Heidi Chronicles and others--to show her in the free space of the theater. Here Wendy spoke in the most intimate of terms about everything that matters most: family and love, dreams and devastation. And that is the Wendy of Neverland, the Wendy who will never grow old.

When Brian De Palma agreed to allow Julie Salamon unlimited access to the film production of Tom Wolfe's best-selling book The Bonfire of the Vanities , both director and journalist must have felt like they were on to something big. How could it lose? But instead Salamon got a front-row seat at the Hollywood disaster of the decade. She shadowed the film from its early stages through the last of the eviscerating reviews, and met everyone from the actors to the technicians to the studio executives. They'd all signed on for a blockbuster, but there was a sense of impending doom from the start,heart-of-gold characters replaced Wolfe's satiric creations affable Tom Hanks was cast as the patrician heel Melanie Griffith appeared mid-shoot with new, bigger breasts. This riveting insider's portrait provides a timeless account of an industry where art, talent, ego, and money combine and clash on a monumental scale.

The definitive story of one American family at the center of a single, shocking act of international terrorism that "manages to capture the essence of the Israeli-Palestinian conflict" (Dan Ephron).On October 3, 1985, Leon Klinghoffer, a disabled Jewish New Yorker, and his wife boarded the Achille Lauro to celebrate their 36th wedding anniversary with a Mediterranean cruise. Four days later, four Palestinian fedayeen hijacked the Italian luxury liner and took the passengers and crew hostage. Leon Klinghoffer was shot in the head, his body and wheelchair thrown overboard. His murder became a flashpoint in the intractable struggle between Israelis and Arabs and gave Americans a horrifying preview of what it means when terrorism hits home.In this richly reported book, drawing on multiple perspectives, Julie Salamon dispels the mythology that has grown around that shattering moment. What transpired on the Achille Lauro left the Klinghoffer family in the grip of irredeemable sorrow, while precipitating tragic reverberations for the wives and sons of Abu al-Abbas, the Palestinian mastermind behind the hijacking, and the family of Alex Odeh, a Palestinian-American murdered in Los Angeles in a brutal act of retaliation.Through intimate interviews with almost all living participants, including one of the hijackers, Julie Salamon brings alive the moment-by-moment saga of the hijacking and the ensuing U.S.-led international manhunt; the diplomatic wrangling between the United States, Egypt, Italy, and Israel; the long agonizing search for justice; and the inside story of the controversial opera about the Klinghoffer tragedy that provoked a culture war. An Innocent Bystander is a masterful work of journalism that moves between the personal and the global with the pace of a geopolitical thriller and the depth of a psychological drama. Throughout lies the tension wrought by terrorism and its repercussions today.

When film director Brian De Palma invited author Julie Salamon to follow him on the set of The Bonfire of the Vanities, he had no idea that the $50-million movie would become one of Hollywood's biggest flops. The Devil's Candy is the juicy, best-selling expose that sent Hollywood honchos running for cover. Who was responsible for the last-minute casting change that cost $4 million? Who knew that Melanie Griffith would show up halfway through the filming with a new set of breasts? Settle down in your front-row seat for a story that has more drama, hilarity, greed, folly, and ego than the movie that eventually ended up on the screen. Expertly reported and elegantly written, The Devil's Candy is a classic insider's look at the movie business and irresistible fun.

The author of The Devil's Candy and White Lies--herself the daughter of Holocaust survivors--shares her family's stories: her mother's memory of Josef Mengele; her father's relocation to Ohio after the war; and her own Jewish upbringing in the heartland of America.

It's Friday and little Ruby gets to spend the day with her great-grandma, Tata. Together, they go for a walk with Ruby's grandma, Yaya. They take a nap. They read books. The whole family gathers for Shabbat dinner and Ruby gets to eat a delicious piece of challah bread. Best of all, throughout the day, Tata tells Ruby funny, fantastical stories that come from her dreams, in which she soars on a giant blueberry bird, or dances right on top of the dinner table. In this heartwarming tale that spans four generations of Jewish women, acclaimed author-illustrator duo Julie Salamon and Jill Weber celebrate family traditions, the enduring love between a girl and her great-grandma and the everlasting power of stories.

The classic New York Times–bestselling tale of friendship, generosity, and the magic and wonder of the Christmas spirit On his annual search for Rockefeller Center’s next Christmas tree, the chief gardener spots an ideal candidate: a stately Norway spruce located on the grounds of a convent. There he meets Sister Anthony, a nun for whom the tree has special meaning. Orphaned and sent to the convent as a lonely young girl, Sister Anthony befriended the then-tiny spruce whom she lovingly named “Tree.” Over the following decades, as the tree grew, so did Sister Anthony’s appreciation for the beauty and wonder of nature. She is reluctant to see her oldest and closest friend chopped down and sent away to New York City. But when a fierce blizzard threatens the old tree’s existence, Sister Anthony realizes it’s time to let the world enjoy Tree as she has for nearly her whole life. Accompanied by charming illustrations and a new introduction by the author, The Christmas Tree is a heartwarming story of love and friendship, a modern holiday classic for all ages.