Kirjahaku

NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE - Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family's queer desires, violent impulses, and buried secrets. "Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive."--O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD - LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD - LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine - NPR - The New York Public Library - Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies a myth--and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family's history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary " A] vivid, fabulist debut . . . the prose is full of imagery. Chang's wild story of a family's tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations."--Publishers Weekly

NEW YORK TIMES BOOK REVIEW EDITORS' CHOICE - Three generations of Taiwanese American women are haunted by the myths of their homeland in this spellbinding, visceral debut about one family's queer desires, violent impulses, and buried secrets. "Gorgeous and gorgeously grotesque . . . Every line of this sensuous, magical-realist marvel is utterly alive."--O: The Oprah Magazine FINALIST FOR THE LAMBDA LITERARY AWARD - LONGLISTED FOR THE VCU CABELL FIRST NOVELIST AWARD - LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE - NAMED ONE OF THE BEST BOOKS OF THE YEAR BY O: The Oprah Magazine - NPR - The New York Public Library - Kirkus Reviews One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. She was called Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterward, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her grandmother; a visiting aunt arrives with snakes in her belly; a brother tests the possibility of flight. All the while, Daughter is falling for Ben, a neighborhood girl with strange powers of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies a myth--and that she will have to bring her family's secrets to light in order to change their destiny. With a poetic voice of crackling electricity, K-Ming Chang is an explosive young writer who combines the wit and fabulism of Helen Oyeyemi with the subversive storytelling of Maxine Hong Kingston. Tracing one family's history from Taiwan to America, from Arkansas to California, Bestiary is a novel of migration, queer lineages, and girlhood. Praise for Bestiary " A] vivid, fabulist debut . . . the prose is full of imagery. Chang's wild story of a family's tenuous grasp on belonging in the U.S. stands out with a deep commitment to exploring discomfort with the body and its transformations."--Publishers Weekly

Startling stories center the bodies, memories, myths, and relationships of Asian American women in "a voracious, probing collection, proof of how exhilarating the short story can be" (The New York Times Book Review, Editors' Choice)--from the National Book Award "5 Under 35" honoree and author of Bestiary "Wise, energetic, funny, and wild, Gods of Want displays a boundless imagination anchored by the weight of ancestors and history."--Kali Fajardo-Anstine, author of Sabrina & Corina and Woman of LightWINNER OF THE LAMBDA LITERARY AWARD - ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, Them, Book Riot In "Auntland," a steady stream of aunts adjust to American life by sneaking surreptitious kisses from women at temple, buying tubs of vanilla ice cream to prepare for citizenship tests, and hatching plans to name their daughters "Dog." In "The Chorus of Dead Cousins," ghost-cousins cross space, seas, and skies to haunt their live-cousin, wife to a storm chaser. In "X f ," a mother-in-law tortures a wife in increasingly unsuccessful attempts to rid the house of her. In "Mariela," two girls explore one another's bodies for the first time in the belly of a plastic shark, while in "Virginia Slims," a woman from a cigarette ad comes to life. And in "Resident Aliens," a former slaughterhouse serves as a residence to a series of widows, each harboring her own calamitous secrets. With each tale, K-Ming Chang gives us her own take on a surrealism that mixes myth and migration, corporeality and ghostliness, queerness and the quotidian. Stunningly told in her feminist fabulist style, these are uncanny stories peeling back greater questions of power and memory.

"In the phenomenal Organ Meats, two friends are bound by a red string, dog bloodlines, and the violence that is being a girl" (Ms. magazine)--from the National Book Foundation 5 Under 35 honoree and author of Gods of Want. "Organ Meats possesses something of the febrile intensity of Elena Ferrante's Neapolitan novels, their laser focus on female friendship, but instead of Naples, K-Ming Chang's wild girls inhabit a magical universe of talking dogs and shape-shifting body parts."--The New York Times (Editors' Choice) LAMBDA LITERARY AWARD FINALIST - AN AUTOSTRADDLE BEST BOOK OF THE YEAR Best friends Anita and Rainie find refuge by an old sycamore tree with its neighboring lot of stray dogs who have a mysterious ability to communicate with humans. The girls learn that they are preceded by generations of dog-headed women and woman-headed dogs whose bloodlines bind them together. Anita convinces Rainie to become a dog with her, tying a collar of red string around each of their necks to preserve their kinship forever. But when the two girls are separated, Anita sinks into a dreamworld that only Rainie knows how to rescue her from. As Anita's body begins to rot, it is up to Rainie to rebuild Anita's body and keep her friend from being lost forever. Filled with ghosts and bodily entrails, this is a story about the horror and beauty of intimacy, written in K-Ming Chang's signature poetic and visceral lore.

