Kirjahaku

A portrait of empire through the biographies of a Native American, a Pacific Islander, and the British artist who painted them both Three interconnected eighteenth-century lives offer a fresh account of the British empire and its intrusion into Indigenous societies. This engaging history brings together the stories of Joshua Reynolds and two Indigenous men, the Cherokee Ostenaco and the Ra‘iatean Mai. Fullagar uncovers the life of Ostenaco, tracing his emergence as a warrior, his engagement with colonists through war and peace, and his eventual rejection of imperial politics during the American Revolution. She delves into the story of Mai, examining his confrontation with conquest and displacement, his voyage to London on Cook’s imperial expedition, and his return home with a burning ambition to right past wrongs. Woven throughout is a new history of Reynolds—growing up in Devon near a key port in England, becoming a portraitist of empire, rising to the top of Britain’s art world, and yet remaining ambivalent about his nation’s expansionist trajectory.

In eighteenth-century Britain, the appearance of "savages" from the New World provoked intense fascination. Though such people had been arriving periodically for decades, it was only then that the "savage visit" became a sensation. Using a wealth of sources, Kate Fullagar shows why the phenomenon grew and how it related to bitter debates over the morality of imperial expansion.

The first joint biography of Bennelong and Governor Arthur Phillip, two pivotal figures in Australian history – the colonised and coloniser – and a bold and innovative new portrait of both.Australian Book Review Books of the Year 2023Sydney Morning Herald Best Reads of the Year for 2023 Bennelong and Phillip were leaders of their two sides in the first encounters between Britain and Indigenous Australians, Phillip the colony’s first governor, and Bennelong the Yiyura leader. The pair have come to represent the conflict that flared and has never settled. Fullagar’s account is also the first full biography of Bennelong of any kind and it challenges many misconceptions, among them that he became alienated from his people and that Phillip was a paragon of Enlightenment benevolence. It tells the story of the men’s marriages, including Bennelong’s best-known wife, Barangaroo, and Phillip’s unusual domestic arrangements, and places the period in the context of the Aboriginal world and the demands of empire. To present this history afresh, Bennelong & Phillip relates events in reverse, moving beyond the limitations of typical Western ways of writing about the past, which have long privileged the coloniser over the colonised. Bennelong’s world was hardly linear at all, and in Fullagar’s approach his and Phillip’s histories now share an equally unfamiliar framing.