Kirjahaku

In 1836, John Wilson Croker, having immersed himself in dozens of contemporary French novels, warned his readers that 'she who dares to read a single page of the hundred thousand licentious pages with which the last five years have indundated society, is lost for ever.' It has become common to build an opposition between the attitudes towards fiction held in prudish Victorian England and permissive 19th-century France. The lack of a full-length study of 19th-century Anglo-French literary relations means, however, that the rejection of French novels has been greatly exaggerated. French Novels and the Victorians sheds new light on these relations by exploring the enormous impact of French fiction on the Victorian reading public. The book considers the many different ties built between the two countries in the publishing industry, identifying how French novels could be accessed and by whom, as well as who promoted and who resisted the importation of Continental works in England and why. The book reflects on what 'immorality' meant to both critics and the readers they sought to warn, and how the notion was subjected to scrutiny through censorship debates as well as the fictional representations of readers. It also tackles the contemporary preoccupation with literary influence, and explores how the extensive circulation of French fiction in England affected the concept of a 'national' literature. In addition to highlighting the cultural importance of novelists such as Sand, Balzac, and Dumas, this book uncovers the networks and mediums that enabled French novels to cross the Channel, and looks at how the concept of 'the French novel' was elaborated, interpreted, and challenged.

Very Short Introductions: Brilliant, Sharp, Inspiring George Eliot pushed the boundaries of fiction and of Victorian society. She was an extraordinary woman whose unconventional life meant that she was judged harshly by family, friends, and strangers. Eliot wanted to draw attention to the feelings and motivations of ordinary people, so that we might feel more generous towards each other. But human beings are complex, and to capture that complexity Eliot drew on an astonishing range of philosophical, psychological, and scientific ideas. She hoped her work might do good, yet she was clear-eyed about the limits of both human sympathy and the novel. In this Very Short Introduction, Juliette Atkinson explores the ideas feeding Eliot's fiction and looks at the literary techniques - such as narrative voice, genre, imagery, structure, and syntax - that she used to embody them. These shape her recurrent themes: the stifling nature of gossip, the hardships experienced by commonplace individuals, the duty of practising fellow-feeling and the difficulty of doing so. Atkinson argues that George Eliot was a social outcast who became a sage, through the creation of some of the most influential novels ever written in English. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

In 1939, Virginia Woolf called for a more inclusive form of biography, which would include 'the failures as well as the successes, the humble as well as the illustrious'. She did so in part as a reaction against Victorian biography, deemed to have been overly preoccupied with 'Great Men'. Yet a significant number of Victorians had already broken ranks to write the lives of humble, unsuccessful, or neglected men and women. Victorian Biography Reconsidered seeks to uncover and assess this trend. The book begins with an overview of Victorian biography followed by a reflection on how the bagginess of nineteenth-century hero-worship enabled new subjects to emerge. Biographies of 'hidden' lives are then scrutinized through chapters on the lives of humble naturalists, failed destinies, minor women writers, neglected Romantic poets rescued by Victorian biographers, and, finally, the Dictionary of National Biography. In its conclusion, the book briefly discusses how Virginia Woolf absorbed earlier biographical trends before redirecting the representation of 'hidden' lives. Victorian Biography Reconsidered argues that, often paradoxically, nineteenth-century biographers regarded the public sphere with intense wariness. At a time of instability for men of letters, biographers embraced the role of mediators in a manner that asserted their own cultural authority. Frequently, they showed little interest in vouchsafing immortality for their unknown or forgotten subjects, but strove instead to provoke amongst their readers a feeling of gratitude for the hidden labour that sustained the nation and an appreciation for the writers who had brought it to their attention.

Drawn from his previously unpublished private diaries, the secret life of Santa is revealed with these festive anecdotes from over the centuries. Readers will discover the truth about where Santa Claus lives, how he manages the elves in his gift workshops at the North Pole, how the good saint's outfits have changed over the years, and that his favorite treat is a bag of Snowmints. With this ultimate Christmas gift book filled with artwork of Father Christmas, readers will delight in the secrets and surprises, including a pop-up snowflake, festive seasonal recipes, and even a silver sixpence.