Three generations of Taiwanese American women are haunted by the myths of their homeland in this blazing debut of one family's queer desires, violent impulses and buried secrets.One evening, Mother tells Daughter a story about a tiger spirit who lived in a woman's body. Her name was Hu Gu Po, and she hungered to eat children, especially their toes. Soon afterwards, Daughter awakes with a tiger tail. And more mysterious events follow: Holes in the backyard spit up letters penned by her estranged grandmother; a visiting aunt leaves red on everything she touches; a ghost bird shimmers in an ancient birdcage.All the while, Daughter is falling for a neighbourhood girl named Ben with mysterious stories of her own. As the two young lovers translate the grandmother's letters, Daughter begins to understand that each woman in her family embodies an old Taiwanese myth, and fears the power of the tiger spirit bristling within her to cause pain. She will have to bring her family's secrets to light in order to derail their destiny. 'What gives me fuel are other books - anything stylish and/or dirty. This year I loved reading K-Ming Chang's Bestiary' Raven Leilani, author of Luster

An erotic, surreal novella from the author of Organ Meats and Bestiary. Seven, who works as a cleaner at a chiropractor's office, reencounters Cecilia, a woman who has obsessed her since their school days. As the two of them board the same bus--each dubiously claiming not to be following the other--their chance meeting spurs a series of intensely vivid and corporeal memories. As past and present bleed together, Seven can feel her desire begin to unmoor her from the flow of time. Smart, subversive, and gripping, Cecilia is a winding, misty road trip through bodily transformation, the inextricable histories of violence and love, and the ghosts of girlhood friendship.

*WINNER OF THE 2023 LAMBDA LITERARY AWARD FOR LESBIAN FICTION*'Wild and lyrical, visionary and touching. Read her!' Sharlene TeoSurreal and seductive, Gods of Want is a startling first collection from a rising talent - one of the '5 Under 35' National Book Award honorees and author of Bestiary.These original stories brim with moths, myths, memories and mothers, nine-headed birds, ghost cousins and storm-chasers - and delve into corporeality and ghostliness, queerness and the quotidian, with boundless imagination. K-Ming Chang's storytelling is fierce, fabulist and feminist.In 'Auntland', a stream of aunts adjust to American life by sneaking kisses from women at temple and buying tubs of vanilla ice cream to prep for citizenship tests. In 'The Chorus of Dead Cousins', ghost cousins cross space, seas and skies to haunt their living cousin. In 'Xífù', a mother-in-law tortures a wife in increasingly unsuccessful attempts to oust her. In 'Mariela', two girls explore each other's bodies for the first time in the belly of a plastic shark. And in 'Resident Aliens', a series of mysterious widows, each harbouring a calamitous secret, make their home in a former slaughterhouse.An electrifying and singular new voice in fiction, K-Ming Chang has been heralded by writers including RAVEN LEILANI, DANEZ SMITH, KIRSTY LOGAN, KELLY LINK, JULIA PHILIPS, TASH AW, ELAINE CASTELLO, JENNIFER TSENG and JUSTIN TORRES.*A New York Times Notable Book of 2022*'Stunning and moving... One of our most brilliant authors' Bryan Washington'These stories glitter and pulse' Dantiel W. Montiz'A voracious, probing collection, proof of how exhilarating the short story can be' New York Times

'Thrillingly disorienting... ultra-sensual' GUARDIAN'Hauntingly beautiful' GLAMOUR'Rowdy and razor-sharp' ALEXANDRA KLEEMANAn erotic, surreal novella about the ecstasies of intense friendships and obsessive loveSeven, who works as a cleaner at a chiropractor’s office, re-encounters Cecilia, a woman who has obsessed her since their school days.As the two of them board the same bus – each dubiously claiming not to be following the other – their chance meeting spurs a series of intensely vivid and corporeal memories. As past and present bleed together, Seven can feel her desire begin to unmoor her from the flow of time.Smart, subversive and gripping, Cecilia is a winding, misty road trip through bodily transformation, inextricable histories of violence and love, and the ghosts of girlhood friendship.'An intriguing tale of obsession...at once strange and erotic' ATTITUDEPRAISE FOR K-MING CHANGBESTIARY‘Chang’s prose ravishes, ravages, rampages. An absolute lightning strike of a debut’ Kelly Link‘To read K-Ming Chang is to see the world in fresh, surreal technicolour… wild and lyrical, visionary and touching’ Sharlene Teo‘Fierce and funny, full of magic and grit’ Tash AwGODS OF WANT‘Blisteringly alive and unapologetically queer’ Guardian‘Strange, hilarious and unforgettable… a gift and a masterclass’ Bryan Washington‘Chang rewrites the world as a place of radical transformation’ New York Times Book Review

In Marimo, Mon Amour, an "accidental" bureaucratic data collapse leads to a swift and silent quarantine. Zinger Zingiber—erased from official records—is furloughed from her part-time roles as a dumpling-maker and asylum specialist. Sequestered in her apartment with only her pet moss ball, Marimo, for company, she reflects on isolation, grief, and the slipperiness of memory, bearing witness to a world suspended in time. Her narration blurs the line between dream and reality as she mourns lost connections, interrogates authority, and clings to the beauty of small, ephemeral moments.